The Forest. Stewart Edward White
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It seemed that an election had taken place the day before, that one Smith had been chosen to the Assembly, and that, though this district had gone anti-Smith, the candidate was expected to stop off an hour on his way to a more westerly point. Consequently the town was on hand to receive him.
The crowd, we soon discovered, was bourgeois in the extreme. Young men from the mill escorted young women from the shops. The young men wore flaring collars three sizes too large; the young women white cotton mitts three sizes too small. The older men spat, and talked through their noses; the women drawled out a monotonous flow of speech concerning the annoyances of domestic life. A gang of uncouth practical jokers, exploding in horse-laughter, skylarked about, jostling rudely. A village band, uniformed solely with cheap carriage-cloth caps, brayed excruciatingly. The reception committee had decorated, with red and white silesia streamers and rosettes, an ordinary side-bar buggy, to which a long rope had been attached, that the great man might be dragged by his fellow-citizens to the public square.
Nobody seemed to be taking the affair too seriously. It was evidently more than half a joke. Anti-Smith was more good-humouredly in evidence than the winning party. Just this touch of buffoonery completed our sense of the farce-comedy character of the situation. The town was tawdry in its preparations--and knew it; but half sincere in its enthusiasm--and knew it. If the crowd had been composed of Americans, we should have anticipated an unhappy time for Smith; but good, loyal Canadians, by the limitations of temperament, could get no further than a spirit of manifest irreverence.
In the shifting of the groups Dick and I became separated, but shortly I made him out worming his way excitedly toward me, his sketch-book open in his hand.
"Come here," he whispered. "There's going to be fun. They're going to open up on old Smith after all."
I followed. The decorated side-bar buggy might be well meant; the village band need not have been interpreted as an ironical compliment; the rest of the celebration might indicate paucity of resource rather than facetious intent; but surely the figure of fun before us could not be otherwise construed than as a deliberate advertising in the face of success of the town's real attitude toward the celebration.
The man was short. He wore a felt hat, so big that it rested on his ears. A gray wool shirt hung below his neck. A cutaway coat miles too large depended below his knees and to the first joints of his fingers. By way of official uniform his legs were incased in an ordinary rough pair of miller's white trousers, on which broad strips of red flannel had been roughly sewn. Everything was wrinkled in the folds of too-bigness. As though to accentuate the note, the man stood very erect, very military, and supported in one hand the staff of an English flag. This figure of fun, this man made from the slop-chest, this caricature of a scarecrow, had been put forth by heavy-handed facetiousness to the post of greatest honour. He was Standard-Bearer to the occasion! Surely subtle irony could go no further.
A sudden movement caused the man to turn. One sleeve of the faded, ridiculous old cutaway was empty. He turned again. From under the ear-flanging hat looked unflinchingly the clear, steady blue eye of the woodsman. And so we knew. This old soldier had come in from the Long Trail to bear again the flag of his country. If his clothes were old and ill-fitting, at least they were his best, and the largeness of the empty sleeve belittled the too-largeness of the other. In all this ribald, laughing, irreverent, commonplace, semi-vicious crowd he was the one note of sincerity. To him this was a real occasion, and the exalted reverence in his eye for the task he was so simply performing was Smith's real triumph--if he could have known it. We understood now, we felt the imminence of the Long Trail. For the first time the little brick, tawdry town gripped our hearts with the well-known thrill of the Jumping-Off Place. Suddenly the great, simple, unashamed wilderness drew near us as with the rush of wings.
IV.
ON MAKING CAMP.
"Who hath smelt wood-smoke at twilight? Who hath
heard the birch log burning?
Who is quick to read the noises of the night?
Let him follow with the others, for the young men's feet are turning
To the camps of proved desire and known delight."
In the Ojibway language wigwam means a good spot for camping, a place cleared for a camp, a camp as an abstract proposition, and a camp in the concrete as represented by a tent, a thatched shelter, or a conical tepee. In like manner, the English word camp lends itself to a variety of concepts. I once slept in a four-poster bed over a polished floor in an elaborate servant-haunted structure which, mainly because it was built of logs and overlooked a lake, the owner always spoke of as his camp. Again, I once slept on a bed of prairie grass, before a fire of dried buffalo chips and mesquite, wrapped in a single light blanket, while a good vigorous rain-storm made new cold places on me and under me all night. In the morning the cowboy with whom I was travelling remarked that this was "sure a lonesome proposition as a camp."
Between these two extremes is infinite variety, grading upwards through the divers bivouacs of snow, plains, pines, or hills to the bark shelter; past the dog-tent, the A-tent, the wall-tent, to the elaborate permanent canvas cottage of the luxurious camper, the dug-out winter retreat of the range cowboy, the trapper's cabin, the great log-built lumber-jack communities, and the last refinements of sybaritic summer homes in the Adirondacks. All these are camps. And when you talk of making camp you must know whether that process is to mean only a search for rattlesnakes and enough acrid-smoked fuel to boil tea, or a winter's consultation with an expert architect; whether your camp is to be made on the principle of Omar's one-night Sultan, or whether it is intended to accommodate the full days of an entire summer.
But to those who tread the Long Trail the making of camp resolves itself into an algebraical formula. After a man has travelled all day through the Northern wilderness he wants to rest, and anything that stands between himself and his repose he must get rid of in as few motions as is consistent with reasonable thoroughness. The end in view is a hot meal and a comfortable dry place to sleep. The straighter he can draw the line to those two points the happier he is.
Early in his woods experience, Dick became possessed with the desire to do everything for himself. As this was a laudable striving for self-sufficiency, I called a halt at about three o'clock one afternoon in order to give him plenty of time.
Now Dick is a good, active, able-bodied boy, possessed of average intelligence and rather more than average zeal. He even had theory of a sort, for he had read various "Boy Campers, or the Trapper's Guide," "How to Camp Out," "The Science of Woodcraft," and other able works. He certainly had ideas enough and confidence enough. I sat down on a log.
At the end of three hours' flusteration, heat, worry, and good hard work, he had accomplished the following results: A tent, very saggy, very askew, covered a four-sided area--it was not a rectangle--of very bumpy ground. A hodge-podge bonfire, in the centre of which an inaccessible coffee-pot toppled menacingly, alternately threatened to ignite the entire surrounding forest or to go out altogether through lack of fuel.