belongings strewed the ground near the fire, and provisions cumbered the entrance to the tent. Dick was anxiously mixing batter for the cakes, attempting to stir a pot of rice often enough to prevent it from burning, and trying to rustle sufficient dry wood to keep the fire going. This diversity of interests certainly made him sit up and pay attention. At each instant he had to desert his flour-sack to rescue the coffee-pot, or to shift the kettle, or to dab hastily at the rice, or to stamp out the small brush, or to pile on more dry twigs. His movements were not graceful. They raised a scurry of dry bark, ashes, wood dust, twigs, leaves, and pine needles, a certain proportion of which found their way into the coffee, the rice, and the sticky batter, while the smaller articles of personal belonging, hastily dumped from the duffel-bag, gradually disappeared from view in the manner of Pompeii and ancient Vesuvius. Dick burned his fingers and stumbled about and swore, and looked so comically-pathetically red-faced through the smoke that I, seated on the log, at the same time laughed and pitied. And in the end, when he needed a continuous steady fire to fry his cakes, he suddenly discovered that dry twigs do not make coals, and that his previous operations had used up all the fuel within easy circle of the camp.
So he had to drop everything for the purpose of rustling wood, while the coffee chilled, the rice cooled, the bacon congealed, and all the provisions, cooked and uncooked, gathered entomological specimens. At the last, the poor bedeviled theorist made a hasty meal of scorched food, brazenly postponed the washing of dishes until the morrow, and coiled about his hummocky couch to dream the nightmares of complete exhaustion.
Poor Dick! I knew exactly how he felt, how the low afternoon sun scorched, how the fire darted out at unexpected places, how the smoke followed him around, no matter on which side of the fire he placed himself, how the flies all took to biting when both hands were occupied, and how they all miraculously disappeared when he had set down the frying-pan and knife to fight them. I could sympathize, too, with the lonely, forlorn, lost-dog feeling that clutched him after it was all over. I could remember how big and forbidding and unfriendly the forest had once looked to me in like circumstances, so that I had felt suddenly thrust outside into empty spaces. Almost was I tempted to intervene; but I liked Dick, and I wanted to do him good. This experience was harrowing, but it prepared his mind for the seeds of wisdom. By the following morning he had chastened his spirit, forgotten the assurance breathed from the windy pages of the Boy Trapper Library, and was ready to learn.
Have you ever watched a competent portraitist at work? The infinite pains a skilled man spends on the preliminaries before he takes one step towards a likeness nearly always wears down the patience of the sitter. He measures with his eye, he plumbs, he sketches tentatively, he places in here a dab, there a blotch, he puts behind him apparently unproductive hours--and then all at once he is ready to begin something that will not have to be done over again. An amateur, however, is carried away by his desire for results. He dashes in a hit-or-miss early effect, which grows into an approximate likeness almost immediately, but which will require infinite labour, alteration, and anxiety to beat into finished shape.
The case of the artist in making camps is exactly similar, and the philosophical reasons for his failure are exactly the same. To the superficial mind a camp is a shelter, a bright fire, and a smell of cooking. So when a man is very tired he cuts across lots to those three results. He pitches his tent, lights his fire, puts over his food--and finds himself drowned in detail, like my friend Dick.
The following is, in brief, what during the next six weeks I told that youth, by precept, by homily, and by making the solution so obvious that he could work it out for himself.
When five or six o'clock draws near, begin to look about you for a good level dry place, elevated some few feet above the surroundings. Drop your pack or beach your canoe. Examine the location carefully. You will want two trees about ten feet apart, from which to suspend your tent, and a bit of flat ground underneath them. Of course the flat ground need not be particularly unencumbered by brush or saplings, so the combination ought not to be hard to discover. Now return to your canoe. Do not unpack the tent.
With the little axe clear the ground thoroughly. By bending a sapling over strongly with the left hand, clipping sharply at the strained fibres, and then bending it as strongly the other way to repeat the axe stroke on the other side, you will find that treelets of even two or three inches diameter can be felled by two blows. In a very few moments you will have accomplished a hole in the forest, and your two supporting trees will stand sentinel at either end of a most respectable-looking clearing. Do not unpack the tent.
Now, although the ground seems free of all but unimportant growths, go over it thoroughly for little shrubs and leaves. They look soft and yielding, but are often possessed of unexpectedly abrasive roots. Besides, they mask the face of the ground. When you have finished pulling them up by the roots, you will find that your supposedly level plot is knobby with hummocks. Stand directly over each little mound; swing the back of your axe vigorously against it, adze-wise, between your legs. Nine times out of ten it will crumble, and the tenth time means merely a root to cut or a stone to pry out. At length you are possessed of a plot of clean, fresh earth, level and soft, free from projections. But do not unpack your tent.
Lay a young birch or maple an inch or so in diameter across a log. Two clips will produce you a tent-peg. If you are inexperienced, and cherish memories of striped lawn marquees, you will cut them about six inches long. If you are wise and old and gray in woods experience, you will multiply that length by four. Then your loops will not slip off, and you will have a real grip on mother earth, than which nothing can be more desirable in the event of a heavy rain and wind squall about midnight. If your axe is as sharp as it ought to be, you can point them more neatly by holding them suspended in front of you while you snip at their ends with the axe, rather than by resting them against a solid base. Pile them together at the edge of the clearing. Cut a crotched sapling eight or ten feet long. Now unpack your tent.
In a wooded country you will not take the time to fool with tent-poles. A stout line run through the eyelets and along the apex will string it successfully between your two trees. Draw the line as tight as possible, but do not be too unhappy if, after your best efforts, it still sags a little. That is what your long crotched stick is for. Stake out your four corners. If you get them in a good rectangle, and in such relation to the apex as to form two isosceles triangles of the ends, your tent will stand smoothly. Therefore, be an artist and do it right. Once the four corners are well placed, the rest follows naturally. Occasionally in the North Country it will be found that the soil is too thin over the rocks to grip the tent-pegs. In that case drive them at a sharp angle as deep as they will go, and then lay a large flat stone across the slant of them. Thus anchored, you will ride out a gale. Finally, wedge your long sapling crotch under the line--outside the tent, of course--to tighten it. Your shelter is up. If you are a woodsman, ten or fifteen minutes has sufficed to accomplish all this.
There remains the question of a bed, and you'd better attend to it now, while your mind is still occupied with the shelter problem. Fell a good thrifty young balsam and set to work pulling off the fans. Those you cannot strip off easily with your hands are too tough for your purpose. Lay them carelessly crisscross against the blade of your axe and up the handle. They will not drop off, and when you shoulder that axe you will resemble a walking haystack, and will probably experience a genuine emotion of surprise at the amount of balsam that can be thus transported. In the tent lay smoothly one layer of fans, convex side up, butts toward the foot. Now thatch the rest on top of this, thrusting the butt ends underneath the layer already placed in such a manner as to leave the fan ends curving up and down towards the foot of your bed. Your second emotion of surprise will assail you as you realize how much spring inheres in but two or three layers thus arranged. When you have spread your rubber blanket, you will be possessed of a bed as soft and a great deal more aromatic and luxurious than any you would be able to buy in town.
Your next care is to clear a living space in front of the tent. This will take you about twenty seconds, for you need not be particular as to stumps, hummocks, or small brush. All you want is room for cooking, and suitable space for spreading
