The Enemies of Women (Los enemigos de la mujer). Vicente Blasco Ibanez

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The Enemies of Women (Los enemigos de la mujer) - Vicente Blasco Ibanez

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millions a year. His racing stables were the most celebrated in the capital. Many famous beauties of the court and the theaters were on good terms with Prince Michael Fedor. His supper parties in the Lubimoff palace or in the fashionable restaurants were sought after by all the young men of the aristocracy. To be invited to one of them was an extraordinary honor, something like being a member of an academy of supermen. It often happened that toward morning on nights of such parties celebrated women finished by dancing naked on the tables, so that the host "might not be displeased."

      Sometimes these celebrations ended in drunken brawls, where wine mingled with blood. The Colonel had seen one of these suppers result in a duel between two of the guests. It took place in the palace garden, just before dawn. One of the men was killed. His best friends carried the corpse to the quay of the Neva, and placed a revolver in his hand to make it look like a case of suicide.

      No: Don Marcos did not care much for those nocturnal feasts. He considered them dangerous. On one occasion, a youthful Grand Duke, absolutely drunk, amused himself by daubing the Colonel's whiskers with caviar, until, tired of such brazen familiarity, the Spaniard in turn put his hand in the dish and smeared the other man's august face with green. The duke hesitated for a moment whether or not to kill him, but finally embraced him, covering him with kisses and shouting aloud, "This is my father."

      Toledo preferred his own honorable and quiet friendships with General Saldaña's former companions in arms; solemn personages who talked to him about world politics and future wars. Besides, the Prince's generosity permitted the Colonel secret pleasures, less noisy, and agreeably unostentatious.

      One night, returning to the Lubimoff palace after two o'clock, he saw there was a supper party in the great dining hall used on gala occasions. Some fifty guests had assembled, and in the course of the night many more had arrived. It seemed that the news had spread throughout all the pleasure resorts of the capital, attracting all the youthful libertines.

      Opposite the Prince was seated a Cossack officer, short, lithe as a panther, dark skinned, with Asiatic eyes. His wrinkled uniform showed signs of recent traveling. Michael Fedor showed him the greatest attention, as though he were the only guest. Toledo, being acquainted with all the friends of the house, was unable to place this uncouth Cossack, who looked as though he had come from some remote garrison in Siberia. Some one offered to relieve his uncertainty. He was startled on learning that it was the brother of a court lady who just at that moment was being much talked about on account of her extreme familiarity with Michael Fedor. The two men looked at each other with keen interest, exchanging silent toasts in huge glasses of champagne. At the other end of the hall arose the ceaseless wail of gypsy violins. Several dark skinned girls with striped aprons of many colors were dancing about the tables. But in spite of that, Don Marcos, glancing about, felt instinctively a note of gloom.

      "Leon, the sabres!"

      The Prince, after looking at his watch, had arisen and given this order to his body servant, who was standing behind him. All the guests rushed for the doors forming a jam, like a crowd, pushing and shoving, at the entrance to a theater. There was no reason now to conceal their real feelings. They were eager for the promised spectacle. The Colonel finally found some one who could talk intelligibly.

      "He came last night, to ask the Prince to marry his sister. A thirty-eight day trip. … The Prince refuses. … It isn't often you'll see a match like this. … He's the best swordsman in Siberia."

      The garden was covered with snow. It was night, and the uncertain moon illumined it with slanting rays, lengthening immeasurably the shadows of the trees. More than a hundred men formed in two black masses on the borders of the walk. The Colonel noticed the arrival of several servants. One was bringing swords; the rest were carrying large trays with bottles and glasses.

      Michael Fedor bowed to his enemy, his eyes shining with kindliness and drink.

      "Would you like another glass of something?"

      The Cossack thanked him with a gesture, and immediately Toledo saw him remove his long coat, the breast of which was adorned with cartridge pouches. Then he took off his shirt, and finally remained in nothing save his trousers and high boots. Then he stooped, and seizing two handfuls of snow, began to rub his wiry body and muscular arms.

      The Prince, like many of the spectators, shivered slightly with surprise and cold; but nevertheless that the condition of the combat might be equal, Lubimoff felt it imperative that he should follow the example of his hardy adversary. While he was removing the upper part of his uniform several torches were lighted and began to blaze like red stars in the semi-darkness of the moonlit garden.

      Don Marcos could see the two men face to face. They were bare from the waist up. Their breasts shone from the moisture of the recent massage. In their hands quivered sabres as sharp as razors.

      "Ready!"

      Some one was directing the fight.

      "Why this is barbarous!" thought the Spaniard. "These men are savages."

      He did not dare say it aloud because he was a soldier, and more than that, a Colonel; but during the rest of his life he never could forget that scene.

      They crossed swords, parried, attacked, the Prince with firm poise, the other with catlike agility. Toledo could see that their bodies were blood red, but at the moment he thought it an effect of the torchlight. As they drew near him, circling about in their deadly play, he realized that they were actually red with blood. Their bodies seemed covered with a purple vestment that was torn to shreds and the shreds quivered at the ends as the blood dripped off. Standing out against that warm moist garment rose their white arms. The Prince was getting the worst of it. Toledo suddenly saw a deep gash appear in his brow; a moment later he thought he saw one of his ears hang half severed from the skull. But that wild cat from the steppes always sprang free from every sabre thrust. No one dared intervene; it was a duel without quarter, without rest, with no condition save the death of one or the other combatant. At times they came together, forming a single body bristling with white flashes in the shadow of the trees; a moment later they appeared apart, seeking each other in the fiery circle of the torches.

      Suddenly Toledo heard a wild cry of pain, the howl of a poor animal caught unawares. The Prince was the only one still standing. A straight thrust had slashed his adversary's jugular. Lubimoff stood there a moment motionless. Then his superhuman strength, which had sustained him until then, left him. With the loss of blood, all the weariness of the struggle came over him like a shot. He too tottered and fell, but into the arms of friends. There was not a single doctor among the spectators. No one had thought of that. They considered the presence of one unnecessary in an encounter that could end only in death.

      All the curiosity seekers left the garden, following the unconscious Prince. A few servants stayed behind, gathered about the body of the Cossack. He was lying face downward. With respectful awe they watched as his legs quivered for the last time, as the blood slowly emptied itself from the neck, and spread out across the snow, in a black stain that was beginning to take on a bluish tinge in the livid light of dawn.

      At the court, which had already shown frequent alarm over the Prince's notorious adventures, this event caused a great stir. Lubimoff's duels, his love affairs, his scandalous entertainments, annoyed the young Emperor, who had taken it upon himself to improve the morals of his associates.

      In aristocratic gatherings, the freakish whims of the almost forgotten Nadina Lubimoff were brought to memory and discussed again. The young Cossack was related to people of influence, and his death contributed to the complete disgrace of his sister.

      Michael Fedor had not yet entirely recovered from his wounds, when he received the order to leave Russia.

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