The Enemies of Women (Los enemigos de la mujer). Vicente Blasco Ibanez
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But Saldaña was not to enjoy this satisfaction for long. Among his various "lucky wounds," which only bothered him slightly with the changing of the seasons, there was one which from time to time inflicted periods of acute pain. For many years he had carried in his body a Spanish bullet which the sawbones of his guerrilla band had been unable to extract. When the surgeons of London and Paris attempted the operation it was too late.
One morning the General's valet, on entering the room, found him dead.
Michael Fedor never forgot the sorrow he had felt on that occasion, nor the sumptuous funeral which the Princess had ordered, equal to that of a king deceased in exile. But what he remembered most clearly was the extraordinary grief of his mother. She too wanted to die. Her Russian maids were once obliged to snatch from her hands a phial of laudanum, receiving for their pains a few more blows than usual. Then, with her hair streaming down her back, she ran about wailing like a madwoman in front of all the portraits of the General. Oh! Her hero! Now she really knew how much she loved him. …
For several months she received her visitors in a drawing room with black furnishings and curtains. Wearing loose mourning garments, she half reclined on a sofa in front of a full length portrait of Saldaña. His swords, his uniforms, and even a Russian saddle were on exhibition in the drawing room, which had been converted into a sort of museum of the deceased.
"He died like the man he was!" moaned the widow. "He was killed by his wounds."
At this period began the ultimate stage in the rise of Don Marcos Toledo. The Russian scholar receded into the background. A part of the dead man's glory passed to his humble fellow countryman who had witnessed his great exploits. One evening, the Princess, while engaged in conversation in the drawing room museum with some noble relatives who had arrived from Russia, wept so copiously at the memory of her husband, that she decided to leave the room for a moment.
"Colonel, your arm."
Toledo was present in company with his pupil, and looked around with an expression of bewilderment. The Princess had to repeat her command in a more imperious voice. "Colonel, your arm!" She was speaking to him! For some time Don Marcos thought that the new title was a whim of the Princess and that some day when he was least expecting it his commission as "Colonel" would be withdrawn.
But when the first months of mourning had passed and the widow, tiring of solitude, started to resume her social calls, she insisted on being accompanied by Toledo, and on introducing him to her acquaintances in the aristocratic world.
"He is the aide-de-camp of the dead Marquis," she explained.
The very title he had invented to give himself an air of importance in the eyes of his half-starved companions in poverty! Toledo no longer questioned the validity of his promotion. Now that the Princess was presenting him as her husband's aide-de-camp, he might well be a Colonel. And a Colonel he was, even for the young Prince, who at first had given him the title to make fun of him, but finally came to call him "Colonel" by force of habit.
Toledo's dreams of splendid and showy toggery were now realized magnificently. With the Princess he did not need to fear the scruples sometimes shown by Saldaña, who hated extravagance and mismanagement. The great lady even felt disdain for those who were niggardly in availing themselves of her generosity. Don Marcos was enabled to change his attire several times a day, and held long conferences with famous tailors. He sought personal elegance. He wished to dress like a gentleman of distinction, but at the same time to wear clothes of a cut that would plainly show that he was accustomed to uniforms: He had in mind something like a Napoleonic Marshal obliged to wear a dress suit. Through his barber, likewise, he effected a great transformation. He imitated the manner in which the General had worn his hair, with a part that started at his forehead and ended at the back of his neck, and with stray locks hanging down at the temples. His mustache was taught to mingle with his side whiskers, in the Russian fashion. In accompanying the Princess, he learned to kiss ladies' hands with the grace and ease of an old courtier. He also learned to carry on long conversations without saying anything, to keep himself in the background, practically unseen, while his superiors were talking.
When the Princess, after the first year of mourning, resolutely returned to her box at the Opera, Don Marcos attended her, remaining discreetly in the rear, like the Chamberlain of a Queen. One evening, during an intermission, on passing to the front of her box, the Princess heard the Colonel telling an old French general, a friend of the house, about the battle of Villablanca.
"And the Marquis said to me: 'Now it's your chance, Toledo: Let's see how you can make out with a bayonet charge.' So I bared my sword, and at the head of my regiment. … "
"He's a true soldier," interrupted the Princess, "a worthy companion of my hero. … The Marquis often talked to me about him."
And at that moment she was really sure she had heard the silent Saldaña relate the gallant deeds of his aide-de-camp.
The Russian teacher, regarded by Toledo as an unpleasant person who would bear watching, soon left the Lubimoff palace. Perhaps he was jealous of the Colonel's growing influence; perhaps mysterious reasons needed his attention far from Paris. The Princess did not mind in the least the disappearance of the scholar. She had forgotten her rebellious looking Russians; she stopped giving them money. At present she had other interests.
She suddenly evinced a desire to live for some time in London, and for this reason, she granted her son's request to be allowed to travel alone throughout Europe.
"You're a man now; you will soon be fourteen. Travel, and don't stop at expense; always remember that you are Prince Lubimoff. … The Colonel will go with you. He will be your aide, as he was for the heroic Marquis."
His first trip was to Spain. Michael Fedor wanted to see his father's native land. Toledo thought it in point for the young Prince to show great admiration for Spain. Michael must remember they were in the enemy's country. Toledo was a Carlist Colonel who had refused amnesty, and had declined to recognize the reigning dynasty! But they traveled for three months in Spain, without being noticed except for the largeness of their tips. It is quite true that Toledo avoided coming in contact with any of his former comrades. He felt that he now belonged to a different world. Inwardly he felt the same change the General had.
As soon as Michael Fedor had recovered from his first enthusiasm for bull fighting, they continued their travels across the continent as far as Russia, arriving considerably later than the numerous letters of introduction sent by the Princess Lubimoff to her relatives. The Prince remained there a year, visiting his less distant estates, and making the acquaintance of all the great families in his mother's circle of friends. The Colonel talked grandiloquently about everything related to war with various generals who received him as an equal. Was he not the aide and companion in heroic deeds of Saldaña, whom they had known in the war against Turkey, when they were mere subalterns?
The former friends of the Princess Lubimoff told her son some unexpected news. His mother had announced her forthcoming marriage to an English gentleman. She had written to the Czar asking his authorization. This news startled no one save Michael Fedor. The times of the wild Nadina had long since passed. Her actions aroused no further interest. Other young Princesses had effaced her memory with adventures that caused even greater commotion.