The Enemies of Women (Los enemigos de la mujer). Vicente Blasco Ibanez
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The Prince interrupted him with the sharp tone and imperious manner of a man who is not accustomed to considering objections.
"We have known each other for many years; we have known each other all our lives." Then he added soothingly:
"It isn't much that I'm offering you. Servants are scarce. There are no men except my old valet and those two Italian monkeys that the Colonel managed to recruit somewhere. The rest of the service is done by women. … But even so, our life will be pleasant. We shall isolate ourselves from a world gone crazy. We will not mention this war. We shall lead a comfortable existence, as the monks did in the monasteries of the Middle Ages, which were refreshing oases of tranquillity in the midst of violence and massacres. We shall eat well; the Colonel guarantees me that. The Library from the yacht is here. When I sold the boat, I had Don Marcos install all my books on the top floor. Our friend Novoa will find some volumes there which perhaps he does not know. Everyone will do what he pleases; free monks all of us, with no other obligation than to repair to the refectory at the proper hour. And if the 'number five gentleman' and the 'number seventeen gentleman' want to drop in at the Casino, they can do so, and someone will see to it that their pockets are kept filled. We must give something to vice, what the devil! Without vices, life wouldn't be worth living."
A silent approbation greeted these words of the master of Villa Sirena.
"The one thing I insist on," continued the Prince after a long pause, "is that we live alone, as men among men. No women! Women must be excluded from our life in common."
The pianist opened his eyes in astonishment; Castro stirred in his chair; Novoa removed his glasses with a mechanical gesture of surprise, immediately adjusting them once more to his nose.
There was another silence.
"What you propose," said Atilio, at last, with a smile, "reminds me of a comedy of Shakespeare. No women! And the hero in the end gets married."
"I know that play," replied the Prince, "but I am not in the habit of governing my life according to comedies, and I don't believe in their teachings. You can rest assured that I shan't marry, even if it gives the lie to Shakespeare and the French king from whose chronicle he got the material for his work."
"But what you're attempting is absurd," Castro went on: "I don't know what the rest think, but prevent me from … !"
With a gesture he ended his protest.
Then seeing that the Prince had remained thoughtful, he added:
"It is quite evident that you have had your fill! … You have gotten all you wanted, and now you want to force on us. … "
The Prince, although absorbed in his own train of thought, he had not heard him, interrupted.
"Seeing that you can't get along without it. … All right! I have no fixed intention of making a martyr of you. Go on being a slave to a necessity that is a result more of the imagination than of desire. Now that I really know life, I am astonished that men do so many foolish things for the sake of a passing pleasure. While you are here you may satisfy your whims whenever you like … but no women."
The three listeners looked at one another in astonishment; and even the Colonel, who never betrayed his feeling when his "lord" was speaking, showed a certain surprise on his countenance. What did the Prince mean?
"You are not ignorant, Atilio, of what a woman is. In the great majority of peoples on this earth there are only females. There are young females and old females; but there are no 'women.' Woman, as we understand the word, is the artificial product of civilizations which, somewhat like hot-house flowers, have reached their maturity with a complex perverse beauty. Only in the large cities that have come to be decadent because they have reached their limits, do you find 'women.' Not being mothers like the poor females, they give up all their time to love, prolong their youth marvelously, and scheme to inspire passions at an age when the others live like grandmothers. There you have the creatures that, personally, I am afraid of! If they come in here, it's the end of our society, our tranquil, even life."
The Prince arose from the table, and they all followed suit. Lunch being over they all passed into the great hall adjoining, where coffee was served. The Colonel looked about anxiously, examining the boxes of Havanas, and the large liquor chest with its varied cut glass and colored flasks, placed in a row.
While cutting the tip of his cigar, the Prince continued, speaking all the while to Castro:
"When you want … anything like that, all you need do is to choose in the vicinity of the Casino. A hundred or two francs; and then, good-by! … But the other ones! The women! They work their way into our lives, and finally dominate us, and want to mold our ways to suit their own. Their love for us after all is merely vanity, like that of the conqueror who loves the land that he has conquered with violence. They have all read books—nearly always stupidly and without understanding, to be sure, but they have read books—and such reading leaves them determined to satisfy all sorts of vague desires, and absurd whims, that succeed only in making slaves of us, and in moving us to act on impulses we have acquired in our own early romantic readings. … I know them. I have met too many of them in my life. If women from our social sphere mingle with us here, it means an end to peace. They will seek me out through curiosity on remembering my past life, or greed in thinking of my wealth; as for you men, they will come between you, making you jealous of one another and the life that I desire here will be impossible. … Besides, we are poor."
Atilio protested, smilingly: "Oh! poor!"
"Poor when it comes to the follies of the old days," continued the Prince, "and for love one needs money. All that talk about love being a disinterested thing was made up by poor people, who are satisfied with imitations. There is a glitter of gold at the bottom of every passion. At first we don't think of such things; desire blinds us. All we see is the immediate domination of the person so sweetly our adversary. But love invariably ends by giving or taking money."
"Take money from a woman! … Never!" said Castro, losing his ironic smile.
"You will end by taking it, if you are poor, and frequent the society of women. Those of our times think of nothing but money. When their love is a rich man, they ask him for it, even if they have a large fortune of their own. They feel less worthy if they don't ask. When they are fond of a poor man, they force him to receive gifts from them. They dominate him better by degrading him. Besides, in doing so they feel the selfish satisfaction of the person who gives alms. Woman, having always been forced to beg from man, has the greatest sensation of pride, and thinks she in turn can give money to some one of the sex that has always supported her."
Novoa, cup in hand, listened attentively to the Prince. Lubimoff was speaking of a world quite unknown to him. Spadoni, as he sipped his coffee, with a vague look in his eyes, was thinking of something far away.
"Now you know the worst, Atilio," the Prince went on. "No women! … That way we will lead a great life. All the morning, free! We shan't see one another until lunch time. Down below is the cove, there are still a number of boats. We can fish, while it's sunny; we can go rowing. In the afternoon you will go to the Casino; occasionally I shall go, too, to hear some concert. Spring is drawing near. At night, sitting on the terrace, watching the stars, our friend Novoa, the man of learning of our monastery, will expound the music of the spheres; and Spadoni, our musician, will sit down at the piano, and delight us with terrestrial music."
"Splendid!" exclaimed Castro. "You