The Enemies of Women (Los enemigos de la mujer). Vicente Blasco Ibanez
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On the occasional evenings when the professor would go to Monte Carlo and chance to meet Don Marcos, the latter would present him to his friends as a national celebrity. In this fashion Novoa had made the acquaintance of Castro and Spadoni, who never asked him more than how his luck was going.
When the coming of the Prince was announced, Toledo insisted that his illustrious friend the Professor should accompany him to the station in order to lose no time in introducing him to "His Highness."
"One of our country's prides. … Your Highness is so fond of everything Spanish."
Michael Fedor had spent a considerable portion of his life on the sea, and felt a certain sympathy for the modest young man, on learning of the studies in which he specialized.
They talked for a long time about oceanography, and the following day Prince Michael, who was in the habit of entertaining elaborately at his table the most divergent kinds of guests, said to his "chamberlain":
"Your scholar is a very fine fellow. Invite him to luncheon."
The guests all spoke Spanish. Spadoni was able to follow the conversation, with the little he had picked up while giving piano recitals in Buenos Ayres, Santiago, and other South American capitals. He had been there with an impresario, who finally got tired of backing him, and struggling with his childish irresponsibility.
As they were sitting down at the table, the Colonel noticed that the Prince seemed preoccupied with some absorbing meditation. He made a point of talking with Professor Novoa, expressing his surprise at the slight compensation the scientist received for his studies.
Castro and Spadoni gave their whole attention to their food. The days of the famous chef, to whom Prince Michael gave a salary worthy of a Prime Minister, were over. The "master" had been mobilized and at that moment was cooking for a general on the French front. However, Toledo had managed to discover a woman of some fifty years, whose combinations were less varied, perhaps, than those of the artist whom the war had snatched away, but more "classical," more solid and substantial—and the two men ate with the delight of people who, forever obliged to eat in restaurants and hotels, at last find themselves at a table where no economy or falsifications are practised.
About dessert time the conversation, becoming general, turned, as always happens when men are dining alone, to the subject of women. Toledo had a feeling that the Prince had gently steered the guests' talk in this direction. Suddenly Michael summed up his whole argument by declaring a second time:
"Man's greatest wisdom consists in getting along without women."
And then had followed the long interruption as the train of English soldiers, in a whirl of shouts, whistling and hissing, had gone by.
Atilio Castro waited until the last car had disappeared in the tunnel, and said with a subtle and somewhat ironical smile:
"The shouting and whistling sound like a mixture of applause and scorn for your profound remark. However, please don't bother with such inexpert opinion. What you said interests me. You abominate women, you who have had thousands of them! … Go on, Michael!"
But the Prince changed the conversation. He spoke of his impressions on returning to Villa Sirena after a long absence. Nothing remained to recall the former days, before the war, save the building and the gardens. All the men servants were mobilized: some in the French army, others in the Italian. The day after his arrival he had asked, as a matter of course, for an auto to go to Monte Carlo. There was no lack of machines. Three, of the best make, were lying as though forgotten, in the garage. But the chauffeurs too were at the front; and moreover there was no gasoline; and a permit was necessary to use the roads. … In short, he had been obliged to stand at the iron gate of the garden and wait for the Manton electric. It was a novelty for him, an interesting means of locomotion. It seemed as if he had suddenly been transported into a world he had forgotten, as he found himself among the common people on the car. The general curiosity annoyed him. Everyone was whispering his name: and even the conductor showed a certain emotion on seeing the owner of Villa Sirena among his passengers.
"And the worst of it all, my friends, is that I'm ruined!"
Spadoni stared with wide opened eyes as though hearing something extraordinary and absurd. Castro smiled incredulously.
"You ruined? … I'd be satisfied with a tenth of the remains."
The Prince nodded. He reminded one of those great transatlantic liners which, when they are wrecked, make the fortune of a whole population of poverty stricken people along the shore. Wealth was of course a relative thing. He might still have more than many people; but ruin it was for him, nevertheless.
"In view of what I am going to say later, I must not conceal from you the situation I am in. A few weeks ago I sold my Paris residence which my mother built. It was bought by a 'newly rich.' With this war, I'm going to become a 'newly poor.' You know, Atilio, how things have gone with me, since this row among the nations started. From the time they fired the first cannon they sent me from Russia only an eighth of what I received in times of peace; later much less. The revolution came and cut down my income still more. And, now under Comrade Lenin and the red flag, there is nothing coming through at all, absolutely nothing. I have no idea whatsoever of the fate of my houses, my fields, my mines … I don't know even what has become of those who were looking after my fortune there. They have probably all been killed."
The Colonel raised his eyes to the ceiling: "The revolution! … What they need is a master."
"But a rich man like you with reserve funds in the bank all the time, can always find some one to make him a loan until times are better."
"Perhaps; but it means practically poverty for me. My administrator told me when I was leaving Paris, that I ought to limit my expenses, live according to my present income. How much have I? … I don't know. He doesn't even know himself. He is balancing my accounts, collecting from some people and paying others—I had a lot of debts, it seems. Millionaires are never asked to pay their bills promptly. … In short, I shall have to live, like a ruined prince, on some sixty thousand dollars a year; perhaps more, perhaps less. I really don't know."
Castro and Spadoni seemed to be stirred with longing at the mention of such a sum. Novoa looked with an air of respect at this man who called himself his friend and thought himself poor with sixty thousand dollars a year.
"My administrator spoke to me of selling Villa Sirena as well as the Paris residence. It seems that the newly rich would like to get everything I have. A complete liquidation. … But I wouldn't listen to it. This is my own little nook; I made it what it is myself. Besides, life is impossible out in the world. The war has filled it with bitterness. Living in Paris is very gloomy. There is no one there. The streets are dark. The 'Gothas' make the people of our class worried and nervous. It is much better to leave. I thought I would settle down here and wait till this world madness is over."
"It is going to be a long wait," remarked Castro.
"I'm afraid so. However, this is an agreeable spot, a pleasant refuge, all the more delightful because of the selfish feeling that at this very moment millions of men are suffering every sort of hardship, and thousands are dying every day. … But after all, it isn't the same as it used to be. Even the Mediterranean is different. The minute the sun goes down, my good Colonel has to mask with black curtains the windows and doors looking out on the sea, so that the German submarines cannot guide themselves by our lights. … Dear me! Where are those wonderful days we spent here in time of peace, the festivals we used to have, those nights on the Gaviotta II when she anchored in