Toilers of the Sea. Victor Hugo
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Reverie, which is thought in its nebulous state, borders closely upon the land of sleep, by which it is bounded as by a natural frontier. The discovery of a new world, in the form of an atmosphere filled with transparent creatures, would be the beginning of a knowledge of the vast unknown. But beyond opens up the illimitable domain of the possible, teeming with yet other beings, and characterised by other phenomena. All this would be nothing supernatural, but merely the occult continuation of the infinite variety of creation. In the midst of that laborious idleness, which was the chief feature in his existence, Gilliatt was singularly observant. He even carried his observations into the domain of sleep. Sleep has a close relation with the possible, which we call also the invraisemblable. The world of sleep has an existence of its own. Night-time, regarded as a separate sphere of creation, is a universe in itself. The material nature of man, upon which philosophers tell us that a column of air forty-five miles in height continually presses, is wearied out at night, sinks into lassitude, lies down, and finds repose. The eyes of the flesh are closed; but in that drooping head, less inactive than is supposed, other eyes are opened. The unknown reveals itself. The shadowy existences of the invisible world become more akin to man; whether it be that there is a real communication, or whether things far off in the unfathomable abyss are mysteriously brought nearer, it seems as if the impalpable creatures inhabiting space come then to contemplate our natures, curious to comprehend the denizens of the earth. Some phantom creation ascends or descends to walk beside us in the dim twilight: some existence altogether different from our own, composed partly of human consciousness, partly of something else, quits his fellows and returns again, after presenting himself for a moment to our inward sight; and the sleeper, not wholly slumbering, nor yet entirely conscious, beholds around him strange manifestations of life—pale spectres, terrible or smiling, dismal phantoms, uncouth masks, unknown faces, hydra-headed monsters, undefined shapes, reflections of moonlight where there is no moon, vague fragments of monstrous forms. All these things which come and go in the troubled atmosphere of sleep, and to which men give the name of dreams, are, in truth, only realities invisible to those who walk about the daylight world. The dream-world is the Aquarium of Night.
So, at least, thought Gilliatt.
VIII
THE GILD-HOLM-'UR SEAT
The curious visitor, in these days, would seek in vain in the little bay of Houmet for the house in which Gilliatt lived, or for his garden, or the creek in which he sheltered the Dutch sloop. The Bû de la Rue no longer exists. Even the little peninsula on which his house stood has vanished, levelled by the pickaxe of the quarryman, and carried away, cart-load by cart-load, by dealers in rock and granite. It must be sought now in the churches, the palaces, and the quays of a great city. All that ridge of rocks has been long ago conveyed to London.
These long lines of broken cliffs in the sea, with their frequent gaps and crevices, are like miniature chains of mountains. They strike the eye with the impression which a giant may be supposed to have in contemplating the Cordilleras. In the language of the country they are called "Banques." These banques vary considerably in form. Some resemble a long spine, of which each rock forms one of the vertebræ; others are like the backbone of a fish; while some bear an odd resemblance to a crocodile in the act of drinking.
At the extremity of the ridge on which the Bû de la Rue was situate, was a large rock, which the fishing people of Houmet called the "Beast's Horn." This rock, a sort of pyramid, resembled, though less in height, the "Pinnacle" of Jersey. At high water the sea divided it from the ridge, and the Horn stood alone; at low water it was approached by an isthmus of rocks. The remarkable feature of this "Beast's Horn" was a sort of natural seat on the side next the sea, hollowed out by the water, and polished by the rains. The seat, however, was a treacherous one. The stranger was insensibly attracted to it by "the beauty of the prospect," as the Guernsey folks said. Something detained him there in spite of himself, for there is a charm in a wide view. The seat seemed to offer itself for his convenience; it formed a sort of niche in the peaked façade of the rock. To climb up to it was easy, for the sea, which had fashioned it out of its rocky base, had also cast beneath it, at convenient distances, a kind of natural stairs composed of flat stones. The perilous abyss is full of these snares; beware, therefore, of its proffered aids. The spot was tempting: the stranger mounted and sat down. There he found himself at his ease; for his seat he had the granite rounded and hollowed out by the foam; for supports, two rocky elbows which seemed made expressly for him; against his back, the high vertical wall of rock which he looked up to and admired, without thinking of the impossibility of scaling it. Nothing could be more simple than to fall into reverie in that convenient resting-place. All around spread the wide sea; far off the ships were seen passing to and fro. It was possible to follow a sail with the eye, till it sank in the horizon beyond the Casquets. The stranger was entranced: he looked around, enjoying the beauty of the scene, and the light touch of wind and wave. There is a sort of bat found at Cayenne, which has the power of fanning people to sleep in the shade with a gentle beating of its dusky wings. Like this strange creature the wind wanders about, alternately ravaging or lulling into security. So the stranger would continue contemplating the sea, listening for a movement in the air, and yielding himself up to dreamy indolence. When the eyes are satiated with light and beauty, it is a luxury to close them for awhile. Suddenly the loiterer would arouse; but it was too late. The sea had crept up step by step; the waters surrounded the rock; the stranger had been lured on to his death.
A terrible rock was this in a rising sea.
The tide gathers at first insensibly, then with violence; when it touches the rocks a sudden wrath seems to possess it, and it foams. Swimming is difficult in the breakers: excellent swimmers have been lost at the Horn of the Bû de la Rue.
In certain places, and at certain periods, the aspect of the sea is dangerous—fatal; as at times is the glance of a woman.
Very old inhabitants of Guernsey used to call this niche, fashioned in the rock by the waves, "Gild-Holm-'Ur" seat, or Kidormur; a Celtic word, say some authorities, which those who understand Celtic cannot interpret, and which all who understand French can—"Qui-dort-meurt:"[1] such is the country folks' translation.
The reader may choose between the translation, Qui-dort-meurt, and that given in 1819, I believe in The Armorican, by M. Athenas. According to this learned Celtic scholar, Gild-Holm-'Ur signifies "The resting-place of birds."
There is, at Aurigny, another seat of this kind, called the Monk's Chair, so well sculptured by the waves, and with steps of rock so conveniently placed, that it might be said that the sea politely sets a footstool for those who rest there.
In the open sea, at high water, the Gild-Holm-'Ur was no longer visible; the water covered it entirely.
The Gild-Holm-'Ur was a neighbour of the Bû de la Rue. Gilliatt knew it well, and often seated himself there. Was it his meditating place? No. We have already said he did not meditate, but dream. The sea, however, never entrapped him there.
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