Fromont and Risler — Complete. Alphonse Daudet
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For his own part, he knew no greater bliss than to sit before a foaming tankard, between his two friends, listening to their talk, and taking part only by a loud laugh or a shake of the head in their conversation, which was usually a long succession of grievances against society.
A childlike shyness, and the Germanisms of speech which he never had laid aside in his life of absorbing toil, embarrassed him much in giving expression to his ideas. Moreover, his friends overawed him. They had in respect to him the tremendous superiority of the man who does nothing over the man who works; and M. Chebe, less generous than Delobelle, did not hesitate to make him feel it. He was very lofty with him, was M. Chebe! In his opinion, a man who worked, as Risler did, ten hours a day, was incapable, when he left his work, of expressing an intelligent idea. Sometimes the designer, coming home worried from the factory, would prepare to spend the night over some pressing work. You should have seen M. Chebe’s scandalized expression then!
“Nobody could make me follow such a business!” he would say, expanding his chest, and he would add, looking at Risler with the air of a physician making a professional call, “Just wait till you’ve had one severe attack.”
Delobelle was not so fierce, but he adopted a still loftier tone. The cedar does not see a rose at its foot. Delobelle did not see Risler at his feet.
When, by chance, the great man deigned to notice his presence, he had a certain air of stooping down to him to listen, and to smile at his words as at a child’s; or else he would amuse himself by dazzling him with stories of actresses, would give him lessons in deportment and the addresses of outfitters, unable to understand why a man who earned so much money should always be dressed like an usher at a primary school. Honest Risler, convinced of his inferiority, would try to earn forgiveness by a multitude of little attentions, obliged to furnish all the delicacy, of course, as he was the constant benefactor.
Among these three households living on the same floor, little Chebe, with her goings and comings, formed the bond of union.
At all times of day she would slip into the workroom of the Delobelles, amuse herself by watching their work and looking at all the insects, and, being already more coquettish than playful, if an insect had lost a wing in its travels, or a humming-bird its necklace of down, she would try to make herself a headdress of the remains, to fix that brilliant shaft of color among the ripples of her silky hair. It made Desiree and her mother smile to see her stand on tiptoe in front of the old tarnished mirror, with affected little shrugs and grimaces. Then, when she had had enough of admiring herself, the child would open the door with all the strength of her little fingers, and would go demurely, holding her head perfectly straight for fear of disarranging her headdress, and knock at the Rislers’ door.
No one was there in the daytime but Frantz the student, leaning over his books, doing his duty faithfully. But when Sidonie enters, farewell to study! Everything must be put aside to receive that lovely creature with the humming-bird in her hair, pretending to be a princess who had come to Chaptal’s school to ask his hand in marriage from the director.
It was really a strange sight to see that tall, overgrown boy playing with that little girl of eight, humoring her caprices, adoring her as he yielded to her, so that later, when he fell genuinely in love with her, no one could have said at what time the change began.
Petted as she was in those two homes, little Chebe was very fond of running to the window on the landing. There it was that she found her greatest source of entertainment, a horizon always open, a sort of vision of the future toward which she leaned with eager curiosity and without fear, for children are not subject to vertigo.
Between the slated roofs sloping toward one another, the high wall of the factory, the tops of the plane-trees in the garden, the many-windowed workshops appeared to her like a promised land, the country of her dreams.
That Fromont establishment was to her mind the highest ideal of wealth.
The place it occupied in that part of the Marais, which was at certain hours enveloped by its smoke and its din, Risler’s enthusiasm, his fabulous tales concerning his employer’s wealth and goodness and cleverness, had aroused that childish curiosity; and such portions as she could see of the dwelling-houses, the carved wooden blinds, the circular front steps, with the garden-seats before them, a great white bird-house with gilt stripes glistening in the sun, the blue-lined coupe standing in the courtyard, were to her objects of continual admiration.
She knew all the habits of the family: At what hour the bell was rung, when the workmen went away, the Saturday payday which kept the cashier’s little lamp lighted late in the evening, and the long Sunday afternoon, the closed workshops, the smokeless chimney, the profound silence which enabled her to hear Mademoiselle Claire at play in the garden, running about with her cousin Georges. From Risler she obtained details.
“Show me the salon windows,” she would say to him, “and Claire’s room.”
Risler, delighted by this extraordinary interest in his beloved factory, would explain to the child from their lofty position the arrangement of the buildings, point out the print-shop, the gilding-shop, the designing-room where he worked, the engine-room, above which towered that enormous chimney blackening all the neighboring walls with its corrosive smoke, and which never suspected that a young life, concealed beneath a neighboring roof, mingled its inmost thoughts with its loud, indefatigable panting.
At last one day Sidonie entered that paradise of which she had heretofore caught only a glimpse.
Madame Fromont, to whom Risler often spoke of her little neighbor’s beauty and intelligence, asked him to bring her to the children’s ball she intended to give at Christmas. At first Monsieur Chebe replied by a curt refusal. Even in those days, the Fromonts, whose name was always on Rider’s lips, irritated and humiliated him by their wealth. Moreover, it was to be a fancy ball, and M. Chebe—who did not sell wallpapers, not he!—could not afford to dress his daughter as a circus-dancer. But Risler insisted, declared that he would get everything himself, and at once set about designing a costume.
It was a memorable evening.
In Madame Chebe’s bedroom, littered with pieces of cloth and pins and small toilet articles, Desiree Delobelle superintended Sidonie’s toilet. The child, appearing taller because of her short skirt of red flannel with black stripes, stood before the mirror, erect and motionless, in the glittering splendor of her costume. She was charming. The waist, with bands of velvet laced over the white stomacher, the lovely, long tresses of chestnut hair escaping from a hat of plaited straw, all the trivial details of her Savoyard’s costume were heightened by the intelligent features of the child, who was quite at her ease in the brilliant colors of that theatrical garb.
The whole assembled neighborhood uttered cries of admiration. While some one went in search of Delobelle, the lame girl arranged the folds of the skirt, the bows on the shoes, and cast a final glance over her work, without laying aside her needle; she, too, was excited, poor child! by the intoxication of that festivity to which she was not invited. The great man arrived. He made Sidonie rehearse two or three stately curtseys which he had taught her, the proper way to walk, to stand, to smile with her mouth slightly open, and the exact position of the little finger. It was truly amusing to see the precision with which the child went through the drill.
“She has dramatic blood in her veins!” exclaimed the old actor enthusiastically, unable to understand why that stupid Frantz was strongly inclined to weep.
A year after that happy evening Sidonie could have told you what flowers there were