DEACON-CLERKS OF BARNSTAPLE
PREFACE
The race of parish clerks is gradually becoming extinct. Before the recollection of their quaint ways, their curious manners and customs, has quite passed away, it has been thought advisable to collect all that can be gathered together concerning them. Much light has in recent years been thrown upon the history of the office. The learned notes appended to Dr. Wickham Legg's edition of The Parish Clerk's Book, published by the Henry Bradshaw Society, Dr. Atchley's Parish Clerk and his Right to Read the Liturgical Epistle (Alcuin Club Tracts), and other works, give much information with regard to the antiquity of the office, and to the duties of the clerk of mediæval times; and from these books I have derived much information. By the kindness of many friends and of many correspondents who are personally unknown to me, I have been enabled to collect a large number of anecdotes, recollections, facts, and biographical sketches of many clerks in different parts of England, and I am greatly indebted to those who have so kindly supplied me with so much valuable information. Many of the writers are far advanced in years, when the labour of putting pen to paper is a sore burden. I am deeply grateful to them for the trouble which they kindly took in recording their recollections of the scenes of their youth. I have been much amused by the humorous stories of old clerkly ways, by the facetiæ which have been sent to me, and I have been much impressed by the records of faithful service and devotion to duty shown by many holders of the office who won the esteem and affectionate regard of both priest and people. It is impossible for me to publish the names of all those who have kindly written to me, but I wish especially to thank the Rev. Canon Venables, who first suggested the idea of this work, and to whom it owes its conception and initiation [1]; to the Rev. B.D. Blyn-Stoyle, to Mr. F.W. Hackwood, the Rev. W.V. Vickers, the Rev. W. Selwyn, the Rev. E.H. L. Reeve, the Rev. W.H. Langhorne, Mr. E.J. Lupson, Mr. Charles Wise, and many others, who have taken a kindly interest in the writing of this book. I have also to express my thanks to the editors of the Treasury and of Pearson's Magazine for permission to reproduce portions of some of the articles which I contributed to their periodicals, to the editor of Chambers's Journal for the use of an article on some north-country clerics and their clerks by a writer whose name is unknown to me, and to the Rev. J. Gaskell Exton for sending to me an account of a Yorkshire clerk which, by the kindness of the editor of the Yorkshire Weekly Post, I am enabled to reproduce.
[1] Since the above was written, and while this book has been passing through the press, the venerable clergyman, Canon Venables, has been called away from earth. A zealous parish priest, a voluminous writer, a true friend, he will be much missed by all who knew him. Some months ago he sent me some recollections of his early days, of the clerks he had known, and his reflections on his long ministry, and these have been recorded in this book, and will now have a pathetic interest for his many friends and for all who admired his noble, earnest, and strenuous life.
THE PARISH CLERK
CHAPTER I
OLD-TIME CHOIRS AND PARSONS
A remarkable feature in the conduct of our modern ecclesiastical services is the disappearance and painless extinction of the old parish clerk who figured so prominently in the old-fashioned ritual dear to the hearts of our forefathers. The Oxford Movement has much to answer for! People who have scarcely passed the rubicon of middle life can recall the curious scene which greeted their eyes each Sunday morning when life was young, and perhaps retain a tenderness for old abuses, and, like George Eliot, have a lingering liking for nasal clerks and top-booted clerics, and sigh for the departed shades of vulgar errors.
Then and now--the contrast is great. Then the hideous Georgian "three-decker" reared its monstrous form, blocking out the sight of the sanctuary; immense pews like cattle-pens filled the nave. The woodwork was high and panelled, sometimes richly carved, as at Whalley Church, Lancashire, where some pews have posts at the corners like an old-fashioned four-posted bed. Sometimes two feet above the top of the woodwork there were brass rods on which slender curtains ran, and were usually drawn during sermon time in order that the attention of the occupants of the pew might not be distracted from devout meditations on the preacher's discourse--or was it to woo slumber? A Berkshire dame rather admired these old-fashioned pews, wherein, as she naively expressed it, "a body might sleep comfortable without all the parish knowin' on it."
It was of such pews that Swift wrote in his Baucis and Philemon:
"A bedstead of the antique mode,
Compact of timber many a load,
Such as our ancestors did use
Was metamorphosed into pews;
Which still their ancient nature keep
By lodging folks disposed to sleep."
The squire's pew was a wondrous structure, with its own special fire-place, the fire in which the old gentleman used to poke vigorously when the parson was too long in preaching. It was amply furnished, this squire's pew, with arm-chairs and comfortable seats and stools and books. Such a pew all furnished and adorned did a worthy clerk point out to the witty Bishop of Oxford, Bishop Wilberforce, with much pride and satisfaction. "If there be ought your lordship can mention to mak' it better, I'm sure Squire will no mind gettin' on it."
The bishop, with a merry twinkle in his eye, turned round to the vicar, who was standing near, and maliciously whispered:
"A card table!"
Such comfortable squires' pews still exist in some churches, but "restoration" has paid scanty regard to old-fashioned notions and ideas, and the squire and his family usually sit nowadays on benches similar to those used by the rest of the congregation.
Then the choir sat in the west gallery and made strange noises and sang curious tunes, the echoes of which we shall try to catch. No organ then pealed forth its reverent tones and awaked the church with dulcet harmonies: a pitch-pipe often the sole instrument. And then--what terrible hymns were sung! Well did Campbell say of Sternhold and Hopkins, the co-translators of the Psalms of David into English metre, "mistaking vulgarity for simplicity, they turned into bathos what they found sublime." And Tate and Brady's version, the "Dry Psalter" of "Samuel Oxon's" witticism, was little better. Think of the poetical
