The Parish Clerk. P. H. Ditchfield
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It would have been a far wiser policy to have reformed the old village orchestra, to have taught the rustic musicians to play better, than to have silenced them for ever and substituted the "grinstun" instrument.
The Village Choir.
Archbishop Tait once said that there is no one who
does not look back with a kind of shame to the sort of sermons which were preached, the sort of clergymen
who preached them, the sort of building in which they preached them, and the sort of psalmody with which the service was ushered in. The late Mr. Beresford Hope thus describes the kind of service that went on in the time of George IV in a market town of Surrey not far from London. It was a handsome Gothic church, the chancel being cut off from the nave by a solid partition covered with verses and strange paintings, among which Moses and Aaron show in peculiar uncouthness. The aisles were filled with family pews or private boxes, raised aloft, and approached by private doors and staircases. These were owned by the magnates of the place, who were wont to bow their recognitions across the nave. There was a decrepit west gallery for the band, and the ground floor was crammed with cranky pews of every shape. A Carolean pulpit stood against a pillar, with reading-desk and clerk's box underneath. The ante-Communion Service was read from the desk, separated from the liturgy and sermon by such renderings of Tate and Brady as the unruly gang of volunteers with fiddles and wind instruments in the gallery pleased to contribute. The clerk, a wizened old fellow in a brown wig, repeated the responses in a nasal twang, and with a substitution of w for v so constant as not even to spare the Beliefs; while the local rendering of briefs, citations, and excommunications included announcements by this worthy, after the Nicene Creed, of meetings at the town inn of the executors of a deceased duke. Two hopeful cubs of the clerk sprawled behind him in the desk, and the back-handers occasionally intended to reduce them to order were apt to resound against the impassive boards. During the sermon this zealous servant of the sanctuary would take up his broom and sweep out the middle alley, in order to save himself the fatigue of a weekday visit. Soon, however, the clerk and his broom followed Moses and Aaron, the fiddles and the bassoons into the land of shadows.
No sketch of bygone times, in which the clerk flourished in all his glory, would be complete without some reference to the important person who occupied the second tier in the "three-decker," and decked in gown and bands delivered somnolent sermons from its upper storey. Curious stories are often told of the careless parsons of former days, of their irreverence, their love of sport, their neglect of their parishes, their quaint and irreverent manners; but such characters, about whom these stories were told, were exceptional. By far the greater number lived well and did their duty and passed away, and left no memories behind except in the tender recollections of a few simple-minded folk. There were few local newspapers in those days to tell their virtues, to print their sermons or their speeches at the opening of bazaars or flower-shows. They did their duty and passed away and were forgotten; while the parsons, like the wretch Chowne of the Maid of Sker, live on in anecdote, and grave folk shake their heads and think that the times must have been very bad, and the clergy a disgrace to their cloth. As with the clerk, so with his master; the evil that men do lives after them, the good is forgotten. There has been a vast amount of exaggeration in the accounts that have come down to us of the faithlessness, sluggishness, idleness, and base conduct of the clergy of the eighteenth and early nineteenth centuries, and perhaps a little too much boasting about the progress which our age has witnessed.
It would be an easy task to record the lives of many worthy country clergymen of the much-abused Hanoverian period, who were exemplary parish priests, pious, laborious, and beloved. In recording the eccentricities and lack of reverence of many clerics and their faithful servitors, it is well to remember the many bright lights that shone like lamps in a dark place.
It would be a difficult task to write a history of our parish priesthood, for reasons which have already been stated, and such a labour is beyond our present purpose. But it may be well to record a few of the observations which contemporary writers have made upon the parsons of their day in order to show that they were by no means a set of careless, disreputable, and unworthy men.
During the greater part of the eighteenth century there lived at Seathwaite, Lancashire, as curate, the famous Robert Walker, styled "the Wonderful," "a man singular for his temperance, industry, and integrity," as the parish register records.
Wordsworth alludes to him in his eighteenth sonnet on Durdon as a worthy compeer of the country parson of Chaucer, and in the seventh book of the Excursion an abstract of his character is given:
"A priest abides before whose lips such doubts
Fall to the ground, as in those days
When this low pile a gospel preacher knew
Whose good works formed an endless retinue;
A pastor such as Chaucer's verse portrays,
Such as the heaven-taught skill of Herbert drew,
And tender Goldsmith crown'd with deathless praise."
The poet also gives a short memoir of the Wonderful Walker. In this occurs the following extract from a letter dated 1775:
"By his frugality and good management he keeps the wolf from the door, as we say; and if he advances a little in the world it is owing more to his own care than to anything else he has to rely upon. I don't find his inclination in running after further preferment. He is settled among the people that are happy among themselves, and lives in the greatest unanimity and friendship with them; and, I believe, the minister and people are exceedingly satisfied with each other: and indeed, how should they be dissatisfied, when they have a person of so much worth and probity for their pastor? A man who for his candour and meekness, his sober, chaste, and virtuous conversation, his soundness in principle and practice, is an ornament to his profession and an honour to the country he is in; and bear with me if I say, the plainness of his dress, the sanctity of his manners, the simplicity of his doctrine, and the vehemence of his expression, have a sort of resemblance to the pure practice of primitive Christianity."
The income of his chapelry was the munificent sum of £17 10 s. He reared and educated a numerous family of twelve children. Every Sunday he entertained those members of his congregation who came from a distance, taught the village school, acted as scrivener and lawyer for the district, farmed, and helped his neighbours in haymaking and sheep-shearing, spun cloth, studied natural history, and, in spite of all this, was throughout a devoted and earnest parish priest. He was certainly entitled to his epithet "the Wonderful."
Goldsmith has given us a charming picture of an old-world parson in his Vicar of Wakefield, and Fielding sketches a no less worthy cleric in his portrait of the Rev. Abraham Adams in his Joseph Andrews. As a companion picture he drew the character of the pig-keeping Parson Trulliber, no scandalous cleric, though he cared more for his cows and pigs than he did for his parishioners.
"Hawks should not peck out hawks' e'en," and parsons should not scoff at their fellows; yet Crabbe was a little unkind in his description of country parsons, though he could say little against the character of his vicar.
"Our Priest was cheerful and in season gay;