That Fortune. Charles Dudley Warner

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That Fortune - Charles Dudley Warner

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best. When he went off to college the lad had not a good preparation, but he knew a great deal that would not count in the entrance examinations.

      “You will need all the tools you can get the use of, my boy, in the struggle,” was the advice of his mentor, “and the things you will need most may be those you have thought least of. I never go fishing without both fly and bait.”

      Philip was always grateful that before he entered college he had a fine reading knowledge of French, and that he knew enough German to read and enjoy Heine's poems and prose, and that he had read, or read in, pretty much all the English classics.

      He used to recall the remark of a lad about his own age, who was on a vacation visit to Rivervale, and had just been prepared for college at one of the famous schools. The boys liked each other and were much together in the summer, and talked about what interested them during their rambles, carrying the rod or the fowling-piece. Philip naturally had most to say about the world he knew, which was the world of books—that is to say, the stored information that had accumulated in the world. This more and more impressed the trained student, who one day exclaimed:

      “By George! I might have known something if I hadn't been kept at school all my life.”

      Philip's career in college could not have been called notable. He was not one of the dozen stars in the class-room, but he had a reputation of another sort. His classmates had a habit of resorting to him if they wanted to “know anything” outside the text-books, for the range of his information seemed to them encyclopaedic. On the other hand, he escaped the reputation of what is called “a good fellow.” He was not so much unpopular as he was unknown in the college generally, but those who did know him were tolerant of the fact that he cared more for reading than for college sports or college politics. It must be confessed that he added little to the reputation of the university, since his name was never once mentioned in the public prints—search has been made since the public came to know him as a writer—as a hero in any crew or team on any game field. Perhaps it was a little selfish that his muscle developed in the gymnasium was not put into advertising use for the university. The excuse was that he had not time to become an athlete, any more than he had time to spend three years in the discipline of the regular army, which was in itself an excellent thing.

      Celia, in one of her letters—it was during her first year at a woman's college, when the development of muscle in gymnastics, running, and the vigorous game of ball was largely engaging the attention of this enthusiastic young lady—took him to task for his inactivity. “This is the age of muscle,” she wrote; “the brain is useless in a flabby body, and probably the brain itself is nothing but concentrated intelligent muscle. I don't know how men are coming out, but women will never get the position they have the right to occupy until they are physically the equals of men.”

      Philip had replied, banteringly, that if that were so he had no desire to enter in a physical competition with women, and that men had better look out for another field.

      But later on, when Celia had got into the swing of the classics, and was training for a part in the play of “Antigone,” she wrote in a different strain, though she would have denied that the change had any relation to the fact that she had strained her back in a rowing-match. She did not apologize for her former advice, but she was all aglow about the Greek drama, and made reference to Aspasia as an intellectual type of what women might become. “I didn't ever tell you how envious I used to be when you were studying Greek with that old codger in Rivervale, and could talk about Athens and all that. Next time we meet, I can tell you, it will be Greek meets Greek. I do hope you have not dropped the classics and gone in for the modern notion of being real and practical. If I ever hear of your writing 'real' poetry—it is supposed to be real if it is in dialect or misspelled! never will write you again, much less speak to you.”

      Whatever this decided young woman was doing at the time she was sure was the best for everybody to do, and especially for Master Phil.

      Now that the days of preparation were over, and Philip found himself in New York, face to face with the fact that he had nowhere to look for money to meet the expense of rent, board, and clothes except to his own daily labor, and that there was another economy besides that which he had practiced as to luxuries, there were doubtless hours when his faith wavered a little in the wisdom of the decision that had invested all his patrimony in himself. He had been fortunate, to be sure, in securing a clerk's desk in the great law-office of Hunt, Sharp & Tweedle, and he had the kindly encouragement of the firm that, with close application to business, he would make his way. But even in this he had his misgivings, for a great part of his acquirements, and those he most valued, did not seem to be of any use in his office-work. He had a lofty conception of his chosen profession, as the right arm in the administration of justice between man and man. In practice, however, it seemed to him that the object was to win a case rather than to do justice in a case. Unfortunately, also, he had cultivated his imagination to the extent that he could see both sides of a case. To see both sides is indeed the requisite of a great lawyer, but to see the opposite side only in order to win, as in looking over an opponent's hand in a game of cards. It seemed to Philip that this clear perception would paralyze his efforts for one side if he knew it was the wrong side. The argument was that every cause a man's claim or his defense—ought to be presented in its fullness and urged with all the advocate's ingenuity, and that the decision was in the bosom of an immaculate justice on the bench and the unbiased intelligence in the jury-box. This might be so. But Philip wondered what would be the effect on his own character and on his intellect if he indulged much in the habit of making the worse appear the better cause, and taking up indifferently any side that paid. For himself, he was inclined always to advise clients to “settle,” and he fancied that if the occupation of the lawyer was to explain the case to people ignorant of it, and to champion only the right side, as it appeared to an unprejudiced, legally trained mind, and to compose instead of encouraging differences, the law would indeed be a noble profession, and the natural misunderstandings, ignorance, and different points of view would make business enough.

      “Stuff!” said Mr. Sharp. “If you begin by declining causes you disapprove of, the public will end by letting you alone in your self-conceited squeamishness. It's human nature you've got to deal with, not theories about law and justice. I tell you that men like litigation. They want to have it out with somebody. And it is better than fisticuffs.”

      From Mr. Hunt, who moved in the serener upper currents of the law, Philip got more satisfaction.

      “Of course, Mr. Burnett, there are miserable squabbles in the law practice, and contemptible pettifoggers and knaves, and men who will sell themselves for any dirty work, as there are in most professions and occupations, but the profession could not exist for a day if it was not on the whole on the side of law and order and justice.

      “No doubt it needs from time to time criticism and reformation. So does the church. You look at the characters of the really great lawyers! And there is another thing. In dealing with the cases of our complex life, there is no accomplishment, no learning in science, art, or literature, that the successful practitioner will not find it very advantageous to possess. And a lawyer will never be eminent who has not imagination.”

      Philip thought he had a very good chance of exercising his imagination in the sky chamber where he slept—a capital situation from which to observe the world. There could not have been an uglier view created—a shapeless mass of brick and stone and painted wood, a collected, towering monstrosity of rectangular and inharmonious lines, a realized dream of hideousness—but for the splendid sky, always changing and doing all that was possible in the gleams and shadows and the glowing colors of morning and evening to soften the ambitious work of man; but for the wide horizon, with patches of green shores and verdant flats washed by the kindly tide; but for the Highlands and Staten Island, the gateway to the ocean; but for the great river and the mighty bay shimmering and twinkling and often iridescent, and the animated life of sails and steamers,

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