That Fortune. Charles Dudley Warner
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When Philip came home from the office at sunset, through the bustling streets, and climbed up to his perch, he insensibly brought with him something of the restless energy and strife of the city, and in this mood the prospect before him took on a certain significance of great things accomplished, of the highest form of human energy and achievement; he was a part of this exuberant, abundant life, to succeed in the struggle seemed easy, and for the moment he possessed what he saw.
The little room had space enough for a cot bed, a toilet-stand, a couple of easy-chairs—an easy-chair is the one article of furniture absolutely necessary to a reflecting student—some well-filled book-shelves, a small writing-desk, and a tiny closet quite large enough for a wardrobe which seemed to have no disposition to grow. Except for the books and the writing-desk, with its heterogeneous manuscripts, unfinished or rejected, there was not much in the room to indicate the taste of its occupant, unless you knew that his taste was exhibited rather by what he excluded from the room than by what it contained. It must be confessed that, when Philip was alone with his books and his manuscripts, his imagination did not expand in the directions that would have seemed profitable to the head of his firm. That life of the town which was roaring in his ears, that panorama of prosperity spread before him, related themselves in his mind not so much as incitements to engage in the quarrels of his profession as something demanding study and interpretation, something much more human than processes and briefs and arguments. And it was a dark omen for his success that the world interested him much more for itself than for what he could make out of it. Make something to be sure he must—so long as he was only a law clerk on a meagre salary—and it was this necessity that had much to do with the production of the manuscripts. It was a joke on Philip in his club—by-the-way, the half-yearly dues were not far off—that he was doing splendidly in the law; he already had an extensive practice in chambers!
The law is said to be a jealous mistress, but literature is a young lady who likes to be loved for herself alone, and thinks permission to adore is sufficient reward for her votary. Common-sense told Philip that the jealous mistress would flout him and land him in failure if he gave her a half-hearted service; but the other young lady, the Helen of the professions, was always beckoning him and alluring him by the most subtle arts, occupying all his hours with meditations on her grace and beauty, till it seemed the world were well lost for her smile. And the fascinating jade never hinted that devotion to her brought more drudgery and harassment and pain than any other service in the world. It would not have mattered if she had been frank, and told him that her promise of eternal life was illusory and her rewards commonly but a flattering of vanity. There was no resisting her enchantments, and he would rather follow her through a world of sin and suffering, pursuing her radiant form over bog and moor, in penury and heartache, for one sunrise smile and one glimpse of her sunset heaven, than to walk at ease with a commonplace maiden on any illumined and well-trod highway.
V
It is the desire of every ambitious soul to, enter Literature by the front door, and the few who have patience and money enough to live without the aid of the beckoning Helen may enter there. But a side entrance is the destiny of most aspirants, even those with the golden key of genius, and they are a long time in working their way to be seen coming out, of the front entrance. It is true that a man can attract considerable and immediate attention by trying to effect an entrance through the sewer, but he seldom gains the respect of the public whom he interests, any more than an exhibitor of fireworks gains the reputation of an artist that is accorded to the painter of a good picture.
Philip was waiting at the front door, with his essays and his prose symphonies and his satirical novel—the satire of a young man is apt to be very bitter—but it was as tightly shut against him as if a publisher and not the muse of literature kept the door.
There was a fellow-boarder with Philip, whose acquaintance he had made at the common table in the basement, who appeared to be free of the world of letters and art. He was an alert, compact, neatly dressed little fellow, who had apparently improved every one of his twenty-eight years in the study of life, in gaining assurance and confidence in himself, and also presented himself as one who knew the nether world completely but was not of it. He would have said of himself that he knew it profoundly, that he frequented it for “material,” but that his home was in another sphere. The impression was that he belonged among those brilliant guerrillas of both sexes, in the border-land of art and society, who lived daintily and talked about life with unconventional freedom. Slight in figure, with very black hair, and eyes of cloudy gray, an olive complexion, and features trained to an immobility proof against emotion or surprise, the whole poised as we would say in the act of being gentlemanly, it is needless to say that he took himself seriously. His readiness, self-confidence, cocksureness, Philip thought all expressed in his name—Olin Brad.
Mr. Brad was not a Bohemian—that is, not at all a Bohemian of the recognized type. His fashionable dress, closely trimmed hair, and dainty boots took him out of that class. He belonged to the new order, which seems to have come in with modern journalism—that is, Bohemian in principle, but of the manners and apparel of the favored of fortune. Mr. Brad was undoubtedly clever, and was down as a bright young man in the list of those who employed talent which was not dulled by conscientious scruples. He had stood well in college, during three years in Europe he had picked up two or three languages, dissipated his remaining small fortune, acquired expensive tastes, and knowledge, both esoteric and exoteric, that was valuable to him in his present occupation. Returning home fully equipped for a modern literary career, and finding after some bitter experience that his accomplishments were not taken or paid for at their real value by the caterers for intellectual New York, he had dropped into congenial society on the staff of the Daily Spectrum, a mighty engine of public opinion, which scattered about the city and adjacent territory a million of copies, as prodigally as if they had been auctioneers' announcements. Fastidious people who did not read it gave it a bad name, not recognizing the classic and heroic attitude of those engaged in pitchforking up and turning over the muck of the Augean stables under the pretense of cleaning them.
Mr. Brad had a Socratic contempt for this sort of fault-finding. It was answer enough to say, “It pays. The people like it or they wouldn't buy it. It commands the best talent in the market and can afford to pay for it; even clergymen like to appear in its columns—they say it's a providential chance to reach the masses. And look at the 'Morning GooGoo' (this was his nickname for one of the older dailies), it couldn't pay its paper bills if it hadn't such a small circulation.”
Mr. Brad, however, was not one of the editors, though the acceptance of an occasional short editorial, sufficiently piquant and impudent and vivid in language—to suit, had given him hopes. He was salaried, but under orders for special service, and was always in the hope that the execution of each new assignment would bring him into popular notice, which would mean an advance of position and pay.
Philip was impressed with the ready talent, the adaptable talent, and the facility of this accomplished journalist, and as their acquaintance improved he was let into many of the secrets of success in the profession.
“It isn't an easy thing,” said Mr. Brad, “to cater to a public that gets tired of anything in about three days. But it is just as well satisfied with a contradiction as with the original statement. It calls both news. You have to watch out and see what the people want, and give it to 'em. It is something like the purveying of the manufacturers and the dry-goods jobber for the changing trade in fashions; only the newspaper has the advantage that it can turn a somersault