The Essential Works of William Harrison Ainsworth. William Harrison Ainsworth

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      “What is it?” asked Dick.

      “Just amuse yourself with a flirtation for a moment or two with that pretty damsel, who has been casting her ogles at you for the last five minutes without success, while I effect a master-stroke.”

      And as Turpin, nothing loth, followed his advice, Jerry addressed himself to Zoroaster. After a little conference, accompanied by that worthy and the knight of Malta, the trio stepped forward from the line, and approached Dick, when Juniper, assuming some such attitude as our admirable Jones, the comedian, is wont to display, delivered himself of the following address. Turpin listened with the gravity of one of the distinguished persons alluded to, at the commencement of the present chapter, upon their receiving the freedom of the city at the hands of a mayor and corporation. Thus spoke Jerry:

      “Really, gentlemen,” said Turpin, who did not exactly see the drift of this harangue, “you do me a vast deal of honor. I am quite at a loss to conceive how I can possibly have merited so much attention at your hands; and, indeed, I feel myself so unworthy ——” Here Dick received an expressive wink from Juniper, and therefore thought it prudent to alter his expression. “Could I suppose myself at all deserving of so much distinction,” continued the modest speaker, “I should at once accept your very obliging offer; but ——”

      “None so worthy,” said the upright man.

      “Can’t hear of a refusal,” said the knight of Malta.

      “Refusal — impossible!” reiterated Juniper.

      “No; no refusal,” exclaimed a chorus of voices. “Dick Turpin must be one of us. He shall be our dimber damber.”

      “Well, gentlemen, since you are so pressing,” replied Turpin, “even so be it. I will be your dimber damber.”

      “Bravo! bravo!” cried the mob, not “of gentlemen.”

      “About it, pals, at once,” said the knight of Malta, flourishing Excalibur. “By St. Thomas à Becket, we’ll have as fine a scene as I myself ever furnished to the Canterbury lieges.”

      “About what?” asked Dick.

      “Your matriculation,” replied Jerry. “There are certain forms to be gone through, with an oath to be taken, merely a trifle. We’ll have a jolly booze when all’s over. Come bing avast, my merry pals; to the green, to the green: a Turpin! a Turpin! a new brother!”

      “A Turpin! a Turpin! a new brother!” echoed the crew.

      “I’ve brought you through,” said Jerry, taking advantage of the uproar that ensued to whisper to his chum; “none of them will dare to lift a finger against you now. They are all your friends for life.”

      “Nevertheless,” returned Turpin, “I should be glad to know what has become of Bess.”

      “If it’s your prancer you are wanting,” chirped a fluttering creature, whom Turpin recognized as Luke’s groom, Grasshopper, “I gave her a fresh loaf and a stoup of stingo, as you bade me, and there she be, under yon tree, as quiet as a lamb.”

      “I see her,” replied Turpin; “just tighten her girths, Grasshopper, and bring her after me, and thou shalt have wherewithal to chirp over thy cups at supper.”

      Away bounded the elfin dwarf to execute his behest.

      A loud shout now rent the skies, and presently afterwards was heard the vile scraping of a fiddle, accompanied by the tattoo of a drum. Approaching Turpin, a host of gipsies elevated the highwayman upon their shoulders, and in this way he was carried to the centre of the green, where the long oaken table, which had once served the Franciscans for refection, was now destined for the stage of the pageant.

      The scene was a joyous one. It was a brilliant sunshiny morning. Freshened and purified by the storm of the preceding night, the air breathed a balm upon the nerves and senses of the robber. The wooded hills were glittering in light; the brook was flowing swiftly past the edge of the verdant slope, glancing like a wreathed snake in the sunshine — its “quiet song” lost in the rude harmony of the mummers, as were the thousand twitterings of the rejoicing birds; the rocks bared their bosoms to the sun, or were buried in deep-cast gloom; the shadows of the pillars and arches of the old walls of the priory were projected afar, while the rose-like ramifications of the magnificent marigold window were traced, as if by a pencil, upon the verdant tablet of the sod.

      The overture was finished. With the appearance of the principal figures in this strange picture the reader is already familiar. It remains only to give him some idea of the patrico. Imagine, then, an old superannuated goat, reared upon its hind legs, and clad in a white sheet, disposed in folds like those of a simar about its limbs, and you will have some idea of Balthazar, the patrico. This resemblance to the animal before mentioned was rendered the more striking by his huge, hanging, goat-like under lip, his lengthy white beard, and a sort of cap, covering his head, which was ornamented with a pair of horns, such as are to be seen in Michael Angelo’s tremendous statue of Moses. Balthazar, besides being the patrico of the tribe, was its principal professor of divination, and had been the long-tried and faithful minister of Barbara Lovel, from whose secret instructions he was supposed to have derived much of his magical

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