Children's Book Classics - Kate Douglas Wiggin Edition: 11 Novels & 120+ Short Stories for Children. Kate Douglas Wiggin

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right she gave me, that of being a ‘near friend to lean upon.’ I am only afraid, because you, more than any one else, know certain weaknesses and follies of mine, and, indeed, pulled me out of the pit and held me up till I got a new footing. I am afraid you will never have the same respect for me, nor believe that a fellow so weak as I was could be strong enough to lean upon. Try me once, Polly, just to humor me, won’t you? Give me something to do,—something hard! Lean just a little, Polly, and see how stiff I ‘ll be,—no, bother it, I won’t be stiff, I’ll be firm! To tell the truth, I can never imagine you as ‘leaning;’ though they say you are pale and sad, and out of sorts with life. You remind me of one of the gay scarlet runners that climb up the slender poles in the garden below my window. The pole holds up the vine at first, of course, but the vine keeps the pole straight; not in any ugly and commonplace fashion, but by winding round, and round about it, and hanging its blossoms in and out and here and there, till the poor, serviceable pole is forgotten in the beauty that makes use of it.

      “Good-by, little scarlet runner! You will bloom again some day, when the storm that has beaten you down has passed over and the sky is clear and the sun warm. Don’t laugh at me, Polly!

      “Always yours, whether you laugh or not,

       “EDGAR.”

      “P. S. No. III. I should n’t dare add this third postscript if you were near enough to slay me with the lightning of your eye, but I simply wish to mention that a wise gardener chooses young, strong timber for poles,—saplings, in fact! Mr. John Bird is too old for this purpose. Well seasoned he is, of course, and suitable as a prop for a century-plant, but not for a scarlet runner! I like him, you know, but I ‘m sure he ‘d crack if you leaned on him; in point of fact, he ‘s a little cracked now! E. N.”

      The ghost of a smile shone on Polly’s April face as she folded Edgar’s letter and laid it in its envelope; first came a smile, then a tear, then a dimple, then a sob, then a wave of bright color.

      “Edgar is growing up so fast,” she thought, “I shall soon be afraid to scold him or advise him, and

      “‘What will poor Robin do then, poor thing?’

      “Upon my word, if I caught him misbehaving nowadays, I believe I should hesitate to remonstrate with him. He will soon be capable of remonstrating with me, at this rate. He is a goose,—oh, there ‘s no shadow of doubt as to that, but he ‘s an awfully nice goose.”

      Mrs. Bird’s letter ran thus:—

      “MY DEAREST POLLYKINS:–-We have lived without you just about as long as we can endure it. The boys have returned to school and college. Mr. Bird contemplates one more trip to Honolulu, and brother John and I need some one to coddle and worry over. I have not spoken to you of your future, because I wished to wait until you opened the subject. It is too late for you to begin your professional training this year, and I think you are far too delicate just now to undertake so arduous a work; however, you are young, and that can wait for a bit. As to the story-telling in the hospitals and asylums, I wish you could find courage and strength to go on with that, not for your own sake alone, but for the sake of others.

      “As I have told you before, the money is set aside for that special purpose, and the work will be carried on by somebody. Of course I can get a substitute if you refuse, and that substitute may, after a little time, satisfy the impatient children, who flatten their noses against the window-panes and long for Mias Pauline every day of their meagre lives. But I fear the substitute will never be Polly! She may ‘rattle round in your place’ (as somebody said under different circumstances), but she can never fill it! Why not spend the winter with us, and do this lovely work, keeping up other studies if you are strong enough? It will be so sweet for you to feel that out of your own sadness you can comfort and brighten the lives of these lonely, suffering children and these motherless or fatherless ones. It will seem hard to begin, no doubt; but new life will flow in your veins when you take up your active, useful work again. The joyousness that God put into your soul before you were born, my Polly, is a sacred trust. You must not hide it in a napkin, dear, or bury it, or lose it. It was given to you only that you should share it with others. It was intended for the world at large, though it was bestowed upon you in particular. Come, dear, to one who knows all about it,—one whom you are sweet enough to call

      “YOUR FAIRY GODMOTHER.”

      “Mrs. Noble,” said Polly, with a sober smile, “the Ancon sails on the 20th, and I am going to sail with her.”

      “So soon? What for, dear?”

      “I am going to be a banian-tree, if you please,” answered Polly.

       Life in the Birds’ Nest

       Table of Contents

      Polly settled down in the Birds’ Nest under the protecting wing of Mrs. Bird, and a very soft and unaccustomed sort of shelter it was.

      A room had been refurnished expressly for the welcome guest, and as Mrs. Bird pushed her gently in alone, the night of her arrival, she said, “This is the Pilgrim Chamber, Polly. It will speak our wishes for us.”

      It was not the room in which Polly had been ill for so many weeks; for Mrs. Bird knew the power of associations, and was unwilling to leave any reminder of those painful days to sadden the girl’s new life.

      As Polly looked about her, she was almost awed by the dazzling whiteness. The room was white enough for an angel, she thought. The straw matting was almost concealed by a mammoth rug made of white Japanese goatskins sewed together; the paint was like snow, and the furniture had all been painted white, save for the delicate silver lines that relieved it. There were soft, full curtains of white bunting fringed with something that looked like thistle-down, and the bedstead had an overhanging canopy of the same. An open fire burned in the little grate, and a big white and silver rattan chair was drawn cosily before it. There was a girlish dressing-table with its oval mirror draped in dotted muslin; a dainty writing-desk with everything convenient upon it; and in one corner was a low bookcase of white satinwood. On the top of this case lay a card, “With the best wishes of John Bird,” and along the front of the upper shelf were painted the words: “Come, tell us a story!” Below this there was a rich array of good things. The Grimms, Laboulaye, and Hans Christian Andersen were all there. Mrs. Ewing’s “Jackanapes” and Charles Kingsley’s “Water-Babies” jostled the “Seven Little Sisters” series; Hawthorne’s “Wonder-Book” lay close to Lamb’s “Tales from Shakespeare;” and Whittier’s “Child-Life in Prose and Poetry” stood between Mary Howitt’s “Children’s Year” and Robert Louis Stevenson’s “Child’s Garden of Verses.”

      Polly sat upon the floor before the bookcase and gloated over her new treasures, each of which bore her name on the fly-leaf.

      As her eye rose to the vase of snowy pampas plumes and the pictured Madonna and Child above the bookcase, it wandered still higher until it met a silver motto painted on a blue frieze that finished the top of the walls where they met the ceiling.

      Polly walked slowly round the room, studying the illuminated letters: “And they laid the Pilgrim in an upper chamber, and the name of the chamber was Peace.”

      This brought the ready tears to Polly’s eyes. “God seems to give me everything but what I want most,” she thought; “but since He gives me so much, I must not question any more: I must not choose; I must believe that He wants me to be happy, after

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