and weak.”
Confused, the poor lamb the counsels compares,
And cannot perceive in his mind,
That contrary each advising declares,
But how he himself is inclined.
And thus we find authors the practice make,
To hold, as infallibly true,
The rules they fancy themselves to take,
And in their own writings pursue.
THE FLINT AND THE STEEL.
Cruelly bent, it chanced the Flint
Ill-treated the Steel one day;
And wounding, gave it many a dint,
To draw its sparks away.
When laid aside, this angry cried
To that, “What would your value be
Without my help?” the Flint replied,
“As much as yours, sir, but for me.”
This lesson I write, my friends to incite;
Their talents, however great,
That they must study with them unite,
To duly cultivate.
The Flint gives light with the help of the Steel,
And study alone will talent reveal;
For neither suffice if found apart,
Whatever the talent or the art.
III.
JUAN MELENDEZ VALDES.
For a hundred years after the time of Calderon de la Barca, who died in 1687, there appeared in Spain no writer of sufficient merit to be classed among those eminent characters, who had done so much honour to Spanish literature in the seventeenth century. Verses were published in sufficient abundance, which found readers and even admirers, merely from the necessity the public felt of having something to read and to admire, as of the fashion of the day. But they were written with a perversion of taste and a deficiency of talent, which was truly astonishing, in the successors of such authors, as had immediately preceded them.
This depression of literature, however, could not be expected to continue long, among a people of such imaginative and deep passioned character as the Spanish, whose native genius was by far too buoyant, to be affected for any length of time by inferior models, even under dynastic influences. Accordingly, towards the end of the eighteenth century, it might have become apparent to an attentive observer, that another order of writers was about to be called forth, and that the nation was prepared to welcome the advent of true genius whenever it was to be recognized. Learned societies had been established throughout Spain; education on a sound basis had been sedulously promoted; and the country was wealthy, and sufficiently flourishing to give incitement to the arts, which are the attendants of public prosperity.
At this epoch appeared Melendez Valdes, the restorer of Spanish poetry, as his admirers with much justice termed him; who then showed by his writings, that the old inspiration of the national genius was yet capable of being revived in all its former grace and strength; and who by the influence of his example further roused the energies of other men of genius to follow in his steps.
This highly gifted poet was born the 11th of March, 1754, at Ribera del Fresno in the province of Estremadura, where his parents were of what was called noble families, and, what was more important, in respectable circumstances. The good disposition noticed in the son determined them to destine him for study, and to award him a becoming education. Thus, having learned the rudiments of Latin at home, he was sent to study philosophy, or what was called philosophy, at Madrid, under the charge of the Dominican Fathers of St. Thomas, where his application and advancement gained him the esteem of his tutors and fellow-pupils. Thence he was sent by his parents in 1770 to Segovia, to study with his only brother, who was private secretary to the bishop of that city, and with whom he was confirmed in that fondness for reading, and taste for acquiring books, which might be called the passion of his whole life. The bishop, who was a distant relation, pleased with his talents and inclination for study, sent him in 1772 to Salamanca, the alma mater of Spain, and assisted him to proceed in the study of law, in which he distinguished himself wherever he had an opportunity; so that, says his biographer, “appearing absorbed in the pursuit of that career, no one would have judged him the same young man, whose inclination for poetry and learning was soon after to place him at the head of the elegant literature of his country.”
Fortunately for Melendez, continues his biographer, there happened then to be at Salamanca Don Josè de Cadalso, “a man celebrated for extensive erudition, combined with more than ordinary talent for poetry and letters, and a zeal for the glory and advancement of his country, learned in the school, and under the inspiration of virtue. Generous and affable, always lively, and at times satirical without branching off into maliciousness, his conversation was kind and instructive, and his principles indulgent and steadfast.” This eminent individual, already well known in the literary world by several works published in 1772 and 1773, immediately recognized the value of Melendez: he took him to his house to live with him, showed him the beauties and defects of the older writers, taught him how to imitate them, and opened to him the road to become acquainted with the literature of the learned nations of Europe. “He afforded him an instruction yet more precious, in the beautiful example he gave him to love all writers of merit, to rise superior to envy, and to cultivate letters without degrading them by unworthy disputations. The eulogies Cadalso bestowed on his contemporaries are a public testimony of this noble character; and the works of Melendez, where there is not a single line detracting from the merit of any one, and his whole literary career, exempt from all attack, show how he profited by the lessons of his master.”
The Anacreontic style, in which Cadalso excelled, was also that first cultivated by Melendez; and the former, seeing the progress of his pupil, and the first efforts of his Muse, unreservedly acknowledged him his superior, and in prose and verse announced him as the restorer of good taste and the better studies of the University. This kindly union was maintained until the death of Cadalso, at the siege of Gibraltar; and the “Elegiac song of Melendez on this misfortune, will be, as long as the Spanish language endures, a monument of affection and gratitude, as well as an example of high and beautiful poetry.”
Beyond the instructions which he received from Cadalso, Melendez was aided by the example and counsels of other distinguished persons then residing at Salamanca, among whom were two, favourably known as writers of verse, Iglesias and Gonzalez. These, though they were soon eclipsed by the young poet, admitted him to their friendship. By the latter he was brought into communication with the illustrious Jovellanos, then Judge of the High Court at Seville; and between them soon was instituted a correspondence, which has been in great part preserved, though as yet unpublished; a valuable monument, says Quintana, in which are seen, “livingly portrayed, the candour, the modesty and virtuous feelings of the poet, the alternate progress of his studies, the different attempts in which he essayed his talents, and above
