The Mystery of Witchcraft - History, Mythology & Art. William Godwin

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The Mystery of Witchcraft - History, Mythology & Art - William Godwin

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Laertius, c. 9.

      Rome

       Table of Contents

      Virgil.

      From the Greeks let us turn to the Romans. The earliest examples to our purpose occur in the Aeneid. And, though Virgil is a poet, yet is he so correct a writer, that we may well take for granted, that he either records facts which had been handed down by tradition, or that, when he feigns, he feigns things strikingly in accord with the manners and belief of the age of which he speaks.

      Polydorus.

      One of the first passages that occur, is of the ghost of the deceased Polydorus on the coast of Thrace. Polydorus, the son of Priam, was murdered by the king of that country, his host, for the sake of the treasures he had brought with him from Troy. He was struck through with darts made of the wood of the myrtle. The body was cast into a pit, and earth thrown upon it. The stems of myrtle grew and flourished. Aeneas, after the burning of Troy, first attempted a settlement in this place. Near the spot where he landed he found a hillock thickly set with myrtle. He attempted to gather some, thinking it might form a suitable screen to an altar which he had just raised. To his astonishment and horror he found the branches he had plucked, dropping with blood. He tried the experiment again and again. At length a voice from the mound was heard, exclaiming, “Spare me! I am Polydorus;” and warning him to fly the blood-stained and treacherous shore.

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