The Mystery of Witchcraft - History, Mythology & Art. William Godwin

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The Mystery of Witchcraft - History, Mythology & Art - William Godwin

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Lulli is beside famous for what he was pleased to style his Great Art. The ordinary accounts however that are given of this art assume a style of burlesque, rather than of philosophy. He is said to have boasted that by means of it he could enable any one to argue logically on any subject for a whole day together, independently of any previous study of the subject in debate. To the details of the process Swift seems to have been indebted for one of the humorous projects described by him in his voyage to Laputa. Lulli recommended that certain general terms of logic, metaphysics, ethics or theology should first be collected. These were to be inscribed separately upon square pieces of parchment. They were then to be placed on a frame so constructed that by turning a handle they might revolve freely, and form endless combinations. One term would stand for a subject, and another for a predicate. The student was then diligently to inspect the different combinations that fortuitously arose, and exercising the subtlety of his faculties to select such as he should find best calculated for his purposes. He would thus carry on the process of his debate; and an extraordinary felicity would occasionally arise, suggesting the most ingenious hints, and leading on to the most important discoveries. 183 — If a man with the eminent faculties which Lulli otherwise appeared to have possessed really laid down the rules of such an art, all he intended by it must have been to satirize the gravity with which the learned doctors of his time carried on their grave disputations in mood and figure, having regard only to the severity of the rule by which they debated, and holding themselves totally indifferent whether they made any real advances in the discovery of truth.

      Arnold of Villeneuve.

      English Laws Respecting Transmutation.

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