The Mystery of Witchcraft - History, Mythology & Art. William Godwin

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The Mystery of Witchcraft - History, Mythology & Art - William Godwin

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target="_blank" rel="nofollow" href="#ulink_676d9284-fcf9-5242-a44c-9d804f5138cd">176. Commentaries, Book IV. chap. vi.

      187. Watson, ubi supra.

      Revival of Letters

       Table of Contents

      While these things were going on in Europe, the period was gradually approaching, when the energies of the human mind were to loosen its shackles, and its independence was ultimately to extinguish those delusions and that superstition which had so long enslaved it. Petrarch, born in the year 1304, was deeply impregnated with a passion for classical lore, was smitten with the love of republican institutions, and especially distinguished himself for an adoration of Homer. Dante, a more sublime and original genius than Petrarch, was his contemporary. About the same time Boccaccio in his Decamerone gave at once to Italian prose that purity and grace, which none of his successors in the career of literature have ever been able to excel. And in our own island Chaucer with a daring hand redeemed his native tongue from the disuse and ignominy into which it had fallen, and poured out the immortal strains that the genuine lovers of the English tongue have ever since perused with delight, while those who are discouraged by its apparent crabbedness, have yet grown familiar with his thoughts in the smoother and more modern versification of Dryden and Pope. From that time the principles of true taste have been more or less cultivated, while with equal career independence of thought and an ardent spirit of discovery have continually proceeded, and made a rapid advance towards the perfect day.

      But the dawn of literature and intellectual freedom were still a long time ere they produced their full effect. The remnant of the old woman clung to the heart with a tenacious embrace. Three or four centuries elapsed, while yet the belief in sorcery and witchcraft was alive in certain classes of society. And then, as is apt to occur in such cases, the expiring folly occasionally gave tokens of its existence with a convulsive vehemence, and became only the more picturesque and impressive through the strong contrast of lights and shadows that attended its manifestations.

      Joan of Arc.

      One of the most memorable stories on record is that of Joan of Arc, commonly called the Maid of Orleans. Henry the Fifth of England won the decisive battle of Agincourt in the year 1415, and some time after concluded a treaty with the reigning king of France, by which he was recognised, in case of that king’s death, as heir to the throne. Henry V died in the year 1422, and Charles VI of France in less than two months after. Henry VI was only nine months old at the time of his father’s death; but such was the deplorable state of France, that he was in the same year proclaimed king in Paris, and for some years seemed to have every prospect of a fortunate reign. John duke of Bedford, the king’s uncle, was declared regent of France: the son of Charles VI was reduced to the last extremity; Orleans was the last strong town in the heart of the kingdom which held out in his favour; and that place seemed on the point to surrender to the conqueror.

      In this fearful crisis appeared Joan of Arc, and in the most incredible manner turned the whole tide of affairs. She was a servant in a poor inn at Domremi, and was accustomed to perform the coarsest offices, and in particular to ride the horses to a neighbouring stream to water. Of course the situation of France and her hereditary king formed the universal subject of conversation; and Joan became deeply impressed with the lamentable state of her country and the misfortunes of her king. By dint of perpetual meditation, and feeling in her breast the promptings of energy and enterprise, she conceived the idea that she was destined by heaven to be the deliverer of France. Agreeably to the state of intellectual knowledge at that period, she persuaded herself that she saw visions, and held communication with the saints. She had conversations with St. Margaret, and St. Catherine of Fierbois. They told her that she was commissioned by God to raise the siege of Orleans, and to conduct Charles VII to his coronation at Rheims. St. Catherine commanded her to demand a sword which was in her church at Fierbois, which the Maid described by particular tokens, though she had never seen it. She then presented herself to Baudricourt, governor of the neighbouring town of Vaucouleurs, telling him her commission, and requiring him to send her to the king at Chinon. Baudricourt at first made light of her application; but her importunity and the ardour she expressed at length excited him. He put on her a man’s attire, gave her arms, and sent her under an escort of two gentlemen and their attendants to Chinon. Here she immediately addressed the king in person, who had purposely hid himself behind his courtiers that she might not know him. She then delivered her message, and offered in the name of the Most High to raise the siege of Orleans, and conduct king Charles to Rheims to be anointed. As a further confirmation she is said to have revealed to the king before a few select friends, a secret, which nothing but divine inspiration could have discovered to her.

      Desperate as was then the state of affairs, Charles and his ministers immediately resolved to seize the occasion that offered, and put forward Joan as an instrument to revive the prostrate courage of his subjects. He had no sooner determined on this, than he pretended to submit the truth of her mission to the most rigorous trial. He called together an assembly of theologians and doctors, who rigorously examined Joan, and pronounced in her favour. He referred the question to the parliament of Poitiers; and they, who met persuaded that she was an impostor, became convinced of her inspiration. She was mounted on a high-bred steed, furnished with a consecrated banner, and marched, escorted by a body of five thousand men, to the relief of Orleans. The French, strongly convinced by so plain an interposition of heaven, resumed the courage to which they had long been strangers. Such a phenomenon was exactly suited to the superstition and credulity of the age. The English were staggered with the rumours that every where went before her, and struck with a degree of apprehension and terror that they could not shake off. The garrison, informed of her approach, made a sally on the other side of the town; and Joan and her convoy entered without opposition. She displayed her standard in the market-place, and was received as a celestial deliverer.

      She appears to have been endowed with a prudence, not inferior to her courage and spirit of enterprise. With great docility she caught the hints of the commanders by whom she was surrounded; and, convinced of her own want of experience and skill, delivered them to the forces as the dictates of heaven. Thus the knowledge and discernment of the generals were brought into play, at the same time that their suggestions acquired new weight, when falling from the lips of the heaven-instructed heroine.

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