JAMES JOYCE: Ulysses, A Portrait of the Artist as a Young Man, Dubliners, Chamber Music & Exiles. James Joyce
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The droning voice of the professor continued to wind itself slowly round and round the coils it spoke of, doubling, trebling, quadrupling its somnolent energy as the coil multiplied its ohms of resistance.
Moynihan’s voice called from behind in echo to a distant bell:
— Closing time, gents!
The entrance hall was crowded and loud with talk. On a table near the door were two photographs in frames and between them a long roll of paper bearing an irregular tail of signatures. MacCann went briskly to and fro among the students, talking rapidly, answering rebuffs and leading one after another to the table. In the inner hall the dean of studies stood talking to a young professor, stroking his chin gravely and nodding his head.
Stephen, checked by the crowd at the door, halted irresolutely. From under the wide falling leaf of a soft hat Cranly’s dark eyes were watching him.
— Have you signed? Stephen asked.
Cranly closed his long thinlipped mouth, communed with himself an instant and answered:
— Ego habeo.
— What is it for?
— Quod?
— What is it for?
Cranly turned his pale face to Stephen and said blandly and bitterly:
— Per pax universalis.
— Stephen pointed to the Csar’s photograph and said:
— He has the face of a besotted Christ.
The scorn and anger in his voice brought Cranly’s eyes back from a calm survey of the walls of the hall.
— Are you annoyed? he asked.
— No, answered Stephen.
— Are you in bad humour?
— No.
— Credo ut vos sanguinarius mendax estis, said Cranly, quia facies vostra monstrat ut vos in damno malo humore estis.
Moynihan, on his way to the table, said in Stephen’s ear:
— MacCann is in tiptop form. Ready to shed the last drop. Brandnew world. No stimulants and votes for the bitches.
Stephen smiled at the manner of this confidence and, when Moynihan had passed, turned again to meet Cranly’s eyes.
— Perhaps you can tell me, he said, why he pours his soul so freely into my ear. Can you?
A dull scowl appeared on Cranly’s forehead. He stared at the table where Moynihan had bent to write his name on the roll, and then said flatly: — A sugar!
— Quis est in malo humore, said Stephen, ego aut vos?
Cranly did not take up the taunt. He brooded sourly on his judgment and repeated with the same flat force:
— A flaming bloody sugar, that’s what he is!
It was his epitaph for all dead friendships and Stephen wondered whether it would ever be spoken in the same tone over his memory. The heavy lumpish phrase sank slowly out of hearing like a stone through a quagmire. Stephen saw it sink as he had seen many another, feeling its heaviness depress his heart. Cranly’s speech, unlike that of Davin, had neither rare phrases of Elizabethan English nor quaintly turned versions of Irish idioms. Its drawl was an echo of the quays of Dublin given back by a bleak decaying seaport, its energy an echo of the sacred eloquence of Dublin given back flatly by a Wicklow pulpit.
The heavy scowl faded from Cranly’s face as MacCann marched briskly towards them from the other side of the hall.
— Here you are! said MacCann cheerily.
— Here I am! said Stephen.
— Late as usual. Can you not combine the progressive tendency with a respect for punctuality?
— That question is out of order, said Stephen. Next business.
His smiling eyes were fixed on a silverwrapped tablet of milk chocolate which peeped out of the propagandist’s breastpocket. A little ring of listeners closed round to hear the war of wits. A lean student with olive skin and lank black hair thrust his face between the two, glancing from one to the other at each phrase and seeming to try to catch each flying phrase in his open moist mouth. Cranly took a small grey handball from his pocket and began to examine it closely, turning it over and over.
— Next business? said MacCann. Hom!
He gave a loud cough of laughter, smiled broadly and tugged twice at the strawcoloured goatee which hung from his blunt chin.
— The next business is to sign the testimonial.
— Will you pay me anything if I sign? asked Stephen.
— I thought you were an idealist, said MacCann.
The gipsylike student looked about him and addressed the onlookers in an indistinct bleating voice.
— By hell, that’s a queer notion. I consider that notion to be a mercenary notion.
His voice faded into silence. No heed was paid to his words. He turned his olive face, equine in expression, towards Stephen, inviting him to speak again.
MacCann began to speak with fluent energy of the Csar’s rescript, of Stead, of general disarmament, arbitration in cases of international disputes, of the signs of the times, of the new humanity and the new gospel of life which would make it the business of the community to secure as cheaply as possible the greatest possible happiness of the greatest possible number.
The gipsy student responded to the close of the period by crying:
— Three cheers for universal brotherhood!
— Go on, Temple, said a stout ruddy student near him. I’ll stand you a pint after.
— I’m a believer in universal brotherhood, said Temple, glancing about him out of his dark oval eyes. Marx is only a bloody cod.
Cranly gripped his arm tightly to check his tongue, smiling uneasily, and repeated:
— Easy, easy, easy!
Temple struggled to free his arm but continued, his mouth flecked by a thin foam:
— Socialism was founded by an Irishman and the first man in Europe who preached the freedom of thought was Collins. Two hundred years ago. He denounced priestcraft, the philosopher of Middlesex. Three cheers for John Anthony Collins!
A thin voice from the verge of the ring replied:
— Pip! pip!