on a flat red road with Table Mountain rising straight up before it, but on the left stretches away a most enchanting panorama. It is all so soft in coloring and tone, distinct and yet not hard, and exquisitely beautiful!
The Blue-Berg range of mountains stretch beyond the great bay, which, unless a “sou’-easter” is tearing over it, lies glowing in tranquil richness. This afternoon it is colored like an Italian lake. Here are lines of chrysoprase, green-fringed, white with little waves, and beyond lie dark, translucent, purple depths, which change with every passing cloud. Beyond these amethystic shoals again stretches the deep blue water, and again beyond, and bluer still, rise the five ranges of “Hottentots’ Holland,” which encircle and complete the landscape, bringing the eye round again to the nearer cliffs of the Devil’s Peak. When the Dutch came here some two hundred years ago, they seized upon this part of the coast and called it Holland, driving the Hottentots beyond the neighboring range and telling them that was to be their Holland—a name it keeps to this day. Their consciences must have troubled them after this arbitrary division of the soil, for up the highest accessible spurs of their own mountain they took the trouble to build several queer little square houses called “block-houses,” from which they could keep a sharp look-out for foes coming over the hills from Hottentots’ Holland. The foes never came, however, and the roofs and walls of the block-houses have gradually tumbled in, and the gun-carriages—for they managed to drag heavy ordnance up the steep hillside—have rotted away, whilst the old-fashioned cannon lie, grim and rusty, amid a tangled profusion of wild geranium, heath and lilies. I scrambled up to one of the nearest block-houses, and found the date on the dismounted gun to be more than a hundred years old. The view was beautiful and the air fresh and fragrant with scent of flowers.
But to return to our drive. I could gaze and gaze for ever at this lovely panorama, but am told this is the ugliest part of the road. The road itself is certainly not pretty just here, and is cloudy with a fine red dust, but this view of sea and distant hills is enchanting. Soon we get under the lee of the great mountain, and then its sheltering arms show their protective power; for splendid oak avenues begin to border the road all the way, and miniature forests of straight-stemmed pines and shimmering belts of the ghostly silver tree run up all the mountain-clefts. Stem and leaf of the silver tree are all of purest white; and when one gets a gleam of sunlight on a distant patch of these trees, the effect is quite indescribable, contrasting, as they do, with green of field and vineyard. The vines all about here and towards Constantia, thirteen miles off, are dwarf-plants, and only grow to the height of gooseberry-bushes. It is a particular species, which is found to answer best as requiring less labor to train and cultivate, and is less likely to be blown out of the ground by the violent “sou’-easters” which come sweeping over the mountain. These gales are evidently the greatest annoyance which Cape Colonists have to endure; and although everybody kindly suggests that I ought to see one, just to understand what it is like, I am profoundly thankful that I only know it from their description and my own distinct recollection of the New Zealand “nor’-westers.” Those were hot winds, scorching and curling up everything, whereas this is rather a cold breeze, although it blows chiefly in summer. It whirls along clouds of dust from the red clay roads and fields which penetrates and clings to everything in the most extraordinary manner. All along the road the stems and lower branches of the trees are dyed a deep brick-dust color, and I hear moving and pathetic stories of how it ruins clothes, not only utterly spoiling black silk dresses, but staining white petticoats and children’s frocks and pinafores with a border of color exactly like the ruddle with which sheep are branded. Especially is it the terror of sailors, rendering the navigation along the coast dangerous and difficult; for it blends land and water into one indistinct whirl of vaporous cloud, confusing and blurring everything until one cannot distinguish shore from sea.
The vineyards of Constantia originally took their pretty name from the fair daughter of one of the early Dutch governors, but now it has grown into a generic word, and you see “Cloete’s Constantia,” “Reybeck Constantia,” written upon great stone gateways leading by long avenues into the various vine-growing plantations. It was to the former of these constantias, which was also the farthest off, that we were bound that pleasant summer afternoon, and from the time we got out of the carriage until the moment we re-entered it—all too soon, but it is a long drive back in the short cold twilight—I felt as though I had stepped through a magic portal into the scene of one of Washington Irving’s stories. It was all so simple and homely, so quaint and so inexpressibly picturesque. The house had stood there for a couple of hundred years, and looks as though it might last for ever, with its air of cool, leisurely repose and comfort and strength.
In the flagged hall stands a huge stalactite some ten feet high, brought a hundred years ago from caves far away in the distant ranges. It is shaped something like a Malay’s hat, only the peak tapers to a point about eight feet high. The drawing-room—though it seems a profanation to call that venerable stately room by so flippant and modern a name—is large, ceiled with great beams of cedar, and lighted by lofty windows, which must contain many scores of small panes of glass. There were treasures of rarest old china and delfware, and curious old carved stands for fragile dishes. A wealth of swinging-baskets of flowers and ferns and bright girl-faces lighted up the solemn, shady old room, in which we must not linger, for there is much to see outside. First to the cellar, as it is called, though it is far from being under ground, and is, in fact, a spacious stone building with an elaborately-carved pediment. Here are rows and rows of giant casks, stretching on either hand into avenues in the black distance, but these are mere children in the nursery, compared to those we are going to see. First we must pause in a middle room full of quaintest odds and ends—crossbows, long whips of hippopotamus hide, strange rusty old swords and firearms—to look at a map of South Africa drawn somewhere about 1640. It hangs on the wall and is hardly to be touched, for the paint and varnish crack and peel off at a breath. It is a marvel of accurate geographical knowledge, and is far better filled in than the maps of yesterday. All poor Livingstone’s great geographical discoveries are marked on it as being—perhaps only from description—known or guessed at all that long time ago. It was found impossible to photograph it on account of the dark shade which age has laid over the original yellow varnish, but a careful tracing has been made and, I believe, sent home to the Geographical Society. It is in the long corridor beyond this that the “stuck-vats” live—puncheons which hold easily some thousand gallons or so, and are of a solemn rotundity calculated to strike awe into the beholder’s heart. Here is white constantia, red constantia, young constantia, middle-aged constantia, and constantia so old as to be a liqueur almost beyond price. When it has been kept all these years, the sweetness by which it is distinguished becomes so absorbed and blended as to be hardly perceptible.
Presently one of the party throws a door suddenly open, and, behold, we are standing right over a wild wooded glen with a streamlet running through it, and black washerwomen beating heaps of white clothes on the strips of shingle. Turtle-doves are cooing, and one might almost fancy one was back again on the wild Scotch west coast, until some one else says calmly, “Look at the ostriches!” Here they come, with a sort of dancing step, twisting their long necks and snake-like heads from side to side in search of a tempting pebble or trifle of hardware. Their wings are slightly raised, and the long fringe of white feathers rustles softly as they trot easily and gracefully past us. They are young male birds, and in a few months more their plumage, which now resembles that of a turkey-cock, will be jet black, except the wing-feathers. A few drops of rain are falling, so we hurry back to where the carriage is standing under some splendid oak trees, swallow a sort of stirrup-cup of delicious hot tea, and so home again as fast as we can go.
October 19.
It is decided that I must take a drive in a Cape cart; so directly after breakfast a smart workman-like-looking vehicle, drawn by a pair of well-bred iron-gray cobs, dashes up under the portico. There are capital horses here, but they fetch a good price, and such a pair as these would easily find purchasers at one hundred and fifty pounds. The cart
