things in a small town.
Lucien and Louise had a spy in Chatelet, a spy who watched, with the persistence of a hate in which avarice and passion are blended, for an opportunity of making a scandal. Sixte meant that Mme. de Bargeton should compromise herself with Lucien in such a way that she should be “lost,” as the saying goes; so he posed as Mme. de Bargeton’s humble confidant, admired Lucien in the Rue du Minage, and pulled him to pieces everywhere else. Nais had gradually given him les petites entrees, in the language of the court, for the lady no longer mistrusted her elderly admirer; but Chatelet had taken too much for granted—love was still in the Platonic stage, to the great despair of Louise and Lucien.
There are, for that matter, love affairs which start with a good or a bad beginning, as you prefer to take it. Two creatures launch into the tactics of sentiment; they talk when they should be acting, and skirmish in the open instead of settling down to a siege. And so they grow tired of one another, expend their longings in empty space; and, having time for reflection, come to their own conclusions about each other. Many a passion that has taken the field in gorgeous array, with colors flying and an ardor fit to turn the world upside down, has turned home again without a victory, inglorious and crestfallen, cutting but a foolish figure after these vain alarums and excursions. Such mishaps are sometimes due to the diffidence of youth, sometimes to the demurs of an inexperienced woman, for old players at this game seldom end in a fiasco of this kind.
Provincial life, moreover, is singularly well calculated to keep desire unsatisfied and maintain a lover’s arguments on the intellectual plane, while, at the same time, the very obstacles placed in the way of the sweet intercourse which binds lovers so closely each to each, hurry ardent souls on towards extreme measures. A system of espionage of the most minute and intricate kind underlies provincial life; every house is transparent, the solace of close friendships which break no moral law is scarcely allowed; and such outrageously scandalous constructions are put upon the most innocent human intercourse, that many a woman’s character is taken away without cause. One here and there, weighed down by her unmerited punishment, will regret that she has never known to the full the forbidden felicity for which she is suffering. The world, which blames and criticises with a superficial knowledge of the patent facts in which a long inward struggle ends, is in reality a prime agent in bringing such scandals about; and those whose voices are loudest in condemnation of the alleged misconduct of some slandered woman never give a thought to the immediate provocation of the overt step. That step many a woman only takes after she has been unjustly accused and condemned, and Mme. de Bargeton was now on the verge of this anomalous position.
The obstacles at the outset of a passion of this kind are alarming to inexperience, and those in the way of the two lovers were very like the bonds by which the population of Lilliput throttled Gulliver, a multiplicity of nothings, which made all movement impossible, and baffle the most vehement desires. Mme. de Bargeton, for instance, must always be visible. If she had denied herself to visitors when Lucien was with her, it would have been all over with her; she might as well have run away with him at once. It is true that they sat in the boudoir, now grown so familiar to Lucien that he felt as if he had a right to be there; but the doors stood scrupulously open, and everything was arranged with the utmost propriety. M. de Bargeton pervaded the house like a cockchafer; it never entered his head that his wife could wish to be alone with Lucien. If he had been the only person in the way, Nais could have got rid of him, sent him out of the house, or given him something to do; but he was not the only one; visitors flocked in upon her, and so much the more as curiosity increased, for your provincial has a natural bent for teasing, and delights to thwart a growing passion. The servants came and went about the house promiscuously and without a summons; they had formed the habits with a mistress who had nothing to conceal; any change now made in her household ways was tantamount to a confession, and Angouleme still hung in doubt.
Mme. de Bargeton could not set foot outside her house but the whole town knew whither she was going. To take a walk alone with Lucien out of Angouleme would have been a decided measure, indeed; it would have been less dangerous to shut herself up with him in the house. There would have been comments the next day if Lucien had stayed on till midnight after the rooms were emptied. Within as without her house, Mme. de Bargeton lived in public.
These details describe life in the provinces; an intrigue is either openly avoided or impossible anywhere.
Like all women carried away for the first time by passion, Louise discovered the difficulties of her position one by one. They frightened her, and her terror reacted upon the fond talk that fills the fairest hours which lovers spend alone together. Mme. de Bargeton had no country house whither she could take her beloved poet, after the manner of some women who will forge ingenious pretexts for burying themselves in the wilderness; but, weary of living in public, and pushed to extremities by a tyranny which afforded no pleasures sweet enough to compensate for the heaviness of the yoke, she even thought of Escarbas, and of going to see her aged father—so much irritated was she by these paltry obstacles.
Chatelet did not believe in such innocence. He lay in wait, and watched Lucien into the house, and followed a few minutes later, always taking M. de Chandour, the most indiscreet person in the clique, along with him; and, putting that gentleman first, hoped to find a surprise by such perseverance in pursuit of the chance. His own part was a very difficult one to play, and its success was the more doubtful because he was bound to appear neutral if he was to prompt the other actors who were to play in his drama. So, to give himself a countenance, he had attached himself to the jealous Amelie, the better to lull suspicion in Lucien and in Mme. de Bargeton, who was not without perspicacity. In order to spy upon the pair, he had contrived of late to open up a stock controversy on the point with M. de Chandour. Chatelet said that Mme. de Bargeton was simply amusing herself with Lucien; she was too proud, too high-born, to stoop to the apothecary’s son. The role of incredulity was in accordance with the plan which he had laid down, for he wished to appear as Mme. de Bargeton’s champion. Stanislas de Chandour held that Mme. de Bargeton had not been cruel to her lover, and Amelie goaded them to argument, for she longed to know the truth. Each stated his case, and (as not unfrequently happens in small country towns) some intimate friends of the house dropped in in the middle of the argument. Stanislas and Chatelet vied with each other in backing up their opinions by observations extremely pertinent. It was hardly to be expected that the champions should not seek to enlist partisans. “What do you yourself think?” they asked, each of his neighbor. These polemics kept Mme. de Bargeton and Lucien well in sight.
At length one day Chatelet called attention to the fact that whenever he went with M. de Chandour to Mme. de Bargeton’s and found Lucien there, there was not a sign nor a trace of anything suspicious; the boudoir door stood open, the servants came and went, there was nothing mysterious to betray the sweet crime of love, and so forth and so forth. Stanislas, who did not lack a certain spice of stupidity in his composition, vowed that he would cross the room on tiptoe the next day, and the perfidious Amelie held him to his bargain.
For Lucien that morrow was the day on which a young man tugs out some of the hairs of his head, and inwardly vows that he will give up the foolish business of sighing. He was accustomed to his situation. The poet, who had seated himself so bashfully in the boudoir-sanctuary of the queen of Angouleme, had been transformed into an urgent lover. Six months had been enough to bring him on a level with Louise, and now he would fain be her lord and master. He left home with a settled determination to be extravagant in his behavior; he would say that it was a matter of life or death to him; he would bring all the resources of torrid eloquence into play; he would cry that he had lost his head, that he could not think, could not write a line. The horror that some women feel for premeditation does honor to their delicacy; they would rather surrender upon the impulse of passion, than in fulfilment of a contract. In general, prescribed happiness is not the kind that any of us desire.
Mme. de Bargeton read fixed purpose in Lucien’s eyes and forehead, and in the agitation in his face and manner, and proposed to herself to baffle him, urged thereto partly by a spirit of contradiction, partly also by an exalted conception of love. Being given to exaggeration,
