probity—and they viewed with indifference the king's infamous robbery of his minister, Jacques Cœur, which, with his abandonment of Jeanne d'Arc, constitute the blackest stains upon his character. The gens de petit estat, the councillors of humble origin, with which the king surrounded himself, and who served him so well, were also a source of offence to these proud nobles. M. G. du Fresne de Beaucourt, in his exhaustive history of this monarch, in six octavo volumes, dwells at length on the constantly increasing influence in the grand council, during the period of national reorganization in the latter part of the reign, of these humble councillors. "And it was, above all, the people of France themselves," says M. Funck-Brentano, "who, in the midst of all the secular struggles, acquired, little by little, the sentiment of its unity, of the common solidarity of the public welfare. The day on which they were found grouped, admirable in their energy and devotion, around the royal throne which, for them, was the concentrating point of these sentiments, the cause of the foreign enemy was lost."
Son though he was "of an imbecile father and a debauched mother," Charles VII did not lack for intelligence, and in his diplomacy, directed during the first part of his reign against a foreign enemy and, in the latter part, against a domestic one, the Burgundians, he gave proof of the highest qualities. He had a taste for letters, and was—"unique, doubtless, in this among the kings of France"—a good Latin scholar. His mistresses, of whom Agnès Sorel was only the first, were imposed upon his wife, Marie d'Anjou, and upon his court with unusual effrontery. The queen was even obliged to distribute gifts to the "filles joyeuses who followed the court in its peregrinations." This moral depravation, naturally, extended downward to the whole court. M. Brentano, who is one of the few French historians who venture to lay disrespectful hands on the grand Roi-soleil, says: "Charles VII was the original source of the crapulous debauchery of the last Valois; he traced the way for the crimes of Louis XIV, and the turpitudes of Louis XV." This, although the higher clergy of the reigns both of Charles and of Louis Quatorze did not fail in their duty, and did denounce openly from the pulpit the sins of these all-powerful monarchs.
On his re-entry into Paris, Charles did not take up his residence in the Hôtel Saint-Pol, the sorrowful lodging of his father, but in the Tournelles, which he made a "delightful sojourn," and where his successors installed themselves until François II, who established his dwelling in the Louvre. In the time of Louis XI, however, the Tournelles partook of the sordid and melancholy character of its master. "The king lived there alone and stingily," says the historian Michelet. "He had had the odd taste to retain some servitors whom he had brought from Brabant; he lived there as if in exile. … As soon as he was king, he assumed the pilgrim's habit, the cape of coarse gray cloth, with the gaiters of a travelling costume, and he took them off only at his death. … If he came out of the Tournelles, it was in the evening, like an owl, in his melancholy gray cape. His gossip, companion, and friend (he had a friend) was a certain Bische, whom he had formerly set as a spy on his father, Charles VII, and whom afterward he kept near the Comte de Charolais, to induce him to betray his father, the Duc de Bourgogne."
The king had, indeed been one of the worst of sons—at the period of his accession to the throne he was almost in open rebellion against his father, and had sought refuge at the court of Burgundy. The great nobles consequently looked with complacency upon his coming into power, and were very far from foreseeing that through him their privileges and authority throughout the kingdom were to be finally ruined. During his reign, the capital prospered—"the king made of it his refuge, his citadel and his arsenal for all his enterprises against the feudality." In one respect, he followed his father's example and even bettered it—his counsellors were chosen by preference among the tiers état, and frequently even among men of base extraction. When occasion required, he did not disdain any of the arts of the demagogue: on entering Paris after the indecisive battle of Montlhéry, with the Burgundians, almost under the walls of the capital, he took supper with the principal ladies of the city in the house of Charles de Melun, and so moved them with the recital of the dangers he had undergone that all the dames bourgeoises wept. He was in the habit of visiting familiarly the principal bourgeois, seating himself at their table or inviting them to his own, and interesting himself in their private affairs. By this means, he endeavored to ascertain their opinions concerning his political measures, and the amount of obedience which they were likely to render to them. In 1471, "he honored the city by starting the fire with his own hand in the Place de Grève, the evening of Saint John the Baptist." On a mast, twenty-five mètres in height and surrounded by combustibles of all kinds, was hung a great basket containing a dozen black cats and a fox, symbols of the devil. "The more the grilled cats cried, the more the people laughed."
For all his craftiness, "he had not reigned four years when all the world was against him," says Duruy. "The people forced to provide, by paying a great many imposts, for the necessities of the government which they did not as yet comprehend, the bourgeoisie wounded in its particular interests, which it did not know how to sacrifice to the general interests, the clergy menaced in its property, the lesser nobility in its rights and in its dearest habits, the higher aristocracy in its pretensions to sovereignty—all these classes, so widely diverse, so often hostile one to another, found themselves for the moment quite in accord upon one point—the necessity of limiting the royal authority." The Ligue du Bien public was formed by the great nobles through compassion for the miseries of the kingdom "under the discord and piteous government of Louis XI." Thus threatened by the aristocracy, it was a question of the utmost importance for the king to retain his capital; he wrote to the Parisians in the most cajoling phrases before Montlhéry, and after, hastened to arm the bourgeois and accepted, as an aid and support, a council of six bourgeois, six members of the Parliament, and six clerks of the University.
The festivals and processions in the streets of Paris were not so numerous in this reign as in many of the preceding ones, but some of them have remained memorable. On his entry into the city on the occasion of his accession to the throne, August 30, 1461, he was richly dressed in white satin, and rode between the old Duc de Bourgogne and the Comte de Charolais. Over the Porte Saint-Denis was the representation of a ship, "emblem of the arms of Paris (which are, gules, a ship équipé, argent, on a sea of the same; au chef cousu d'argent, sown with fleurs-de-lis d'or). From this ship descended two little angels, who placed a crown upon the head of the king. The fountain of Ponceau ran wine; and at this fountain three beautiful maids, quite nude, represented sirens; 'and this was a very pleasant thing,' adds the chronicler, Jean de Troyes; 'they discoursed little motets and bergerettes.'" Other demonstrations, in the fashion of the time, were given at other points of the route; all the streets through which the king passed were hung with rich tapestries, and when he arrived at the Pont-au-Change, the bird merchants of Paris launched in the air "more than two hundred dozen birds of all kinds."
A very good painter, M. Tattegrain, in one of his recent envois to the annual Salon, has represented with great detail and much historical accuracy the incident of the three pretty sirens, quite nude. According to his story, they were only bared to the waist, and the king, very gallantly, checked the procession and rode out from under his canopy to hear their motets and bergerettes.
On the 15th of May, 1468, there was a fine tilting at the Hôtel des Tournelles between the gentlemen of Paris and those of Normandy; "they were valiant champions, superbly apparelled in hacquetons embossed with gold." Of the four Norman chevaliers who came expressly for this occasion, three were wounded, so that "all the honor of the jousts remained with those of Paris." On the 19th of November, the conclusion of the treaty of Péronne, between the king and the Duc de Bourgogne, was announced by trumpets in all the public squares of the city, and popular rejoicings ordered; as also for the birth of the dauphin, afterward Charles VIII, June 30, 1470, and the victory of Henry of Lancaster, King of England, over his competitor, Edward. These two events, the king directed, should be celebrated by a cessation of work of all kind for three days, and public prayers. Not long afterward, the queen of Henri VI arrived
