The Mythology of Mayas, Aztecs and Incas. Lewis Spence

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known as the Nahua (Those who live by Rule), a title adopted by them to distinguish them from those tribes who still roamed in an unsettled condition over the contiguous plains of New Mexico and the more northerly tracts. This term was employed by them to designate the race as a whole, but it was composed of many diverse elements, the characteristics of which were rendered still more various by the adoption into one or other of the tribes which composed it of surrounding aboriginal peoples. Much controversy has raged round the question regarding the original home of the Nahua, but their migration legends consistently point to a northern origin; and when the close affinity between the art-forms and mythology of the present-day natives of British Columbia and those of the Nahua comes to be considered along with the very persistent legends of a prolonged pilgrimage from the North, where they dwelt in a place “by the water,” the conclusion that the Nahua emanated from the region indicated is well-nigh irresistible.3

      In Nahua tradition the name of the locality whence the race commenced its wanderings is called Aztlan (The Place of Reeds), but this place-name is of little or no value as a guide to any given region, though probably every spot betwixt Behring Strait and Mexico has been identified with it by zealous antiquarians. Other names discovered in the migration legends are Tlapallan (The Country of Bright Colours) and Chicomoztoc (The Seven Caves), and these may perhaps be identified with New Mexico or Arizona.

      Legends of Mexican Migration

      The Toltec Upheaval

      Like nearly all legendary immigrants, the Toltecs did not set out to colonise distant countries from any impulse of their own, but were the victims of internecine dissension in the homeland, and were expelled from the community to seek their fortunes elsewhere. Thus thrust forth, they set their faces southward, and reached Tlapallan in the year 1 Tecpatl (A.D. 387). Passing the country of Xalisco, they effected a landing at Huatulco, and journeyed down the coast until they reached Tochtepec, whence they pushed inland to Tollantzinco. To enable them to make this journey they required no less than 104 years. Ixtlilxochitl furnishes another account of the Toltec migration in his Relaciones, a work dealing with the early history of the Mexican races. In this he recounts how the chiefs of Tlapallan, who had revolted against the royal power, were banished from that region in A.D. 439. Lingering near their ancient territory for the space of eight years, they then journeyed to Tlapallantzinco, where they halted for three years before setting out on a prolonged pilgrimage, which occupied the tribe for over a century, and in the course of which it halted at no less than thirteen different resting-places, six of which can be traced to stations on the Pacific coast, and the remainder to localities in the north of Mexico.

      Artificial Nature of the Migration Myths

      It is plain from internal evidence that these two legends of the Toltec migrations present an artificial aspect. But if we cannot credit them in detail, that is not to say that they do not describe in part an actual pilgrimage. They are specimens of numerous migration myths which are related concerning the various branches of the Mexican races. Few features of interest are presented in them, and they are chiefly remarkable for wearisome repetition and divergence in essential details.

      Myths of the Toltecs

      But we enter a much more fascinating domain when we come to peruse the myths regarding the Toltec kingdom and civilisation, for, before entering upon the origin or veritable history of the Toltec race, it will be better to consider the native legends concerning them. These exhibit an almost Oriental exuberance of imagination and colouring, and forcibly remind the reader of the gorgeous architectural and scenic descriptions in the Arabian Nights. The principal sources of these legends are the histories of Zumarraga and Ixtlilxochitl. The latter is by no means a satisfactory authority, but he has succeeded in investing the traditions of his native land with no inconsiderable degree of charm. The Toltecs, he says, founded the magnificent city of Tollan in the year 566 of the Incarnation. This city, the site of which is now occupied by the modern town of Tula, was situated north-west of the mountains which bound the Mexican valley. Thither were the Toltecs guided by the powerful necromancer Hueymatzin (Great Hand), and under his direction they decided to build a city upon the site of what had been their place of bivouac. For six years they toiled at the building of Tollan, and magnificent edifices, palaces, and temples arose, the whole forming a capital of a splendour unparalleled in the New World. The valley wherein it stood was known as the “Place of Fruits,” in allusion to its great fertility. The surrounding rivers teemed with fish, and the hills which encircled this delectable site sheltered large herds of game. But as yet the Toltecs were without a ruler, and in the seventh year of their occupation of the city the assembled chieftains took counsel together, and resolved to surrender their power into the hands of a monarch whom the people might elect. The choice fell upon Chalchiuh Tlatonac (Shining Precious Stone), who reigned for fifty-two years.

      Legends of Toltec Artistry

      Happily settled in their new country, and ruled over by a king whom they could regard with reverence, the Toltecs made rapid progress in the various arts, and their city began to be celebrated far and wide for the excellence of its craftsmen and the beauty of its architecture and pottery. The name of “Toltec,” in fact, came to be regarded by the surrounding peoples as synonymous with “artist,” and as a kind of hall-mark which guaranteed the superiority of any article of Toltec workmanship. Everything in and about the city was eloquent of the taste and artistry of its founders. The very walls were encrusted with rare stones, and their masonry was so beautifully chiselled and laid as to resemble the choicest mosaic. One of the edifices of which the inhabitants of Tollan were most justly proud was the temple wherein their high-priest officiated. This building was a very gem of architectural art and mural decoration. It contained four apartments. The walls of the first were inlaid with gold, the second with precious stones of every description, the third with beautiful sea-shells of all conceivable hues and of the most brilliant and tender shades encrusted in bricks of silver, which sparkled in the sun in such a manner as to dazzle the eyes of beholders. The fourth apartment was formed of a brilliant red stone, ornamented with shells.

      The House of Feathers

      Still

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