moon, and the five planets were created, and it would seem from the repetition that there were two creations, that the first was a failure, in which Merodach had, as it were, essayed a first attempt, perfecting the process in the second creation. Of course it may be conjectured that Berossus may have drawn from two conflicting accounts, or that those who quote him have inserted the second passage.
The Sumerian incantation, which is provided with a Semitic translation, adds somewhat to our knowledge of this cosmogony. It states that in the beginning nothing as yet existed, none of the great cities of Babylonia had yet been built, indeed there was no land, nothing but sea. It was not until the veins of Tiawath had been cut through that paradise and the abyss appear to have been separated and the gods created by Merodach. Also did he create annunaki or gods of the earth, and established a wondrous city as a place in which they might dwell. Then men were formed with the aid of the goddess Aruru, and finally vegetation, trees, and animals. Then did Merodach raise the great temples of Erech and Nippur. From this account we see that instead of Merodach being alluded to as the son of the gods, he is regarded as their creator. In the library of Nineveh was also discovered a copy of a tablet written for the great temple of Nergal at Cuthah. Nergal himself is supposed to make the statement which it contains. He tells us how the hosts of chaos and confusion came into being. At first, as in the other accounts, nothingness reigned supreme, then did the great gods create warriors with the bodies of birds, and men with the faces of ravens. They founded them a city in the ground, and Tiawath, the great dragon, did suckle them. They were fostered in the midst of the mountains, and under the care of the 'mistress of the gods' they greatly increased and became heroes of might. Seven kings had they, who ruled over six thousand people. Their father was the god Benani, and their mother the queen, Melili. These beings, who might almost be called tame gods of evil, Nergal states that he destroyed.6 Thus all accounts agree concerning the original chaotic condition of the universe. They also agree that the powers of chaos and darkness were destroyed by a god of light.
The creation tablets are written in Semitic and allude to the great circle of the gods as already fully developed and having its full complement. Even the later deities are mentioned in them. This means that it must be assigned to a comparatively late date, but it possesses elements which go to show that it is a late edition of a much earlier composition—indeed the fundamental elements in it appear, as has been said, to be purely Akkadian in origin, and that would throw back the date of its original form to a very primitive period indeed. It has, as will readily be seen, a very involved cosmogony. Its characteristics show it to have been originally local, and of course Babylonian, in its secondary origin, but from time to time it was added to, so that such gods as were at a later date adopted into the Babylonian pantheon might be explained and accounted for by it; but the legend of the creation arising in the city of Babylon, the local folk-tale known and understood by the people, was never entirely shelved by the more consequential and polished epic, which was perhaps only known and appreciated in literary and æsthetic circles, and bore the same relation to the humbler folk-story that Milton's Paradise Lost bears to the medieval legends of the casting out of Satan from heaven.
Although it is quite easy to distinguish influences of extreme antiquity in the Babylonian creation myth, it is clear that in the shape in which it has come down to us it has been altered in such a manner as to make Merodach reap the entire credit of Tiawath's defeat instead of En-lil, or the deity who was his predecessor as monarch of the gods. Jastrow holds that the entire cosmological tale has been constructed from an account of a conflict with a primeval monster and a story of a rebellion against Ea; that these two tales have become fused, and that the first is again divisible into three versions, originating one at Uruk and the other two at Nippur at different epochs. The first celebrates the conquest of Anu over Tiawath, the second exalts Ninib as the conqueror, and the third replaces him by En-lil. We thus see how it was possible for the god of a conquering or popular dynasty to have a complete myth made over to him, and how at last it was competent for the mighty Merodach of Babylon to replace an entire line of deities as the central figure of a myth which must have been popular with untold generations of Akkadian and Babylonian people.
Type of Babylonian Cosmology
We must now consider the precise nature of the Babylonian cosmology and its place among other creation myths. Like the cosmological efforts of most primitive or barbarian peoples it does not partake of the character of a creation myth so much as an account of an evolution from chaos and the establishment of physical laws. The primitive mind cannot grasp the idea of the creation of something out of nothing, and the Babylonians and Akkadians did not differ in this respect from other races in the same stage of development. In whatever direction we look when examining the cosmologies of barbarian or semi-civilized peoples, we find a total inability to get behind and beyond the idea that the matter of creation lay already to the hand of the creative agency, and that in order to shape a world it had but to draw the material therefor from the teeming deep or the slain body of a hostile monster. Not only does the idea of creating land and water out of nothingness seem absurd to the primitive mind, but man as well must be framed from dust, mud, clay, or the blood of the creative god himself. Yet Merodach was able to bring a garment out of nothingness and to return it thither by merely speaking a word! Why, then, did not the theology which admitted the possibility of such a phenomenon carry out its own conception to a logical conclusion and own the likelihood of the god's ability to create an entire universe in the self-same manner? Perhaps the step was too bold for an individual to take in the face of an entire theological college, and in any case what would seem a perfectly feasible act of magic to the theologians of Babylon when applied to a garment might not serve for application to the making of the earth and all that is therein. The cosmology of Babylon is therefore on a par with those of Scandinavia, China, and many North American Indian tribes, nor does it reach so high an imaginative level as those of ancient Egypt, India, or the Maya of Central America, in some of which the vocal command of a god is sufficient to bring about the creation of the earth and the waters surrounding it.
The making of the sun, the moon, and the other heavenly bodies is, as will be more fully shown later, of great importance in Babylonian myth. The stars appear to have been attached to the firmament of heaven as to a cloth. Across this the sun passed daily, his function being to inspect the movements of the other heavenly bodies. The moon, likewise, had her fixed course, and certain stars were also supposed to move across the picture of the night with greater or less regularity. The heavens were guarded at either end by a great gateway, and through one of these the sun passed after rising from the ocean, whilst in setting he quitted the heavens by the opposite portal.
The terrestrial world was imagined as a great hollow structure resting on the 'deep.' Indeed, it would seem to have been regarded as an island floating on an abyss of waters. This conception of the world of earth was by no means peculiar to the Babylonians, but was shared by them with many of the nations of antiquity.
As emanating from the blood of Merodach himself, man was looked upon as directly of heavenly origin. An older tradition existed to the effect that Merodach had been assisted in the creation of mankind by the goddess Aruru, who figures in the Gilgamesh epic as the creatress of Eabani out of a piece of clay. We also find an ancient belief current that humanity owed its origin to the god Ea, but when Merodach displaced this god politically, he would, of course, 'take over' his entire record and creative deeds as well as his powers and sovereignties. At Nippur Bel was looked up to as the originator of man. But these beliefs probably obtained in remoter times, and would finally be quenched by the advance to full and unquestioned power of the great god Merodach.
Connexion with the Jonah Legend
Some mythologists see in the story of Jonah a hidden allusion to the circumstances of Babylonian cosmology. Jonah, as we remember, was summoned to Nineveh to prophesy against it, but proceeding instead to Joppa (the scene of the later myth of Perseus and Andromeda) the ship in which he set sail was storm-tossed, and he himself advised the sailors to cast him overboard. They did so, and "a great
