The Essential Works of Tagore. Rabindranath Tagore

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The Essential Works of Tagore - Rabindranath Tagore

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which have got on in the world have done so by action, not by ebullition. Those who have always lain in dread of work, when with a start they awake to their sorry plight, they look to short-cuts and scamping for their deliverance.'

      I was girding up my loins to deliver a crushing reply, when Nikhil came back. Chandranath Babu rose, and looking towards Bee, said: 'Let me go now, my little mother, I have some work to attend to.'

      As he left, I showed Nikhil the book in my hand. 'I was telling Queen Bee about this book,' I said.

      Ninety-nine per cent of people have to be deluded with lies, but it is easier to delude this perpetual pupil of the schoolmaster with the truth. He is best cheated openly. So, in playing with him, the simplest course was to lay my cards on the table.

      Nikhil read the title on the cover, but said nothing. 'These writers,' I continued, 'are busy with their brooms, sweeping away the dust of epithets with which men have covered up this world of ours. So, as I was saying, I wish you would read it.'

      'I have read it,' said Nikhil.

      'Well, what do you say?'

      'It is all very well for those who really care to think, but poison for those who shirk thought.'

      'What do you mean?'

      'Those who preach "Equal Rights of Property" should not be thieves. For, if they are, they would be preaching lies. When passion is in the ascendant, this kind of book is not rightly understood.'

      'Passion,' I replied, 'is the street lamp which guides us. To call it untrue is as hopeless as to expect to see better by plucking out our natural eyes.'

      Nikhil was visibly growing excited. 'I accept the truth of passion,' he said, 'only when I recognize the truth of restraint. By pressing what we want to see right into our eyes we only injure them: we do not see. So does the violence of passion, which would leave no space between the mind and its object, defeat its purpose.'

      'It is simply your intellectual foppery,' I replied, 'which makes you indulge in moral delicacy, ignoring the savage side of truth. This merely helps you to mystify things, and so you fail to do your work with any degree of strength.'

      'The intrusion of strength,' said Nikhil impatiently, 'where strength is out of place, does not help you in your work.... But why are we arguing about these things? Vain arguments only brush off the fresh bloom of truth.'

      I wanted Bee to join in the discussion, but she had not said a word up to now. Could I have given her too rude a shock, leaving her assailed with doubts and wanting to learn her lesson afresh from the schoolmaster? Still, a thorough shaking-up is essential. One must begin by realizing that things supposed to be unshakeable can be shaken.

      'I am glad I had this talk with you,' I said to Nikhil, 'for I was on the point of lending this book to Queen Bee to read.'

      'What harm?' said Nikhil. 'If I could read the book, why not Bimala too? All I want to say is, that in Europe people look at everything from the viewpoint of science. But man is neither mere physiology, nor biology, nor psychology, nor even sociology. For God's sake don't forget that. Man is infinitely more than the natural science of himself. You laugh at me, calling me the schoolmaster's pupil, but that is what you are, not I. You want to find the truth of man from your science teachers, and not from your own inner being.'

      'But why all this excitement?' I mocked.

      'Because I see you are bent on insulting man and making him petty.'

      'Where on earth do you see all that?'

      'In the air, in my outraged feelings. You would go on wounding the great, the unselfish, the beautiful in man.'

      'What mad idea is this of yours?'

      Nikhil suddenly stood up. 'I tell you plainly, Sandip,' he said, 'man may be wounded unto death, but he will not die. This is the reason why I am ready to suffer all, knowing all, with eyes open.'

      With these words he hurriedly left the room.

      I was staring blankly at his retreating figure, when the sound of a book, falling from the table, made me turn to find Bee following him with quick, nervous steps, making a detour to avoid passing too near me.

      A curious creature, that Nikhil! He feels the danger threatening his home, and yet why does he not turn me out? I know, he is waiting for Bimal to give him the cue. If Bimal tells him that their mating has been a misfit, he will bow his head and admit that it may have been a blunder! He has not the strength of mind to understand that to acknowledge a mistake is the greatest of all mistakes. He is a typical example of how ideas make for weakness. I have not seen another like him,—so whimsical a product of nature! He would hardly do as a character in a novel or drama, to say nothing of real life.

      And Bee? I am afraid her dream-life is over from today. She has at length understood the nature of the current which is bearing her along. Now she must either advance or retreat, open-eyed. The chances are she will now advance a step, and then retreat a step. But that does not disturb me. When one is on fire, this rushing to and fro makes the blaze all the fiercer. The fright she has got will only fan her passion.

      Perhaps I had better not say much to her, but simply select some modern books for her to read. Let her gradually come to the conviction that to acknowledge and respect passion as the supreme reality, is to be modern,—not to be ashamed of it, not to glorify restraint. If she finds shelter in some such word as 'modern,' she will find strength.

      Be that as it may, I must see this out to the end of the Fifth Act. I cannot, unfortunately, boast of being merely a spectator, seated in the royal box, applauding now and again. There is a wrench at my heart, a pang in every nerve. When I have put out the light and am in my bed, little touches, little glances, little words flit about and fill the darkness. When I get up in the morning, I thrill with lively anticipations, my blood seems to course through me to the strains of music....

      There was a double photo-frame on the table with Bee's photograph by the side of Nikhil's. I had taken out hers. Yesterday I showed Bee the empty side and said: 'Theft becomes necessary only because of miserliness, so its sin must be divided between the miser and the thief. Do you not think so?'

      'It was not a good one,' observed Bee simply, with a little smile.

      'What is to be done?' said I. 'A portrait cannot be better than a portrait. I must be content with it, such as it is.'

      Bee took up a book and began to turn over the pages. 'If you are annoyed,' I went on, 'I must make a shift to fill up the vacancy.'

      To-day I have filled it up. This photograph of mine was taken in my early youth. My face was then fresher, and so was my mind. Then I still cherished some illusions about this world and the next. Faith deceives men, but it has one great merit: it imparts a radiance to the features.

      My portrait now reposes next to Nikhil's, for are not the two of us old friends?

      CHAPTER IV

       Table of Contents

      NIKHIL'S STORY

      

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