there was not time; but I suppose he does not like you less for what has happened; you're worth cultivating now, you know.'
Wylder was leaning on his elbow, with just the tip of his thumb to his teeth, with a vicious character of biting it, which was peculiar to him when anything vexed him considerably, and glancing sharply this way and that—
'You know,' he said, suddenly, 'we are a sort of cousins; his mother was a Brandon—a second cousin of Dorcas's—no, of her father's—I don't know exactly how. He's a pushing fellow, one of the coolest hands I know; but I don't see that I can be of any use to him, or why the devil I should. I say, old fellow, come out and have a weed, will you?'
I raised my eyes. Miss Brandon had left the room. I don't know that her presence would have prevented his invitation, for Wylder's wooing was certainly of the coolest. So forth we sallied, and under the autumnal foliage, in the cool amber light of the declining evening, we enjoyed our cheroots; and with them, Wylder his thoughts; and I, the landscape, and the whistling of the birds; for we waxed Turkish and taciturn over our tobacco.
Chapter VII
RELATING HOW A LONDON GENTLEMAN APPEARED IN REDMAN'S DELL.
I believe the best rule in telling a story is to follow events chronologically. So let me mention that just about the time when Wylder and I were filming the trunks of the old trees with wreaths of lingering perfume, Miss Rachel Lake had an unexpected visitor.
There is, near the Hall, a very pretty glen, called Redman's Dell, very steep, with a stream running at the bottom of it, but so thickly wooded that in summer time you can only now and then catch a glimpse of the water gliding beneath you. Deep in this picturesque ravine, buried among the thick shadows of tall old trees, runs the narrow mill-road, which lower down debouches on the end of the village street. There, in the transparent green shadow, stand the two mills—the old one with A.D. 1679, and the Wylder arms, and the eternal 'resurgam' projecting over its door; and higher up, on a sort of platform, the steep bank rising high behind it, with its towering old wood overhanging and surrounding, upon a site where one of king Arthur's knights, of an autumn evening, as he rode solitary in quest of adventures, might have seen the peeping, gray gable of an anchorite's chapel dimly through the gilded stems, and heard the drowsy tinkle of his vesper-bell, stands an old and small two-storied brick and timber house; and though the sun does not very often glimmer on its windows, it yet possesses an air of sad, old-world comfort—a little flower-garden lies in front with a paling round it. But not every kind of flowers will grow there, under the lordly shadow of the elms and chestnuts.
This sequestered tenement bears the name of Redman's Farm; and its occupant was that Miss Lake whom I had met last night at Brandon Hall, and whose pleasure it was to live here in independent isolation.
There she is now, busy in her tiny garden, with the birds twittering about her, and the yellow leaves falling; and her thick gauntlets on her slender hands. How fresh and pretty she looks in that sad, sylvan solitude, with the background of the dull crimson brick and the climbing roses. Bars of sunshine fall through the branches above, across the thick tapestry of blue, yellow, and crimson, that glow so richly upon their deep green ground.
There is not much to be done just now, I fancy, in the gardening way; but work is found or invented—for sometimes the hour is dull, and that bright, spirited, and at heart, it may be, bitter exile, will make out life somehow. There is music, and drawing. There are flowers, as we see, and two or three correspondents, and walks into the village; and her dark cousin, Dorcas, drives down sometimes in the pony-carriage, and is not always silent; and indeed, they are a good deal together.
This young lady's little Eden, though overshadowed and encompassed with the solemn sylvan cloister of nature's building, and vocal with sounds of innocence—the songs of birds, and sometimes those of its young mistress—was no more proof than the Mesopotamian haunt of our first parents against the intrusion of darker spirits. So, as she worked, she lifted up her eyes, and beheld a rather handsome young man standing at the little wicket of her garden, with his gloved hand on the latch. A man of fashion—a town man—his dress bespoke him: smooth cheeks, light brown curling moustache, and eyes very peculiar both in shape and colour, and something of elegance of finish in his other features, and of general grace in the coup d'oeil, struck one at a glance. He was smiling silently and slily on Rachel, who, with a little cry of surprise, said—
'Oh, Stanley! is it you?'
And before he could answer, she had thrown her arms about his neck and kissed him two or three times. Laughingly, half-resisting, the young man waited till her enthusiastic salutation was over, and with one gloved hand caressingly on her shoulder, and with the other smoothing his ruffled moustache, he laughed a little more, a quiet low laugh. He was not addicted to stormy greetings, and patted his sister's shoulder gently, his arm a little extended, like a man who tranquillises a frolicsome pony.
'Yes, Radie, you see I've found you out;' and his eye wandered, still smiling oddly, over the front of her quaint habitation.
'And how have you been, Radie?'
'Oh, very well. No life like a gardener's—early hours, work, air, and plenty of quiet.' And the young lady laughed.
'You are a wonderful lass, Radie.'
'Thank you, dear.'
'And what do you call this place?'
'"The Happy Valley," I call it. Don't you remember "Rasselas?"'
'No,' he said, looking round him; 'I don't think I was ever there.'
'You horrid dunce!—it's a book, but a stupid one—so no matter,' laughed Miss Rachel, giving him a little slap on the shoulder with her slender fingers.
His reading, you see, lay more in circulating library lore, and he was not deep in Johnson—as few of us would be, I'm afraid, if it were not for Boswell.
'It's a confounded deal more like the "Valley of the Shadow of Death," in "Pilgrim's Progress"—you remember—that old Tamar used to read to us in the nursery,' replied Master Stanley, who had never enjoyed being quizzed by his sister, not being blessed with a remarkably sweet temper.
'If you don't like my scenery, come in, Stanley, and admire my decorations. You must tell me all the news, and I'll show you my house, and amaze you with my housekeeping. Dear me, how long it is since I've seen you.'
So she led him in by the arm to her tiny drawing-room; and he laid his hat and stick, and gray paletot, on her little marquetrie-table, and sat down, and looked languidly about him, with a sly smile, like a man amused.
'It is an odd fancy, living alone here.'
'An odd necessity, Stanley.'
'Aren't you afraid of being robbed and murdered, Radie?' he said, leaning forward to smell at the pretty bouquet in the little glass, and turning it listlessly round. 'There are lots of those burglar fellows going about, you know.'
'Thank you, dear, for reminding me. But, somehow, I'm not the least afraid. There hasn't been a robbery in this neighbourhood, I believe, for eight hundred years. The people never think of shutting their doors here in summer time till they are going to bed, and then only for form's sake; and, beside, there's nothing to rob, and I really don't much mind being murdered.'
He
