and he calls "who's there?" and no answer. "Maybe," says Dalton, to himself, "'tis what he's rid round to the back-door;" so to the back-door with him, and there he shouts again—and no answer, and not a sound outside—and he began to feel quare, and to the hall door with him back again. "Who's there? do you hear? who's there?" he shouts, and receives no answer still. "I'll open the door at any rate," says he, "maybe it's what he's made his escape," for they knew all about his troubles, and wants to get in without noise, so praying all the time—for his mind misgave him it might not be all right—he shifts the bars and unlocks the door; but neither man, woman, nor child, nor horse, nor any living shape was standing there, only something or another slipt into the house close by his leg; it might be a dog, or something that way, he could not tell, for he only seen it for a moment with the corner of his eye, and it went in just like as if it belonged to the place. He could not see which way it went, up or down, but the house was never a happy one, or a quiet house after; and Dalton bangs the hall-door, and he took a sort of a turn and a trembling, and back with him to Oliver, the butler, looking as white as the blank leaf of his master's letter, that was between his finger and thumb. "What is it? what is it?" says the butler, catching his crutch like a waypon, fastening his eyes on Dalton's white face, and growing almost as pale himself. "The master's dead," says Dalton—and so he was, signs on it.
'After the turn she got by what she seen in the orchard, when she came to know the truth of what it was, Jinny Cresswell, you may be sure, did not stay there an hour longer than she could help: and she began to take notice of things she did not mind before—such as when she went into the big bed-room over the hall, that the lord used to sleep in, whenever she went in at one door the other door used to be pulled to very quick, as if some one avoiding her was getting out in haste; but the thing that frightened her most was just this—that sometimes she used to find a long straight mark from the head to the foot of her bed, as if 'twas made by something heavy lying there, and the place where it was used to feel warm—as if—whoever it was—they only left it as she came into the room.
'But the worst of all was poor Kitty Haplin, the young woman that died of what she seen. Her mother said it was how she was kept awake all the night with the walking about of some one in the next room, tumbling about boxes, and pulling over drawers, and talking and sighing to himself, and she, poor thing, wishing to go asleep, and wondering who it could be, when in he comes, a fine man, in a sort of loose silk morning-dress, an' no wig, but a velvet cap on, and to the windy with him quiet and aisy, and she makes a turn in the bed to let him know there was some one there, thinking he'd go away, but instead of that, over he comes to the side of the bed, looking very bad, and says something to her—but his speech was thick and choakin' like a dummy's that id be trying to spake—and she grew very frightened, and says she, 'I ask your honour's pardon, Sir, but I can't hear you right,' and with that he stretches up his neck nigh out of his cravat, turning his face up towards the ceiling, and—grace between us and harm!—his throat was cut across, and wide open; she seen no more, but dropped in a dead faint in the bed, and back to her mother with her in the morning, and she never swallied bit or sup more, only she just sat by the fire holding her mother's hand, crying and trembling, and peepin' over her shoulder, and starting with every sound, till she took the fever and died, poor thing, not five weeks after.'
And so on, and on, and on flowed the stream of old Sally's narrative, while Lilias dropped into dreamless sleep, and then the story-teller stole away to her own tidy bed-room and innocent slumbers.
XII.
CHAPTER XII.
SOME ODD FACTS ABOUT THE TILED HOUSE—BEING AN AUTHENTIC NARRATIVE OF THE GHOST OF A HAND.
I'm sure she believed every word she related, for old Sally was veracious. But all this was worth just so much as such talk commonly is—marvels, fabulæ, what our ancestors called winter's tales—which gathered details from every narrator, and dilated in the act of narration. Still it was not quite for nothing that the house was held to be haunted. Under all this smoke there smouldered just a little spark of truth—an authenticated mystery, for the solution of which some of my readers may possibly suggest a theory, though I confess I can't.
Miss Rebecca Chattesworth, in a letter dated late in the autumn of 1753, gives a minute and curious relation of occurrences in the Tiled House, which, it is plain, although at starting she protests against all such fooleries, she has heard with a peculiar sort of interest, and relates it certainly with an awful sort of particularity.
I was for printing the entire letter, which is really very singular as well as characteristic. But my publisher meets me with his veto; and I believe he is right. The worthy old lady's letter is, perhaps, too long; and I must rest content with a few hungry notes of its tenor.
That year, and somewhere about the 24th October, there broke out a strange dispute between Mr. Alderman Harper, of High Street, Dublin, and my Lord Castlemallard, who, in virtue of his cousinship to the young heir's mother, had undertaken for him the management of the tiny estate on which the Tiled or Tyled House—for I find it spelt both ways—stood.
This Alderman Harper had agreed for a lease of the house for his daughter, who was married to a gentleman named Prosser. He furnished it, and put up hangings, and otherwise went to considerable expense. Mr. and Mrs. Prosser came there sometime in June, and after having parted with a good many servants in the interval, she made up her mind that she could not live in the house, and her father waited on Lord Castlemallard, and told him plainly that he would not take out the lease because the house was subjected to annoyances which he could not explain. In plain terms, he said it was haunted, and that no servants would live there more than a few weeks, and that after what his son-in-law's family had suffered there, not only should he be excused from taking a lease of it, but that the house itself ought to be pulled down as a nuisance and the habitual haunt of something worse than human malefactors.
Lord Castlemallard filed a bill in the Equity side of the Exchequer to compel Mr. Alderman Harper to perform his contract, by taking out the lease. But the Alderman drew an answer, supported by no less than seven long affidavits, copies of all which were furnished to his lordship, and with the desired effect; for rather than compel him to place them upon the file of the court, his lordship struck, and consented to release him.
I am sorry the cause did not proceed at least far enough to place upon the files of the court the very authentic and unaccountable story which Miss Rebecca relates.
The annoyances described did not begin till the end of August, when, one evening, Mrs. Prosser, quite alone, was sitting in the twilight at the back parlour window, which was open, looking out into the orchard, and plainly saw a hand stealthily placed upon the stone window-sill outside, as if by some one beneath the window, at her right side, intending to climb up. There was nothing but the hand, which was rather short but handsomely formed, and white and plump, laid on the edge of the window-sill; and it was not a very young hand, but one aged, somewhere about forty, as she conjectured. It was only a few weeks before that the horrible robbery at Clondalkin had taken place, and the lady fancied that the hand was that of one of the miscreants who was now about to scale the windows of the Tiled House. She uttered a loud scream and an ejaculation of terror, and at the same moment the hand was quietly withdrawn.
Search was made in the orchard, but no indications of any person's having been under the window, beneath which, ranged along the wall, stood a great column of flower-pots, which it seemed must have prevented any one's coming within reach of it.
The same night there came a hasty tapping, every now and then, at the window of the kitchen. The women grew frightened, and the servant-man, taking firearms with him, opened the back-door, but
