other side, pulled to by the same white, puffy hand, as he believed.
He drew the door open with a fling, and stared in: but the closet was empty, except for the clothes hanging from the pegs on the wall, and the dressing-table and looking-glass facing the windows. He shut it sharply, and locked it, and felt for a minute, he says, 'as if he were like to lose his wits;' then, ringing at the bell, he brought the servants, and with much ado they recovered Mrs. Prosser from a sort of 'trance,' in which, he says, from her looks, she seemed to have suffered 'the pains of death:' and Aunt Rebecca adds, 'from what she told me of her visions, with her own lips, he might have added, "and of hell also."'
But the occurrence which seems to have determined the crisis was the strange sickness of their eldest child, a little boy aged between two and three years. He lay awake, seemingly in paroxysms of terror, and the doctors who were called in, set down the symptoms to incipient water on the brain. Mrs. Prosser used to sit up with the nurse by the nursery fire, much troubled in mind about the condition of her child.
His bed was placed sideways along the wall, with its head against the door of a press or cupboard, which, however, did not shut quite close. There was a little valance, about a foot deep, round the top of the child's bed, and this descended within some ten or twelve inches of the pillow on which it lay.
They observed that the little creature was quieter whenever they took it up and held it on their laps. They had just replaced him, as he seemed to have grown quite sleepy and tranquil, but he was not five minutes in his bed when he began to scream in one of his frenzies of terror; at the same moment the nurse, for the first time, detected, and Mrs. Prosser equally plainly saw, following the direction of her eyes, the real cause of the child's sufferings.
Protruding through the aperture of the press, and shrouded in the shade of the valance, they plainly saw the white fat hand, palm downwards, presented towards the head of the child. The mother uttered a scream, and snatched the child from its little bed, and she and the nurse ran down to the lady's sleeping-room, where Mr. Prosser was in bed, shutting the door as they entered; and they had hardly done so, when a gentle tap came to it from the outside.
There is a great deal more, but this will suffice. The singularity of the narrative seems to me to be this, that it describes the ghost of a hand, and no more. The person to whom that hand belonged never once appeared: nor was it a hand separated from a body, but only a hand so manifested and introduced that its owner was always, by some crafty accident, hidden from view.
In the year 1819, at a college breakfast, I met a Mr. Prosser—a thin, grave, but rather chatty old gentleman, with very white hair drawn back into a pigtail—and he told us all, with a concise particularity, a story of his cousin, James Prosser, who, when an infant, had slept for some time in what his mother said was a haunted nursery in an old house near Chapelizod, and who, whenever he was ill, over-fatigued, or in anywise feverish, suffered all through his life as he had done from a time he could scarce remember, from a vision of a certain gentleman, fat and pale, every curl of whose wig, every button and fold of whose laced clothes, and every feature and line of whose sensual, benignant, and unwholesome face, was as minutely engraven upon his memory as the dress and lineaments of his own grandfather's portrait, which hung before him every day at breakfast, dinner, and supper.
Mr. Prosser mentioned this as an instance of a curiously monotonous, individualised, and persistent nightmare, and hinted the extreme horror and anxiety with which his cousin, of whom he spoke in the past tense as 'poor Jemmie,' was at any time induced to mention it.
I hope the reader will pardon me for loitering so long in the Tiled House, but this sort of lore has always had a charm for me; and people, you know, especially old people, will talk of what most interests themselves, too often forgetting that others may have had more than enough of it.
XIII.
CHAPTER XIII.
IN WHICH THE RECTOR VISITS THE TILED HOUSE, AND DOCTOR TOOLE LOOKS AFTER THE BRASS CASTLE.
Next morning Toole, sauntering along the low road towards the mills, as usual bawling at his dogs, who scampered and nuzzled hither and thither, round and about him, saw two hackney coaches and a 'noddy' arrive at 'the Brass Castle,' a tall old house by the river, with a little bit of a flower-garden, half-a-dozen poplars, and a few old privet hedges about it; and being aware that it had been taken the day before for Mr. Dangerfield, for three months, he slackened his pace, in the hope of seeing that personage, of whom he had heard great things, take seisin of his tabernacle. He was disappointed, however; the great man had not arrived, only a sour-faced, fussy old lady, Mrs. Jukes, his housekeeper and a servant-wench and a great lot of boxes and trunks; and so leaving the coachman grumbling and swearing at the lady, who, bitter, shrill, and voluble, was manifestly well able to fight her own battles, he strolled back to the Phoenix, where a new evidence of the impending arrival met his view in an English groom with three horses, which the hostler and he were leading into the inn-yard.
There were others, too, agreeably fidgeted about this arrival. The fair Miss Magnolia, for instance, and her enterprising parent, the agreeable Mrs. Macnamara: who both as they gaped and peeped from the windows, bouncing up from the breakfast-table every minute, to the silent distress of quiet little Major O'Neill, painted all sorts of handsome portraits, and agreeable landscapes, and cloud-clapped castles, each for her private contemplation, on the spreading canvas of her hopes.
Dr. Walsingham rode down to the 'Tiled House,' where workmen were already preparing to make things a little more comfortable. The towering hall-door stood half open; and down the broad stairs—his tall, slim figure, showing black against the light of the discoloured lobby-window—his raven hair reaching to his shoulders—Mervyn, the pale, large-eyed genius of that haunted place, came to meet him. He led him into the cedar parlour, the stained and dusty windows of which opened upon that moss-grown orchard, among whose great trunks and arches those strange shapes were said sometimes to have walked at night, like penitents and mourners through cathedral pillars.
It was a reception as stately, but as sombre and as beggarly withal as that of the Master of Ravenswood, for there were but two chairs in the cedar-parlour—one with but three legs, the other without a bottom; so they were fain to stand. But Mervyn could smile without bitterness and his desolation had not the sting of actual poverty, as he begged the rector to excuse his dreary welcome, and hoped that he would find things better the next time.
Their little colloquy got on very easily, for Mervyn liked the rector, and felt a confidence in him which was comfortable and almost exhilarating. The doctor had a cheery, kindly, robust voice, and a good, honest emphasis in his talk; a guileless blue eye; a face furrowed, thoughtful, and benevolent; well formed too. He must have been a handsome curate in his day. Not uncourtly, but honest; the politeness of a gentle and tender heart; very courteous and popular among ladies, although he sometimes forgot that they knew no Latin.
So Mervyn drew nigh to him in spirit, and liked him and talked to him rather more freely [though even that was enigmatically enough] than he had done to anybody else for a long time. It would seem that the young man had formed no very distinct plan of life. He appeared to have some thought of volunteering to serve in America, and some of entering into a foreign service; but his plans were, I suppose, in nubibus. All that was plain was that he was restless and eager for some change—any.
It was not a very long visit, you may suppose; and just as Dr. Walsingham rode out of the avenue, Lord Castlemallard was riding leisurely by towards Chapelizod, followed by his groom.
His
