![In Search of Lost Time [volumes 1 to 7] - Marcel Proust](/cover_914644.jpg "In Search of Lost Time [volumes 1 to 7] - Marcel Proust")
this undulation of pure matter, this wholly carnal fluency, with not the least hint in it of spiritual significance, this wave lashed to a fury by the wind of an assiduity, an obsequiousness of the basest sort, awoke my mind suddenly to the possibility of a Legrandin altogether different from the one whom we knew. The lady gave him some message for her coachman, and while he was stepping down to her carriage the impression of joy, timid and devout, which the introduction had stamped there, still lingered on his face. Carried away in a sort of dream, he smiled, then he began to hurry back towards the lady; he was walking faster than usual, and his shoulders swayed backwards and forwards, right and left, in the most absurd fashion; altogether he looked, so utterly had he abandoned himself to it, ignoring all other considerations, as though he were the lifeless and wire-pulled puppet of his own happiness. Meanwhile we were coming out through the porch; we were passing close beside him; he was too well bred to turn his head away; but he fixed his eyes, which had suddenly changed to those of a seer, lost in the profundity of his vision, on so distant a point of the horizon that he could not see us, and so had not to acknowledge our presence. His face emerged, still with an air of innocence, from his straight and pliant coat, which looked as though conscious of having been led astray, in spite of itself, and plunged into surroundings of a detested splendour. And a spotted necktie, stirred by the breezes of the Square, continued to float in front of Legrandin, like the standard of his proud isolation, of his noble independence. Just as we reached the house my mother discovered that we had forgotten the ‘Saint-Honoré,’ and asked my father to go back with me and tell them to send it up at once. Near the church we met Legrandin, coming towards us with the same lady, whom he was escorting to her carriage. He brushed past us, and did not interrupt what he was saying to her, but gave us, out of the corner of his blue eye, a little sign, which began and ended, so to speak, inside his eyelids, and as it did not involve the least movement of his facial muscles, managed to pass quite unperceived by the lady; but, striving to compensate by the intensity of his feelings for the somewhat restricted field in which they had to find expression, he made that blue chink, which was set apart for us, sparkle with all the animation of cordiality, which went far beyond mere playfulness, and almost touched the border-line of roguery; he subtilised the refinements of good-fellowship into a wink of connivance, a hint, a hidden meaning, a secret understanding, all the mysteries of complicity in a plot, and finally exalted his assurances of friendship to the level of protestations of affection, even of a declaration of love, lighting up for us, and for us alone, with a secret and languid flame invisible by the great lady upon his other side, an enamoured pupil in a countenance of ice.
Only the day before he had asked my parents to send me to dine with him on this same Sunday evening. “Come and bear your aged friend company,” he had said to me. “Like the nosegay which a traveller sends us from some land to which we shall never go again, come and let me breathe from the far country of your adolescence the scent of those flowers of spring among which I also used to wander, many years ago. Come with the primrose, with the canon’s beard, with the gold-cup; come with the stone-crop, whereof are posies made, pledges of love, in the Balzacian flora, come with that flower of the Resurrection morning, the Easter daisy, come with the snowballs of the guelder-rose, which begin to embalm with their fragrance the alleys of your great-aunt’s garden ere the last snows of Lent are melted from its soil. Come with the glorious silken raiment of the lily, apparel fit for Solomon, and with the many-coloured enamel of the pansies, but come, above all, with the spring breeze, still cooled by the last frosts of wirier, wafting apart, for the two butterflies’ sake, that have waited outside all morning, the closed portals of the first Jerusalem rose.”
The question was raised at home whether, all things considered, I ought still to be sent to dine with M. Legrandin. But my grandmother refused to believe that he could have been impolite.
“You admit yourself that he appears at church there, quite simply dressed, and all that; he hardly looks like a man of fashion.” She added that; in any event, even if, at the worst, he had been intentionally rude, it was far better for us to pretend that we had noticed nothing. And indeed my father himself, though more annoyed than any of us by the attitude which Legrandin had adopted, may still have held in reserve a final uncertainty as to its true meaning. It was like every attitude or action which reveals a man’s deep and hidden character; they bear no relation to what he has previously said, and we cannot confirm our suspicions by the culprit’s evidence, for he will admit nothing; we are reduced to the evidence of our own senses, and we ask ourselves, in the face of this detached and incoherent fragment of recollection, whether indeed our senses have not been the victims of a hallucination; with the result that such attitudes, and these alone are of importance in indicating character, are the most apt to leave us in perplexity.
I dined with Legrandin on the terrace of his house, by moonlight. “There is a charming quality, is there not,” he said to me, “in this silence; for hearts that are wounded, as mine is, a novelist, whom you will read in time to come, claims that there is no remedy but silence and shadow. And see you this, my boy, there comes in all lives a time, towards which you still have far to go, when the weary eyes can endure but one kind of light, the light which a fine evening like this prepares for us in the stillroom of darkness, when the ears can listen to no music save what the moonlight breathes through the flute of silence.”
I could hear what M. Legrandin was saying; like everything that he said, it sounded attractive; but I was disturbed by the memory of a lady whom I had seen recently for the first time; and thinking, now that I knew that Legrandin was on friendly terms with several of the local aristocracy, that perhaps she also was among his acquaintance, I summoned up all my courage and said to him: “Tell me, sir, do you, by any chance, know the lady—the ladies of Guermantes?” and I felt glad because, in pronouncing the name, I had secured a sort of power over it, by the mere act of drawing it up out of my dreams and giving it an objective existence in the world of spoken things.
But, at the sound of the word Guermantes, I saw in the middle of each of our friend’s blue eyes a little brown dimple appear, as though they had been stabbed by some invisible pin-point, while the rest of his pupils, reacting from the shock, received and secreted the azure overflow. His fringed eyelids darkened, and drooped. His mouth, which had been stiffened and seared with bitter lines, was the first to recover, and smiled, while his eyes still seemed full of pain, like the eyes of a good-looking martyr whose body bristles with arrows.
“No, I do not know them,” he said, but instead of uttering so simple a piece of information, a reply in which there was so little that could astonish me, in the natural and conversational tone which would have befitted it, he recited it with a separate stress upon each word, leaning forward, bowing his head, with at once the vehemence which a man gives, so as to be believed, to a highly improbable statement (as though the fact that he did not know the Guermantes could be due only to some strange accident of fortune) and with the emphasis of a man who, finding himself unable to keep silence about what is to him a painful situation, chooses to proclaim it aloud, so as to convince his hearers that the confession he is making is one that causes him no embarrassment, but is easy, agreeable, spontaneous, that the situation in question, in this case the absence of relations with the Guermantes family, might very well have been not forced upon, but actually designed by Legrandin himself, might arise from some family tradition, some moral principle or mystical vow which expressly forbade his seeking their society.
“No,” he resumed, explaining by his words the tone in which they were uttered. “No, I do not know them; I have never wished to know them; I have always made a point of preserving complete independence; at heart, as you know, I am a bit of a Radical. People are always coming to me about it, telling me I am mistaken in not going to Guermantes, that I make myself seem ill-bred, uncivilised, an old bear. But that’s not the sort of reputation that can frighten me; it’s too true! In my heart of hearts I care for nothing in the world now but a few churches, books—two or three, pictures—rather more, perhaps, and the light of the moon when the fresh breeze of youth (such as yours) wafts to my nostrils the scent of gardens whose flowers my old eyes are not sharp enough, now, to distinguish.”
I did not understand very clearly why, in order to refrain from
