was one other speaker in my section, a little girl, considerably younger than myself, who had the mysterious power of the born actress, and I recognized this quality in her at once. I perceived that she spoke from a deep-seated, emotional, Celtic impulse. Hardly more than a child in years, she was easily the most dramatic reader in the school. She too, loved tragic prose and passionate, sorrowful verse and to hear her recite,
One of them dead in the East by the seaAnd one of them dead in the West by the sea,
was to be shaken by inexplicable emotion. Her face grew pale as silver as she went on and her eyes darkened with the anguish of the poet mother.
Most of the students were the sons and daughters of farmers round about the county, but a few were from the village homes in western Iowa and southern Minnesota. Two or three boys wore real tailor-made suits, and the easy flow of their trouser legs and the set of their linen collars rendered me at once envious and discontented. "Some day," I said to myself, "I too, will have a suit that will not gape at the neck and crawl at the ankle," but I did not rise to the height of expecting a ring and watch.
Shoes were just coming into fashion and one young man wore pointed "box toes" which filled all the rest of us with despair. John Cutler also wore collars of linen—real linen—which had to be laundered, but few of us dared fix our hopes as high as that. John also owned three neckties, and wore broad cuffs with engraved gold buttons, and on Fridays waved these splendors before our eyes with a malicious satisfaction which aroused our hatred. Of such complexion are the tragedies and triumphs of youth!
How I envied Arthur Peters his calm and haughty bearing! Most of us entered chapel like rabbits sneaking down a turnip patch, but Arthur and John and Walter loitered in with the easy and assured manner of Senators or Generals—so much depends upon leather and prunella. Gradually I lost my terror of this ordeal, but I took care to keep behind some friendly bulk like young Blakeslee, who stood six feet two in his gaiters.
With all these anxieties I loved the school and could hardly be wrested from it even for a day. I bent to my books with eagerness, I joined a debating society, and I took a hand at all the games. The days went by on golden, noiseless, ball-bearing axles—and almost before I realized it, winter was upon the land. But oh! the luxury of that winter, with no snow drifts to climb, no corn-stalks to gather and no long walk to school. It was sweet to wake each morning in the shelter of our little house and know that another day of delightful schooling was ours. Our hands softened and lightened. Our walk became each day less of a "galumping plod." The companionship of bright and interesting young people, and the study of well-dressed men and women in attendance upon lectures and socials was a part of our instruction and had their refining effect upon us, graceless colts though we were.
Sometime during this winter Wendell Phillips came to town and lectured on The Lost Arts. My father took us all to see and hear this orator hero of his boyhood days in Boston.
I confess to a disappointment in the event. A tall old gentleman with handsome clean-cut features, rose from behind the pulpit in the Congregational Church, and read from a manuscript—read quietly, colloquially, like a teacher addressing a group of students, with scarcely a gesture and without raising his voice. Only once toward the end of the hour did he thrill us, and then only for a moment.
Father was a little saddened. He shook his head gravely. "He isn't the orator he was in the good old anti-slavery days," he explained and passed again into a glowing account of the famous "slave speech" in Faneuil Hall when the pro-slavery men all but mobbed the speaker.
Per contra, I liked, (and the boys all liked) a certain peripatetic temperance lecturer named Beale, for he was an orator, one of those who rise on an impassioned chant, soaring above the snows of Chimborazo, mingling the purple and gold of sunset with the saffron and silver of the dawn. None of us could tell just what these gorgeous passages meant, but they were beautiful while they lasted, and sadly corrupted our oratorical style. It took some of us twenty years to recover from the fascination of this man's absurd and high falutin' elocutionary sing-song.
I forgot the farm, I forgot the valley of my birth, I lived wholly and with joy in the present. Song, poetry, history mingled with the sports which made our life so unceasingly interesting. There was a certain girl, the daughter of the shoe merchant, who (temporarily) displaced the image of Agnes in the niche of my shrine, and to roll the platter for her at a "sociable" was a very high honor indeed, and there was another, a glorious contralto singer, much older than I—but there—I must not claim to have even attracted her eyes, and my meetings with Millie were so few and so public that I cannot claim to have ever conversed with her. They were all boyish adorations.
Much as I enjoyed this winter, greatly as it instructed me, I cannot now recover from its luminous dark more than here and there an incident, a poem, a song. It was all delightful, that I know, so filled with joyous hours that I retain but a mingled impression of satisfaction and regret—satisfaction with life as I found it, regret at its inevitable ending—for my father, irritated by the failure of his renter, announced that he had decided to put us all back upon the farm.
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