Essential Novelists - Hamlin Garland. Garland Hamlin
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The sweetness of those girlish faces held us captive through many a long sermon, but there were times when not even their beauty availed. Three or four of us occasionally slipped away into the glorious forest to pick berries or nuts, or to loaf in the odorous shade of the elms along the creek. The cool aisles of the oaks seemed more sweetly sanctifying (after a week of sun-smit soil on the open plain) than the crowded little church with its droning preacher, and there was something mystical in the melody of the little brook and in the flecking of light and shade across the silent woodland path.
To drink of the little ice-cold spring beneath the maple tree in Frazer's pasture was almost as delight-giving as the plate of ice-cream which we sometimes permitted ourselves to buy in the village on Saturday, and often we wandered on and on, till the sinking sun warned us of duties at home and sent us hurrying to the open.
It was always hard to go back to the farm after one of these days of leisure—back to greasy overalls and milk-bespattered boots, back to the society of fly-bedevilled cows and steaming, salty horses, back to the curry-comb and swill bucket,—but it was particularly hard during this our last summer on the prairie. But we did it with a feeling that we were nearing the end of it. "Next year we'll be living in town!" I said to the boys exultantly. "No more cow-milking for me!"
I never rebelled at hard, clean work, like haying or harvest, but the slavery of being nurse to calves and scrub-boy to horses cankered my spirits more and more, and the thought of living in town filled me with an incredulous anticipatory delight. A life of leisure, of intellectual activity seemed about to open up to me, and I met my chums in a restrained exaltation which must have been trying to their souls. "I'm sorry to leave you," I jeered, "but so it goes. Some are chosen, others are left. Some rise to glory, others remain plodders—" such was my airy attitude. I wonder that they did not roll me in the dust.
Though my own joy and that of my brother was keen and outspoken, I have no recollection that my mother uttered a single word of pleasure. She must have been as deeply excited, and as pleased as we, for it meant more to her than to us, it meant escape from the drudgery of the farm, from the pain of early rising, and yet I cannot be sure of her feeling. So far as she knew this move was final. Her life as a farmer's wife was about to end after twenty years of early rising and never ending labor, and I think she must have palpitated with joy of her approaching freedom from it all.
As we were not to move till the following March, and as winter came on we went to school as usual in the bleak little shack at the corner of our farm and took part in all the neighborhood festivals. I have beautiful memories of trotting away across the plain to spelling schools and "Lyceums" through the sparkling winter nights with Franklin by my side, while the low-hung sky blazed with stars, and great white owls went flapping silently away before us.—I am riding in a long sleigh to the north beneath a wondrous moon to witness a performance of Lord Dundreary at the Barker school-house.—I am a neglected onlooker at a Christmas tree at Burr Oak. I am spelled down at the Shehan school—and through all these scenes runs a belief that I am leaving the district never to return to it, a conviction which lends to every experience a peculiar poignancy of appeal.
Though but a shaggy colt in those days, I acknowledged a keen longing to join in the parties and dances of the grown-up boys and girls. I was not content to be merely the unnoticed cub in the corner. A place in the family bob-sled no longer satisfied me, and when at the "sociable" I stood in the corner with tousled hair and clumsy ill-fitting garments I was in my desire, a confident, graceful squire of dames.
The dancing was a revelation to me of the beauty and grace latent in the awkward girls and hulking men of the farms. It amazed and delighted me to see how gloriously Madeleine White swayed and tip-toed through the figures of the "Cotillion," and the sweet aloofness of Agnes Farwell's face filled me with worship. I envied Edwin Blackler his supple grace, his fine sense of rhythm, and especially the calm audacity of his manner with his partners. Bill, Joe, all the great lunking farm hands seemed somehow uplifted, carried out of their everyday selves, ennobled by some deep-seated emotion, and I was eager for a chance to show that I, too, could balance and bow and pay court to women, but—alas, I never did, I kept to my corner even though Stelle Gilbert came to drag me out.
Occasionally a half-dozen of these audacious young people would turn a church social or donation party into a dance, much to the scandal of the deacons. I recall one such performance which ended most dramatically. It was a "shower" for the minister whose salary was too small to be even an honorarium, and the place of meeting was at the Durrells', two well-to-do farmers, brothers who lived on opposite sides of the road just south of the Grove school-house.
Mother put up a basket of food, father cast a quarter of beef into the back-part of the sleigh, and we were off early of a cold winter night in order to be on hand for the supper. My brother and I were mere passengers on the straw behind, along with the slab of beef, but we gave no outward sign of discontent. It was a clear, keen, marvellous twilight, with the stars coming out over the woodlands to the east. On every road the sound of bells and the voices of happy young people came to our ears. Occasionally some fellow with a fast horse and a gay cutter came slashing up behind us and called out "Clear the track!" Father gave the road, and the youth and his best girl went whirling by with a gay word of thanks. Watch-dogs guarding the Davis farm-house, barked in savage warning as we passed and mother said, "Everybody's gone. I hope we won't be late."
We were, indeed, a little behind the others for when we stumbled into the Ellis Durrell house we found a crowd of merry folks clustered about the kitchen stove. Mrs. Ellis flattered me by saying, "The young people are expecting you over at Joe's." Here she laughed, "I'm afraid they are going to dance."
As soon as I was sufficiently thawed out I went across the road to the other house which gave forth the sound of singing and the rhythmic tread of dancing feet. It was filled to overflowing with the youth of the neighborhood, and Agnes Farwell, Joe's niece, the queenliest of them all, was leading the dance, her dark face aglow, her deep brown eyes alight.
The dance was "The Weevilly Wheat" and Ed Blackler was her partner. Against the wall stood Marsh Belford, a tall, crude, fierce young savage with eyes fixed on Agnes. He was one of her suitors and mad with jealousy of Blackler to whom she was said to be engaged. He was a singular youth, at once bashful and baleful. He could not dance, and for that reason keenly resented Ed's supple grace and easy manners with the girls.
Crossing to where Burton stood, I heard Belford say as he replied to some remark by his companions, "I'll roll him one o' these days." He laughed in a constrained way, and that his mood was dangerous was evident. In deep excitement Burton and I awaited the outcome.
The dancing was of the harmless "donation" sort. As musical instruments were forbidden, the rhythm was furnished by a song in which we all joined with clapping hands.
Come hither, my love, and trip togetherIn the morning early,Give to you the parting handAlthough I love you dearly.I won't have none of your weevilly wheatI won't have none of your barley,I'll have some flourIn half an hourTo bake a cake for Charley.—Oh, Charley, he is a fine young man,Charley he is a dandy,Charley he is a fine young manFor he buys the girls some candy.
The figures were like those in the old time "Money Musk" and as Agnes bowed and swung and gave hands down the line I thought her the loveliest creature in the world, and so did Marsh, only that which gladdened me, maddened him. I acknowledged Edwin's superior claim,—Marsh did not.
Burton, who understood the situation, drew me aside and said, "Marsh has been drinking. There's going to be war."
As soon as the song ceased