Essential Novelists - Hamlin Garland. Garland Hamlin
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I think he must have encouraged my sister in her growing desire for an education, for in the autumn after his visit she entered the Cedar Valley Seminary at Osage and her going produced in me a desire to accompany her. I said nothing of it at the time, for my father gave but reluctant consent to Harriet's plan. A district school education seemed to him ample for any farmer's needs.
Many of our social affairs were now connected with "the Grange." During these years on the new farm while we were busied with breaking and fencing and raising wheat, there had been growing up among the farmers of the west a social organization officially known as The Patrons of Husbandry. The places of meeting were called "Granges" and very naturally the members were at once called "Grangers."
My father was an early and enthusiastic member of the order, and during the early seventies its meetings became very important dates on our calendar. In winter "oyster suppers," with debates, songs and essays, drew us all to the Burr Oak Grove school-house, and each spring, on the twelfth of June, the Grange Picnic was a grand "turn-out." It was almost as well attended as the circus.
We all looked forward to it for weeks and every young man who owned a top-buggy got it out and washed and polished it for the use of his best girl, and those who were not so fortunate as to own "a rig" paid high tribute to the livery stable of the nearest town. Others, less able or less extravagant, doubled teams with a comrade and built a "bowery wagon" out of a wagon-box, and with hampers heaped with food rode away in state, drawn by a four or six-horse team. It seemed a splendid and daring thing to do, and some day I hoped to drive a six-horse bowery wagon myself.
The central place of meeting was usually in some grove along the Big Cedar to the west and south of us, and early on the appointed day the various lodges of our region came together one by one at convenient places, each one moving in procession and led by great banners on which the women had blazoned the motto of their home lodge. Some of the columns had bands and came preceded by far faint strains of music, with marshals in red sashes galloping to and fro in fine assumption of military command.
It was grand, it was inspiring—to us, to see those long lines of carriages winding down the lanes, joining one to another at the cross roads till at last all the granges from the northern end of the county were united in one mighty column advancing on the picnic ground, where orators awaited our approach with calm dignity and high resolve. Nothing more picturesque, more delightful, more helpful has ever risen out of American rural life. Each of these assemblies was a most grateful relief from the sordid loneliness of the farm.
Our winter amusements were also in process of change. We held no more singing schools—the "Lyceum" had taken its place. Revival meetings were given up, although few of the church folk classed them among the amusements. The County Fair on the contrary was becoming each year more important as farming diversified. It was even more glorious than the Grange Picnic, was indeed second only to the fourth of July, and we looked forward to it all through the autumn.
It came late in September and always lasted three days. We all went on the second day, (which was considered the best day) and mother, by cooking all the afternoon before our outing, provided us a dinner of cold chicken and cake and pie which we ate while sitting on the grass beside our wagon just off the racetrack while the horses munched hay and oats from the box. All around us other families were grouped, picnicking in the same fashion, and a cordial interchange of jellies and pies made the meal a delightful function. However, we boys never lingered over it,—we were afraid of missing something of the program.
Our interest in the races was especially keen, for one of the citizens of our town owned a fine little trotting horse called "Huckleberry" whose honest friendly striving made him a general favorite. Our survey of fat sheep, broad-backed bulls and shining colts was a duty, but to cheer Huckleberry at the home stretch was a privilege.
To us from the farm the crowds were the most absorbing show of all. We met our chums and their sisters with a curious sense of strangeness, of discovery. Our playmates seemed alien somehow—especially the girls in their best dresses walking about two and two, impersonal and haughty of glance.
Cyrus and Walter were there in their top-buggies with Harriet and Bettie but they seemed to be having a dull time, for while they sat holding their horses we were dodging about in freedom—now at the contest of draft horses, now at the sledge-hammer throwing, now at the candy-booth. We were comical figures, with our long trousers, thick gray coats and faded hats, but we didn't know it and were happy.
One day as Burton and I were wandering about on the fair grounds we came upon a patent medicine cart from which a faker, a handsome fellow with long black hair and an immense white hat, was addressing the crowd while a young and beautiful girl with a guitar in her lap sat in weary relaxation at his feet. A third member of the "troupe," a short and very plump man of commonplace type, was handing out bottles. It was "Doctor" Lightner, vending his "Magic Oil."
At first I perceived only the doctor whose splendid gray suit and spotless linen made the men in the crowd rustic and graceless, but as I studied the woman I began to read into her face a sadness, a weariness, which appealed to my imagination. Who was she? Why was she there? I had never seen a girl with such an expression. She saw no one, was interested in nothing before her—and when her master, or husband, spoke to her in a low voice, she raised her guitar and joined in the song which he had started, all with the same air of weary disgust. Her voice, a childishly sweet soprano, mingled with the robust baritone of the doctor and the shouting tenor of the fat man, like a thread of silver in a skein of brass.
I forgot my dusty clothes, my rough shoes,—I forgot that I was a boy. Absorbed and dreaming I listened to these strange new songs and studied the singular faces of these alien songsters. Even the shouting tenor had a far-away gleam in the yellow light of his cat-like eyes. The leader's skill, the woman's grace and the perfect blending of their voices made an ineffaceable impression on my sensitive, farm-bred brain.
The songs which they sang were not in themselves of a character to warrant this ecstasy in me. One of them ran as follows:
O Mary had a little lamb,Its fleece was black as jet,In the little old log cabin in the lane;And everywhere that Mary went,The lamb went too, you bet.In the little old log cabin in the lane.
In the little old log cabin O!The little old log cabin O!The little old log cabin in the lane,They're hangin' men and women nowFor singing songs like thisIn the little old log cabin in the lane.
Nevertheless I listened without a smile. It was art to me. It gave me something I had never known. The large, white, graceful hand of the doctor sweeping the strings, the clear ringing shout of the tenor and the chiming, bird-like voice of the girl lent to the absurd words of this ballad a singular dignity. They made all other persons and events of the day of no account.
In the intervals between the songs the doctor talked of catarrh and its cure, and offered his medicines for sale, and in this dull part of the program the tenor assisted, but the girl, sinking back in her seat, resumed her impersonal and weary air.
That was forty years ago, and I can still sing those songs and imitate the whoop of the shouting tenor, but I have never been able to put that woman into verse or fiction although I have tried. In a story called Love or the Law I once made a laborious attempt to account for her, but I did not succeed, and the manuscript remains in the bottom of my desk.
No doubt the doctor has gone to his long account and the girl is a gray old woman of sixty-five but in this book they shall be forever young, forever beautiful, noble with the grace of art. The medicine they peddled was of doubtful service, but the songs they sang, the story they suggested were of priceless value to us who came from the monotony of the farm, and went