agony, than that brought about by the most appalling spectacles of inanimate matter.
Up the long avenue of aged oaks which led from the forest to the main entrance of the Palace Metzengerstein, a steed, bearing an unbonneted and disordered rider, was seen leaping with an impetuosity which outstripped the very Demon of the Tempest.
The career of the horseman was indisputably, on his own part, uncontrollable. The agony of his countenance, the convulsive struggle of his frame, gave evidence of superhuman exertion: but no sound, save a solitary shriek, escaped from his lacerated lips, which were bitten through and through in the intensity of terror. One instant, and the clattering of hoofs resounded sharply and shrilly above the roaring of the flames and the shrieking of the winds—another, and, clearing at a single plunge the gate-way and the moat, the steed bounded far up the tottering staircases of the palace, and, with its rider, disappeared amid the whirlwind of chaotic fire.
The fury of the tempest immediately died away, and a dead calm sullenly succeeded. A white flame still enveloped the building like a shroud, and, streaming far away into the quiet atmosphere, shot forth a glare of preternatural light; while a cloud of smoke settled heavily over the battlements in the distinct colossal figure of—a horse.
[1st pub.: Philadelphia Saturday Courier, Jan 14, 1832; copy-text: Works (1850)]
·31· THE DUC DE L’OMELETTE.
And stepped at once into a cooler clime.——Cowper. [C,E: Cowper.]
Keats fell by a criticism. Who was it died of “The Andromache?” (†) Ignoble souls!—De L’Omelette perished of an ortolan. L’histoire en est brève. Assist me, Spirit of Apicius!
A golden cage bore the little winged wanderer, enamored, melting, indolent, to the Chaussée D’Antin, from its home in far Peru. From its queenly possessor La Bellissima, to the Duc De L’Omelette, six peers of the empire conveyed the happy bird.
That night the Duc was to sup alone. In the privacy of his bureau he reclined languidly on that ottoman for which he sacrificed his loyalty in outbidding his king,—the notorious ottoman of Cadêt.
He buries his face in the pillow. The clock strikes! Unable to restrain his feelings [C,E: feelings,] his Grace swallows an olive. At this moment the door gently opens to the sound of soft music, and lo! the most delicate of birds is before the most enamored of men! But what inexpressible dismay now overshadows the countenance of the Duc?——“Horreur!—chien!—Baptiste!—l’oiseau! ah, bon ·34· Dieu! cet oiseau modeste que tu as déshabillé de ses plumes, et que tu as servi sans papier!” It is superfluous to say more:—the Duc expired in a paroxysm of disgust. * * * * *
“Ha! ha! ha!” said his Grace on the third day after his decease.
“He! he! he!” replied the Devil faintly, drawing himself up with an air of hauteur.
“Why, surely you are not serious,” retorted De L’Omelette. “I have sinned—c’est vrai—but, my good sir, consider!—you have no actual intention of putting such—such—barbarous threats into execution.”
“No what?” said his majesty—“come, sir, strip!”
“Strip, indeed!—very pretty i’ faith!—no, sir, I shall not strip. Who are you, pray, that I, Duc De L’Omelette, Prince de Foie-Gras, just come of age, author of the ‘Mazurkiad,’ and Member of the Academy, should divest myself at your bidding of the sweetest pantaloons ever made by Bourdon, the daintiest robe-de-chambre ever put together by Rombêrt—to say nothing of the taking my hair out of paper—not to mention the trouble I should have in drawing off my gloves?”
“Who am I?—ah, true! I am Baal-Zebub, Prince of the Fly. I took thee, just now, from a rose-wood coffin inlaid with ivory. Thou wast curiously scented, and labelled as per invoice. Belial sent thee,—my Inspector of Cemeteries. The pantaloons, which thou sayest were made by Bourdon, are an excellent pair of linen drawers, and thy robe-de-chambre is a shroud of no scanty dimensions.”
“Sir!” replied the Duc, “I am not to be insulted with impunity!—Sir! I shall take the earliest opportunity of avenging this insult!—Sir! you shall hear from me! In the meantime au revoir!”—and the Duc was bowing himself out of the Satanic presence, when he was interrupted and brought back by a gentleman in ·35· waiting. Hereupon his Grace rubbed his eyes, yawned, shrugged his shoulders, reflected. Having become satisfied of his identity, he took a bird’s eye view of his whereabouts.
The apartment was superb. Even De L’Omelette pronounced it bien comme il faut. It was not its length nor its breadth,—but its height—ah, that was appalling!—There was no ceiling—certainly none—but a dense whirling mass of fiery-colored clouds. His Grace’s brain reeled as he glanced upwards. From above, hung a chain of an unknown blood-red metal—its upper end lost, like the city of Boston, parmi les nues. From its nether extremity swung a large cresset. The Duc knew it to be a ruby; but from it there poured a light so intense, so still, so terrible, Persia never worshipped such—Gheber never imagined such—Mussulman never dreamed of such when, drugged with opium, he has tottered to a bed of poppies, his back to the flowers, and his face to the God Apollo. The Duc muttered a slight oath, decidedly approbatory.
The corners of the room were rounded into niches.—Three of these were filled with statues of gigantic proportions. Their beauty was Grecian, their deformity Egyptian, their tout ensemble French. In the fourth niche the statue was veiled; it was not colossal. But then there was a taper ankle, a sandalled foot. De L’Omelette pressed his hand upon his heart, closed his eyes, raised them, and caught his Satanic Majesty—in a blush.
But the paintings!—Kupris! Astarte! Astoreth!—a thousand and the same! And Rafaelle has beheld them! Yes, Rafaelle has been here; for did he not paint the——? and was he not consequently damned? The paintings!—the paintings! O luxury! O love!—who, gazing on those forbidden beauties, shall have eyes for the ·36· dainty devices of the golden frames that besprinkled, like stars, the hyacinth and the porphyry walls?
But the Duc’s heart is fainting within him. He is not, however, as you suppose, dizzy with magnificence, nor drunk with the ecstatic breath of those innumerable censers. C’est vrai que de toutes ces choses il a pensé beaucoup—mais! The Duc De L’Omelette is terror-stricken; for, through the lurid vista which a single uncurtained window is affording, lo! gleams the most ghastly of all fires!
Le pauvre Duc! He could not help imagining that the glorious, the voluptuous, the never-dying melodies which pervaded that hall, as they passed filtered and transmuted through the alchemy of the enchanted window-panes, were the wailings and the howlings of the hopeless and the damned! And there, too!—there!—upon that ottoman!—who could he be?—he, the petit-maître—no, the Deity—who sat as if carved in marble, et qui sourit, with his pale countenance, si amèrement?
Mais il faut agir,—that is to say, a Frenchman never faints outright. Besides, his Grace hated a scene—De L’Omelette is himself again. There were some foils upon a table—some points also. The Duc had studied under B———; il avait tué ses six hommes. Now, then, il peut s’échapper. He measures two points, and, with a grace inimitable, offers his Majesty [C°: majesty] the choice. Horreur! his Majesty [C°: majesty] does not fence!
