Letters from Egypt. Lady Lucie Duff Gordon

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Letters from Egypt - Lady Lucie Duff Gordon

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       December 5, 1866: Mrs. Ross

       December 31, 1886: Sir Alexander Duff Gordon

       January 12, 1867: Sir Alexander Duff Gordon

       January 14, 1867: Mrs. Austin

       January 22, 1867: Sir Alexander Duff Gordon

       January 26, 1867: Mrs. Austin

       February 3, 1867: Sir Alexander Duff Gordon

       March 6, 1867: Mrs. Austin

       March 7, 1867: Sir Alexander Duff Gordon

       April 12, 1867: Mrs. Austin

       April 19, 1867: Sir Alexander Duff Gordon

       May 15, 1867: Sir Alexander Duff Gordon

       May 23, 1867: Mrs. Austin

       June 30, 1867: Sir Alexander Duff Gordon

       July 8, 1867: Sir Alexander Duff Gordon

       July 28, 1867: Mrs. Austin

       July 29, 1867: Sir Alexander Duff Gordon

       August 7, 1867: Sir Alexander Duff Gordon

       August 8, 1867: Mrs. Austin

       September 7, 1867: Sir Alexander Duff Gordon

       October 17, 1867: Sir Alexander Duff Gordon

       October 21, 1867: Sir Alexander Duff Gordon

       November 3, 1867: Mrs. Ross

       December 20, 1867: Sir Alexander Duff Gordon

       January, 1868: Sir Alexander Duff Gordon

       April, 1868: Sir Alexander Duff Gordon

       May, 1868: Sir Alexander Duff Gordon

       June 14, 1868: Sir Alexander Duff Gordon

       October 22, 1868: Sir Alexander Duff Gordon

       November 6, 1868: Alick

       January 25, 1869: Sir Alexander Duff Gordon

       June 15, 1869: Sir Alexander Duff Gordon

       July 9, 1869: Sir Alexander Duff Gordon

       Table of Contents

      The letters of Lady Duff Gordon are an introduction to her in person. She wrote as she talked, and that is not always the note of private correspondence, the pen being such an official instrument. Readers growing familiar with her voice will soon have assurance that, addressing the public, she would not have blotted a passage or affected a tone for the applause of all Europe. Yet she could own to a liking for flattery, and say of the consequent vanity, that an insensibility to it is inhuman. Her humour was a mouthpiece of nature. She inherited from her father the judicial mind, and her fine conscience brought it to bear on herself as well as on the world, so that she would ask, ‘Are we so much better?’ when someone supremely erratic was dangled before the popular eye. She had not studied her Goethe to no purpose. Nor did the very ridiculous creature who is commonly the outcast of all compassion miss having the tolerant word from her, however much she might be of necessity in the laugh, for Molière also was of her repertory. Hers was the charity which is perceptive and embracing: we may feel certain that she was never a dupe of the poor souls, Christian and Muslim, whose tales of simple misery or injustice moved her to friendly service. Egyptians, consule Junio, would have met the human interpreter in her, for a picture to set beside that of the vexed Satirist. She saw clearly into the later Nile products, though her view of them was affectionate; but had they been exponents of original sin, her charitableness would have found the philosophical word on their behalf, for the reason that they were not in the place of vantage. The service she did to them was a greater service done to her country, by giving these quivering creatures of the baked land proof that a Christian Englishwoman could be companionable, tender, beneficently motherly with them, despite the reputed insurmountable barriers of alien race and religion. Sympathy was quick in her breast for all the diverse victims of mischance; a shade of it, that was not indulgence, but knowledge of the roots of evil, for malefactors and for the fool. Against the cruelty of despotic rulers and the harshness of society she was openly at war, at a time when championship of the lowly or the fallen was not common. Still, in this, as in everything controversial, it was the μηδὲν ἄyαν with her. That singular union of the balanced intellect with the lively heart arrested even in advocacy the floods pressing for pathos. Her aim was at practical measures of help; she doubted the uses of sentimentality in moving tyrants or multitudes to do the thing

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