is to be found in the word "mystérieuse."[44] Buffon wished to raise a standing protest against mystery mongering. Or perhaps more probably, he wished at once "to turn to animals and plants under domestication," so as to insist early on the main object of his work—the plasticity of animal forms.
I am inclined to think that a vein of irony pervades the whole, or much the greater part of Buffon's work, and that he intended to convey, one meaning to one set of readers, and another to another; indeed, it is often impossible to believe that he is not writing between his lines for the discerning, what the undiscerning were not intended to see. It must be remembered that his 'Natural History' has two sides—a scientific and a popular one. May we not imagine that Buffon would be unwilling to debar himself from speaking to those who could understand him, and yet would wish like Handel and Shakespeare to address the many, as well as the few? But the only manner in which these seemingly irreconcilable ends could be attained, would be by the use of language which should be self-adjusting to the capacity of the reader. So keen an observer can hardly have been blind to the signs of the times which were already close at hand. Free-thinker though he was, he was also a powerful member of the aristocracy, and little likely to demean himself—for so he would doubtless hold it—by playing the part of Voltaire or Rousseau. He would help those who could see to see still further, but he would not dazzle eyes that were yet imperfect with a light brighter than they could stand. He would therefore impose upon people, as much as he thought was for their good; but, on the other hand, he would not allow inferior men to mystify them.
"In the private character of Buffon," says Sir William Jardine in a characteristic passage, "we regret there is not much to praise; his disposition was kind and benevolent, and he was generally beloved by his inferiors, followers, and dependents, which were numerous over his extensive property; he was strictly honourable, and was an affectionate parent. In early youth he had entered into the pleasures and dissipations of life, and licentious habits seem to have been retained to the end. But the great blemish in such a mind was his declared infidelity; it presents one of those exceptions among the persons who have been devoted to the study of nature; and it is not easy to imagine a mind apparently with such powers, scarcely acknowledging a Creator, and when noticed, only by an arraignment for what appeared wanting or defective in his great works. So openly, indeed, was the freedom of his religious opinions expressed, that the indignation of the Sorbonne was provoked. He had to enter into an explanation which he in some way rendered satisfactory; and while he afterwards attended to the outward ordinances of religion, he considered them as a system of faith for the multitude, and regarded those most impolitic who most opposed them."[45]
This is partly correct and partly not. Buffon was a free-thinker, and as I have sufficiently explained, a decided opponent of the doctrine that rudimentary and therefore useless organs were designed by a Creator in order to serve some useful end throughout all time to the creature in which they are found.
He was not, surely, to hide the magnificent conceptions which he had been the first to grasp, from those who were worthy to receive them; on the other hand he would not tell the uninstructed what they would interpret as a license to do whatever they pleased, inasmuch as there was no God. What he did was to point so irresistibly in the right direction, that a reader of any intelligence should be in no doubt as to the road he ought to take, and then to contradict himself so flatly as to reassure those who would be shocked by a truth for which they were not yet ready. If I am right in the view which I have taken of Buffon's work, it is not easy to see how he could have formed a finer scheme, nor have carried it out more finely.
I should, however, warn the reader to be on his guard against accepting my view too hastily. So far as I know I stand alone in taking it. Neither Dr. Darwin nor Flourens, nor Isidore Geoffroy, nor Mr. Charles Darwin see any subrisive humour in Buffon's pages; but it must be remembered that Flourens was a strong opponent of mutability, and probably paid but little heed to what Buffon said on this question; Isidore Geoffroy is not a safe guide, as will appear presently; Mr. Charles Darwin seems to have adopted the one half of Isidore Geoffroy's conclusions without verifying either; and Dr. Erasmus Darwin, who has no small share of a very pleasant conscious humour, yet sometimes rises to such heights of unconscious humour, that Buffon's puny labour may well have been invisible to him. Dr. Darwin wrote a great deal of poetry, some of which was about the common pump. Miss Seward tells us, as we shall see later on, that he "illustrated this familiar object with a picture of Maternal Beauty administering sustenance to her infant." Buffon could not have done anything like this.
Buffon never, then, "arraigned the Creator for what was wanting or defective in His works;" on the contrary, whenever he has led up by an irresistible chain of reasoning to conclusions which should make men recast their ideas concerning the Deity, he invariably retreats under cover of an appeal to revelation. Naturally enough, the Sorbonne objected to an artifice which even Buffon could not conceal completely. They did not like being undermined; like Buffon himself, they preferred imposing upon the people, to seeing others do so. Buffon made his peace with the Sorbonne immediately, and, perhaps, from that time forward, contradicted himself a little more impudently than heretofore.
It is probably for the reasons above suggested that Buffon did not propound a connected scheme of evolution or descent with modification, but scattered his theory in fragments up and down his work in the prefatory remarks with which he introduces the more striking animals or classes of animals. He never wastes evolutionary matter in the preface to an uninteresting animal; and the more interesting the animal, the more evolution will there be commonly found. When he comes to describe the animal more familiarly—and he generally begins a fresh chapter or half chapter when he does so—he writes no more about evolution, but gives an admirable description, which no one can fail to enjoy, and which I cannot think is nearly so inaccurate as is commonly supposed. These descriptions are the parts which Buffon intended for the general reader, expecting, doubtless, and desiring that such a reader should skip the dry parts he had been addressing to the more studious. It is true the descriptions are written ad captandum, as are all great works, but they succeed in captivating, having been composed with all the pains a man of genius and of great perseverance could bestow upon them. If I am not mistaken, he looked to these parts of his work to keep the whole alive till the time should come when the philosophical side of his writings should be understood and appreciated.
Thus the goat breeds with the sheep, and may therefore serve as the text for a dissertation on hybridism, which is accordingly given in the preface to this animal. The presence of rudimentary organs under a pig's hoof suggests an attack upon the doctrine of final causes in so far as it is pretended that every part of every animal or plant was specially designed with a view to the wants of the animal or plant itself once and for ever throughout all time. The dog with his great variety of breeds gives an opportunity for an article on the formation of breeds and sub-breeds by man's artificial selection. The cat is not honoured with any philosophical reflections, and comes in for nothing but abuse. The hare suggests the rabbit, and the rabbit is a rapid breeder, although the hare is an unusually slow one; but this is near enough, so the hare shall serve us for the theme of a discourse on the geometrical ratio of increase and the balance of power which may be observed in nature. When we come to the carnivora, additional reflections follow upon the necessity for death, and even for violent death; this leads to the question whether the creatures that are killed suffer pain; here, then, will be the proper place for considering the sensations of animals generally.
Perhaps the most pregnant passage concerning evolution is to be found in the preface to the ass, which is so near the beginning of the work as to be only the second animal of which Buffon treats after having described man himself. It points strongly in the direction of his having believed all animal forms to have been descended from one single common ancestral type. Buffon did not probably choose to take his very first opportunity in order to insist upon matter that should point in this direction; but the considerations were too important to be deferred long, and are accordingly put forward under cover of the ass, his second animal.
When
