himself knew, though if he did it was not at all likely he would divulge the secret, for he guarded very carefully his own private business. Whatever concerned himself held a monopoly of his reticence, however, for in matters of current gossip he was second to none in the whole township of Oro. He beat even Miss Cotton and Mrs. Fraser, for, whereas they might arrive at a stage when they had nothing more to tell, not so Coonie. If he found himself without some startling news he manufactured it to suit the occasion.
His vehicle was an old buckboard with a wide seat, and a rickety old chariot it was. His custom was to sit slouching at one end of the seat, one foot upon the dashboard, the other dangling down in the dust, thus making the other end of the seat stick away up in the air, as though to suggest to any chance pedestrian that he was almost crowded out already and could accommodate no one.
His horse was a poor, decrepit, old creature, whom he had named Bella, after the eldest of the pretty Hamilton girls, much to that young lady's disgust. In spite of old Bella's skeleton appearance and hobbling gait, Coonie took great pride in her and offered many times to trot her against Sandy Neil's racer. Her extreme lameness seemed quite appropriate, however, for in this respect she was the fitting complement to her master. For poor Coonie was a cripple, scarcely able to bear his long body on his weak ankles, and when the villagers saw him stumble painfully out of his vehicle at the post-office and drag himself to the veranda, even the person outraged by his latest flight of fancy forgave and pitied him. Everyone felt that the nimbleness of his tongue was perhaps only some slight compensation for the uselessness of his feet.
His daily drive through Glenoro was something of an event to all the inhabitants, for he was willing to stop everywhere and anywhere and tell the latest news. Old Andrew considered him a most pernicious individual and a breeder of evil in the Glen, and for that reason as well as on general principles, Coonie took a particular delight in libelling the ruling elder. He pulled up as he reached Duncan's gate. He never passed without a few words with the old man. Not because he ever heard or told any gossip at Duncan Polite's, but Coonie could never forget a certain dark night when the mail bag was lost and the drunken mail-carrier in danger of finding himself behind prison bars, a night when Duncan Polite had toiled over the hills through mud and rain, and had rescued him. Not a person in the whole countryside, except the two, knew of the affair, but Coonie remembered, and in his queer way tried to repay the man who had saved him.
"Mornin'!" he called, somewhat crustily, as was his wont in opening a conversation. "How's things this mornin'?"
Duncan had hurried into the house and now emerged with a dipperful of creamy buttermilk. Coonie drank it off in one long pull.
"Ginger, that's prime!" he cried, drawing a long breath. "Goes right to the dry spot. How's your potatoes?"
"Oh, they will be very good, very good indeed," said Duncan. He hesitated a moment and then continued. "You would be hearing about the master and the organ?" he questioned in some embarrassment.
Coonie shot out a look of surprise from his small bright eyes; that Duncan Polite should open any such subject was an amazing thing.
"Yep," he answered sharply. "Why?"
"I will be having no right to interfere, Coonie." Duncan Polite never by the slightest gesture hinted that he had any claim on the mail-carrier's gratitude. "I will be having no right to interfere, but this will be a thing that will do harm to the church and the Lord's work, and if it is talked about,——" Duncan's reticence was overcoming him again after this unusual outburst.
Coonie nodded in perfect comprehension. He planted his foot upon the dashboard once more. "You don't want folks to be gabbin' about yours truly up on the hill yonder?" He jerked his thumb over his shoulder in the direction where Andrew Johnstone's house appeared far up the slope. "Well, I guess I'll have to choke off a few. Gedap thar, whatter ye doin'!" He gave old Bella a lash with the whip which she noticed merely by a switch of her tail. His shoulders sank to their accustomed limpness and he took no notice of Duncan's thanks as he drove off. He was really disappointed, for he had prepared such a version of the story, purporting to have come from the Oa, as would set Splinterin' Andra in a rage forever. He sighed over his loss.
But his attention was soon diverted by a welcome sight. Sim Baskerville, the village store-keeper and postmaster, commonly called Basketful in accordance with the custom of the country, could already be seen, even from this height, coming out upon the veranda at short intervals to see if the mail were coming. Nothing annoyed the postmaster so much as to have the mail arrive late, and nothing pleased the mail-carrier so much as to annoy the postmaster. Mr. Basketful was a choleric Englishman, and one of Coonie's chief diversions was to put him into a rage by a dilatory approach to the village. So, seeing his enemy on the lookout, he let old Bella crawl down the hill with maddening slowness, looking round, meanwhile, for somebody with whom he might stop and talk.
The first opportunity presented itself with the whirring of a sewing machine, coming from a little house on the edge of the village. It was a tiny white cottage, apparently kept from encroaching upon the road by a thick rope of lilacs, a trim little place, painfully neat. When that sound emanated from within, Coonie knew that the village dressmaker was at home; and as she bore a fierce hatred to him and all his doings, he never failed to give her a call when possible. He drew up his buckboard before the lilac bushes, therefore, happily conscious of certain vigorous gesticulations from the post-office veranda, of a character calculated to encourage rapid approach.
"Hello! in there!" he shouted.
There was no response, except for a more determined whizzing of the machine.
"Got a message for you, 'Liza!"
To the angry occupant of the house it was agony to go on sewing. Who knew but that, for once, the old fool might be telling the truth, she reflected. Perhaps someone in the Oa had sent word with him that she was wanted there for a day's sewing, and she knew nothing would please Coonie better than to have her refuse to listen.
But by this time her tormentor, despairing of ever enticing her out by fair words, resolved to launch a bomb which he knew was sure to bring the besieged raging to the walls. "Got a message from Tom Poole!" he roared, loud enough to be heard at Mrs. Fraser's across the valley. "He says to tell you he's comin' down sparkin' to-morrow night!"
Miss Cotton flashed into the doorway, white with rage. She, who had never seen the man who dared to pay her loverlike attentions, to have her name bawled out over the countryside coupled with that of a man who was a widower of six months with a family of as many children! She shook her scissors in his face.
"If you don't shut up your tomfoolery, you blatherin' old idiot!" she cried, in a sort of shrieking whisper, "I'll throw boilin' water over you!"
Coonie stared in injured righteousness. "Well I never! That's all the thanks I get for obligin' you. I can't help it if he's gone spooney on you; next time I bring you a message——"
"Yes, next time you bring me a message it'll be the last you'll take to a livin' soul. Drive your old hearse away from my door, will you, an' tell your lies to somebody that's big enough fool to believe you!"
The door slammed and the sewing machine buzzed wrathfully, and Coonie sent Bella scrambling down the hill, his drooping shoulders heaving with convulsive laughter. To put 'Liza Cotton into a rage, while Sim Basketful, in a similar condition, was popping in and out of his store door like a jack-in-the-box, was worth the whole day's drive. He meandered along chuckling loudly, but suddenly checked his mirth as he espied Maggie Hamilton standing at the gate beneath the oaks and holding a bundle under her arm. This was evidently intended for him, so he drove to the opposite side of the road and crawled along with drooping shoulders and abstracted mien.
But
