Du Bois. Reiland Rabaka

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known as the Reconstruction era (1865–77) and the Civil Rights Movement years (1954–68), Du Bois altered American history – and, indeed, world history – by aligning himself with many of the most cutting-edge and controversial causes of his epoch.1 Yet the public view of Du Bois is often that of an elitist advocate of “racial uplift” via a “Talented Tenth,” and, of course, the author of the 1903 classic The Souls of Black Folk, a collection of essays that ingeniously captured the complexities of African Americans’ past, present, and future.2 After the publication of The Souls of Black Folk, Du Bois took a hard-activist turn that ultimately culminated in the founding of the National Association for the Advancement of Colored People (NAACP) in 1909. The next year, 1910, he inaugurated The Crisis: A Record of the Darker Races, the monthly magazine of the NAACP. Du Bois edited The Crisis for nearly a quarter of a century, from 1910 to 1934. Under his editorship, The Crisis touched on an array of topics dealing with black history, culture, politics, economics, and the arts. Although it began with a monthly circulation of 1,000 copies, by its peak period (circa 1917–27) The Crisis reached more than 100,000 readers monthly.3

      Considering the complex nature of his life, scholarship, and activism, this volume’s primary objective is to provide a brief introduction to Du Bois’s discourse and chart his inimitable development from reformist social scientist to radical internationalist. Along the way, Du Bois innovatively synthesized the study and critique of race and racism, gender and sexism, class and capitalism, and colonialism and anti-colonialism. Indeed, his work can be characterized as an interesting combination of anti-racism, anti-colonialism, male feminism, and Marxism. Consequently, Du Bois: A Critical Introduction explores Du Bois’s solutions to the “problems” of racism, sexism, capitalism, and colonialism. Most scholarship on Du Bois seems to isolate one period or aspect of his polymathic thought. There is also a tendency to de-radicalize and domesticate his discourse by sanitizing it of its radical and internationalist elements, especially in his later socialist-cum-communist years. Du Bois: A Critical Introduction will instead examine the strengths and weaknesses in Du Bois’s development from reformist to radical to late-life revolutionary.

      Du Bois’s early life, Lewis lamented, was “a milieu circumscribed by immiseration, dementia, and deformity.”9 As with so many African American children born within the shameful shadow of American slavery, Du Bois grew up very poor and, consequently, developed a consciousness of his lower-class status before he was aware of his race and American racism, even though he was the only black child in his all-white school. It was not long, however, before race and racism unforgivingly crept into his life, and from his first unforgettable and life-altering experience of anti-black racism he defiantly decided to “prove to the world that Negroes were just like other people.”10

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