The Tale of Genji . Murasaki Shikibu
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“I told myself that she was devoted to the point of fear, and that if I led her to think I might be giving her up she might be a little less suspicious and given to nagging. I had had almost all I could stand. If she really wanted to be with me and I suggested that a break was near, then she might reform. I behaved with studied coldness, and when, as always, her resentment exploded, I said to her:‘Not even the strongest bond between husband and wife can stand an unlimited amount of this sort of thing. It will eventually break, and he will not see her again. If you want to bring matters to such a pass, then go on doubting me as you have. If you would like to be with me for the years that lie ahead of us, then bear the trials as they come, difficult though they may be, and think them the way of the world. If you manage to overcome your jealousy, my affection is certain to grow. It seems likely that I will move ahead into an office of some distinction, and you will go with me and have no one you need think of as a rival.’ I was very pleased with myself. I had performed brilliantly as a preceptor.
“But she only smiled.‘Oh, it won’t be all that much trouble to put up with your want of consequence and wait till you are important. It will be much harder to pass the months and the years in the barely discernible hope that you will settle down and mend your fickle ways. Maybe you are right. Maybe this is the time to part.’
“I was furious, and I said so, and she answered in kind. Then, suddenly, she took my hand and bit my finger.
“I reproved her somewhat extravagantly.‘You insult me, and now you have wounded me. Do you think I can go to court like this? I am, as you say, a person of no consequence, and now, mutilated as I am, what is to help me get ahead in the world? There is nothing left for me but to become a monk.’ That meeting must be our last, I said, and departed, flexing my wounded finger.
“‘I count them over, the many things between us.
One finger does not, alas, count the sum of your failures.
“I left the verse behind, adding that now she had nothing to complain about.
“She had a verse of her own. There were tears in her eyes.
“‘I have counted them up myself, be assured, my failures.
For one bitten finger must all be bitten away?’
“I did not really mean to leave her, but my days were occupied in wanderings here and there, and I sent her no message. Then, late one evening toward the end of the year — it was an evening of rehearsals for the Kamo festival — a sleet was falling as we all started for home. Home. It came to me that I really had nowhere to go but her house. It would be no pleasure to sleep alone at the palace, and if I visited a woman of sensibility I would be kept freezing while she admired the snow. I would go look in upon her, and see what sort of mood she might be in. And so, brushing away the sleet, I made my way to her house. I felt just a little shy, but told myself that the sleet melting from my coat should melt her resentment. There was a dim light turned toward the wall, and a comfortable old robe of thick silk lay spread out to warm. The curtains were raised, everything suggested that she was waiting for me. I felt that I had done rather well.
“But she was nowhere in sight. She had gone that evening to stay with her parents, said the women who had been left behind. I had been feeling somewhat unhappy that she had maintained such a chilly silence, sending no amorous poems or queries. I wondered, though not very seriously, whether her shrillness and her jealousy might not have been intended for the precise purpose of disposing of me; but now I found clothes laid out with more attention to color and pattern than usual, exactly as she knew I liked them. She was seeing to my needs even now that I had apparently discarded her.
“And so, despite this strange state of affairs, I was convinced that she did not mean to do without me. I continued to send messages, and she neither protested nor gave an impression of wanting to annoy me by staying out of sight, and in her answers she was always careful not to anger or hurt me. Yet she went on saying that she could not forgive the behavior I had been guilty of in the past. If I would settle down she would be very happy to keep company with me. Sure that we would not part, I thought I would give her another lesson or two. I told her I had no intention of reforming, and made a great show of independence. She was sad, I gathered, and then without warning she died. And the game I had been playing to seem rather inappropriate.
“She was a woman of such accomplishments that I could leave everything to her. I continue to regret what I had done. I could discuss trivial things with her and important things. For her skills in dyeing she might have been compared to Princess Tatsuta and the comparison would not have seemed ridiculous, and in sewing she could have held her own with princess Tanabata.”
The young man sighed and sighed again.
Tō no Chūjō nodded. “Leaving her accomplishments as a seamstress aside, I should imagine you were looking for someone as faithful as Princess Tanabata. And if she could embroider like princess Tatsuta, well, it does not seem likely that you will come on her equal again. When the colors of a robe do not match the seasons, the flowers of spring and the autumn tints, when they are somehow vague and muddy, then the whole effort is as futile as the dew. So it is with women. It is not easy in this world to find a perfect wife. We are all pursuing the ideal and failing to find it.”
The guards officer talked on. “There was another one. I was seeing her at about the same time. She was more amiable than the one I have just described to you. Everything about her told of refinement. Her poems, her handwriting when she dashed off a letter, the koto she plucked a note on — everything seemed right. She was clever with her hands and clever with words. And her looks were adequate. The jealous woman’s house had come to seem the place I could really call mine, and I went in secret to the other woman from time to time and became very fond of her. The jealous one died, I wondered what to do next. I was sad, of course, but a man cannot go on being sad forever. I visited the other more often. But there was something a little too aggressive, a little too sensuous about her. As I came to know her well and to think her a not very dependable sort, I called less often. And I learned that I was not her only secret visitor.
“One bright moonlit autumn night I chanced to leave court with a friend. He got in with me as I started for my father’s. He was much concerned, he said, about a house where he was sure someone would be waiting. It happened to be on my way.
“Through gaps in a neglected wall I could see the moon shining on a pond. It seemed a pity not to linger a moment at a spot where the moon seemed so much at home, and so I climbed out after my friend. It would appear that this was not his first visit. He proceeded briskly to the veranda and took a seat near the gate and looked up at the moon for a time. The chrysanthemums were at their best, very slightly touched by the frost, and the red leaves were beautiful in the autumn wind. He took out a flute and played a tune on it, and sang’The Well of Asuka’ and several other songs. Blending nicely with the flute came the mellow tones of a japanese koto. It had been tuned in advance, apparently, and was waiting. The ritsu scale had a pleasant modern sound to it, right for a soft, womanly touch from behind blinds, and right for the clear moonlight too. I can assure you that the effect was not at all unpleasant.
“Delighted, my friend went up to the blinds.
“‘I see that no one has yet broken a path through your fallen leaves,’ he said, somewhat sarcastically. He broke off a chrysanthemum and pushed it under the blinds.
“‘Uncommonly fine this house, for moon, for koto.
Does it bring to itself indifferent callers