Merchants of Culture. John B. Thompson

Чтение книги онлайн.

Читать онлайн книгу Merchants of Culture - John B. Thompson страница 18

Merchants of Culture - John B. Thompson

Скачать книгу

of output in the United States and Britain and the scale and geographical reach of their publishing industries mean that these two countries have long had a dominant role in the international field of English-language trade publishing.

      6 6 On the rise of English as a global language, see David Crystal, English as a Global Language (Cambridge: Cambridge University Press, 1997). For further discussion of the global dominance of English and its implications for the shaping of publishing fields, see Thompson, Books in the Digital Age, pp. 41–3.

      7 7 In 2002, around 215,000 new titles were published in the US and around 125,000 in the UK, compared to around 79,000 in Germany, around 70,000 in Spain and around 59,000 in France. (See tables 9 and 10 below for details on title output in the US and the UK. For details on title output in European countries, see Publishing Market Watch: Final Report, submitted to the European Commission (27 Jan. 2005), at http://ec.europa.eu/information_society/media_taskforce/doc/pmw_20050127.pdf) According to United Nations data, exports of printed books (excluding dictionaries and encyclopaedias) from the US in 2008 totalled $2.36 billion, and book exports (excluding dictionaries and encyclopaedias) from the UK totalled $2.15 billion; these figures were well ahead of Germany (total book exports of $1.5 billion), France ($791 million) and Spain ($755 million). Data available from http://data.un.org.

      8 8 Analysing UNESCO data, Wischenbart found that more than half of all books translated globally are from English language originals, whereas only 6 per cent of translations go from all other languages into English; see Rüdiger Wischenbart, ‘The Many, Many Books – For Whom?’ (11 Sep. 2005), at www.wischenbart.com/de/essays__interviews_rw/wischenbart_publishing-diversity_oxford-2005.pdf. For a more detailed analysis of translations in Europe, see Rüdiger Wischenbart, Diversity Report 2008: An Overview and Analysis of Translation Statistics across Europe (21 Nov. 2008), at www.wischenbart.com/diversity/report/Diversity%20Report_prel-final_02.pdf. Further discussion of translations and bestseller lists in Europe and the Anglo-American world can be found in Miha Kovač, Never Mind the Web: Here Comes the Book (Oxford: Chandos, 2008), pp. 121–7.

      9 9 The notion of the logic of the field is discussed in more detail in ch. 8.

      10 10 The notion of publishers as gatekeepers of ideas is developed by Lewis A. Coser, Charles Kadushin and Walter W. Powell in Books: The Culture and Commerce of Publishing (New York: Basic Books, 1982), discussed further below.

      11 11 The practice of allowing booksellers to return stock for full credit has a long history in Europe but was used rarely and half-heartedly by American publishers until the Great Depression of the 1930s, when publishers began experimenting seriously with returns policies as a way of stimulating sales and encouraging booksellers to increase stockholdings. In spring 1930, Putnam, Norton and Knopf all introduced schemes to allow booksellers to return stock for credit or exchange under certain conditions, and in 1932 Viking Press announced that orders for new books would be returnable for a credit of 90 per cent of the billed cost (see John Tebbel, A History of Book Publishing in the United States, vol. 3: The Golden Age between the Two Wars, 1920–1940 (New York: R. R. Bowker, 1978), pp. 429–30, 441). The practice of returns subsequently became a settled feature of the book trade and marks it out as somewhat unusual among retail sectors.

      12 12 Coser et al., Books.

      13 13 Thomas Whiteside, The Blockbuster Complex: Conglomerates, Show Business, and Book Publishing (Middletown, Conn.: Wesleyan University Press, 1980).

      14 14 André Schiffrin, The Business of Books: How International Conglomerates Took Over Publishing and Changed the Way We Read (London: Verso, 2000); Jason Epstein, Book Business: Publishing Past Present and Future (New York: W. W. Norton, 2001).

Скачать книгу