Five Television Plays (David Mamet). David Mamet

      Grove Press

      New York

      Copyright © 1990 by David Mamet

      Introduction copyright © 1988 by David Mamet

      A Waitress in Yellowstone copyright © 1984 by David Mamet

      Bradford copyright © 1988 by David Mamet

      The Museum of Science and Industry Story copyright © 1975 by David Mamet

      A Wasted Weekend copyright © 1986 by David Mamet

      We Will Take You There copyright © 1983 by David Mamet

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      Library of Congress Cataloging-in-Publication Data

      Mamet, David.

      Five television plays / David Mamet. — 1^st ed.

      Contents: A waitress in Yellowstone—Bradford—The Museum of Science and Industry story—A wasted weekend—We will take you there.

      1. Television plays, American. I. Title.

      PS3563.A4345A61990812’.54—dc2089-25661

      eISBN: 978-0-8021-9147-2

      Cover design by Jo Bonney

      Grove Press an imprint of Grove Atlantic, 154 West 14th Street, 12^th floor, New York, NY 10011

      Distributed by Publishers Group West

       www.groveatlantic.com

      Contents

      INTRODUCTION

      A Waitress in Yellowstone or Always Tell the Truth

      Bradford

      The Museum of Science and Industry Story

      A Wasted Weekend

      We Will Take You There

      Introduction

      I GREW UP in the Golden Age of Television. I remember nightly and weekly exuberance and excellence: “Your Show of Shows,” “Gun- smoke,” “Medic,” “Have Gun Will Travel,” “Twilight Zone,” “The Jackie Gleason Show,” et cetera. Reviewing these shows after twenty or thirty years is instructive and sobering—they stand the test of time—not that each show is a comic or dramatic masterpiece, but many are, and the bulk of the entertainment is well designed, and executed with spirit.

      These shows of the fifties and many of the sixties are, and it is in this that they differ from today's television, honestly done. They are, in the main, honest attempts to dramatize, to cheer, to divert, to entertain. It was inevitable that the Bad Money drive out the good, that a drama broken every eight minutes by an advertisement the revenue from which funded the drama should eventually become a teaser for that upcoming advertisement. It was inevitable that the primacy of the ad revenues would bring about a whorehouse mentality in the Television Industry: “Give em as little as you can, and get em out of here as soon as possible” and that the pimps and hucksters would not only achieve dominance over, but eventually eliminate those drawn to television as a new theatrical form.

      Television executives are the worst people I have ever met in my life. Their conversations with me over the years have always started, “Mr. Mamet, we are so honored that you would even

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