has received no encouragement from authority. Notwithstanding this, so many improper works upon it, in every conceivable form, have always been produced, that the censors had to engage a special clerk, who had just obtained a first class in English Literature at Oxford, and who therefore had books and pamphlets of all dates fresh in her memory, to check their researches and inform them when their energies were superfluous. Not that all the books of former centuries on this topic were to be encouraged, for, after all, one period is in some respects singularly like another, and the same reflections strangely germane to both. Naturally, therefore, when the literary clerk, seeing advertised a new and cheap edition of Robert Hall's "Sentiments proper to the present crisis," and, remembering the trend of this work, sent for it (having sold her own copy at Blackwell's when she went down), and read such remarks as "Freedom, driven from every spot on the continent, has sought an asylum in a country which she always chose for her favourite abode, but she is pursued even here and threatened with destruction.... It is for you to decide whether this freedom shall yet survive, or be clothed with a funeral pall and be wrapped in eternal gloom"—very properly she reported the matter to headquarters, and the cheap edition was called in.
Equally naturally there perished (without the help of the literary clerk, who was not asked to judge of twentieth century literature) various collections of Free Verse, for which the Poetry Bookshop was successfully raided, a tract of the sort which is dropped about trains, published by the Evangelical Tract Society and called "Throw off your Chains!", "Citizens of a Free City," which was found at Mowbray's, and bore on its title page the statement "Jerusalem ... is free" (a manifest and seditious untruth, as we, of course, held Jerusalem, in trust for the Jews), and many others of like tendency, such as works on Free Food, Free Drink, Free Housing, Free Love, Free Thought, and Labour, in Chains. Even fiction was suspect. A novel entitled The Dangers of Dora, by the well-known author of The Perils of Pauline and The Exploits of Elaine, was suppressed, in spite of what should have been the reassuring fact that Dora, like Pauline and Elaine before her, triumphantly worsted all her foes in the end, and emerged smiling and safe on the last page. Publishers were known to demand the alteration of a title if the name Dora occurred in it, such wholesome respect did the Censor's methods inspire.
It will therefore be readily understood that even government departments had to go warily in this matter.
The Minister of Brains held pamphlet propaganda to be of the greatest importance. A week ago the workers in the propaganda section had been sent for and interviewed by the Minister in person. This personal contact had, for the time being, oddly weighted Miss Grammont's too irresponsible levity, kindled her rather cynical coolness, given her something almost like zeal. That was one thing about the Minister—he set other people on fire. Another was that his manners were bad but unexpected, and a third that he looked like a cross between M. Kerensky, a member of the Geddes family, and Mr. Nelson Keys.
Thus Miss Grammont, thoughtfully smoking a Cyprus cigarette, summed up the Minister of Brains.
CHAPTER II
LITTLE CHANTREYS
1
Ivy Delmer went home to Little Chantreys on the following Saturday afternoon, after a matinée and tea in town, in the same train, though not the same carriage as Kitty Grammont and Vernon Prideaux, who were presumably spending the week-end at the End House. Ivy travelled home every evening of the week. Miss Grammont had a flat in town, but spent the week-ends when she was not otherwise engaged, with her brother in Little Chantreys, which was embarrassing to Ivy.
As Ivy got out of the train she saw Miss Grammont's brother and the lady who could scarcely be called her sister-in-law, on the platform, accompanied by a queer-looking man of about forty, with ears rather like a faun's. Anyone, thought Ivy, could have guessed which house in Little Chantreys he was staying at. The week-end people who came to the End House differed widely one from another in body and soul; some looked clever, or handsome, others did not, some were over-dressed, some under, some, like Miss Grammont and her brothers, just right; there were musical people, sporting people, literary or artistic people, stagy people (these last were the friends of Miss Pansy Ponsonby, who was not Miss Grammont's sister-in-law), uncommon people, and common people; but they all, thought Ivy Delmer, had two looks in common—they looked as if they wouldn't get on very well with her father and mother, and they looked as if they didn't read the Bible.
This second look was differentiated according to the wearer of it. Some of them (like this man to-day) looked as if he didn't read it because it had become so inextricably bound up with vulgar superstition and an impossible religion that he despised it. Some, like Miss Grammont and her brother Anthony, looked as if they didn't read it because they already knew enough of it to be funny about it when they wanted to; others, like Miss Pansy Ponsonby, looked as if she had really once given it a try, but had found it dry and put off further perusal until such time as she lay dying and might want to do something about her future state. And Miss Grammont's brother Cyril looked as if it was a Protestant book, and rather vulgar. Some, again, looked innocent, as if they had never heard of it, others guilty, as if they never wanted to again.
Ivy Delmer walked home to the Vicarage, hoping rather that the End House wouldn't come to church to-morrow. It was taken, from time to time, with an unaccountable fit of doing this. It made Ivy uncomfortable. Whether or not it came to pray, she could not help having an uneasy suspicion that it stayed to mock.
2
"Hullo, old dear," said Miss Pansy Ponsonby, in her rich and resonant drawl, as Kitty and her companion came out of the station. "Here we all are again. And the Cheeper. He's a growin' boy, our Cheeper: he puts on weight. Takes after me: I put on weight when I forget my exercises and don't keep an eye on myself. Don't I, Tony? Mr. Prideaux, isn't it? How do, Mr. Prideaux? Vurry pleased you've come. You know Mr. Amherst, don't you? You clever folks all know each other." Miss Ponsonby, who was not an American, had once performed in the same company as Miss Lee White, and had caught an inflexion or two. She looked with the satisfaction of the hospitable hostess at the little group, and added, "So here we all are. And vurry nice too."
It was, indeed, not an unpleasing group. Dominating it was Miss Ponsonby herself, very tall, very beautiful, very supple (only a year ago she had been doing her celebrated eel-dance in "Hullo, Peace!"), with long and lovely violet eyes and the best kind of Icilma skin, adorned tastefully but quite unnecessarily with pink paint, white powder, scarlet lip salve, and black lash-darkener. All this was from force of habit: Miss Ponsonby was quite adequately pink, white, scarlet and black in her own person. But, as Kitty observed, having been given by heaven such an absurd thing as a human face, what could one do but make it yet more absurd by these superimposed gaieties? You cannot take a face as a serious thing; it is one of nature's jests, and it is most suitably dealt with as the clown and the pierrot deal with theirs. This was Kitty's point of view; Pansy had none, only habits.
Pansy was guiding and controlling a motor-pram, in which lay the Cheeper, aged four months (he had no Christian name, having so far evaded both the registrar and the font, and presumably no surname, owing to the peculiar circumstances of his parents). The Cheeper's father, Anthony Grammont, was a fair, pale, good-looking, rather tired young man of seven and twenty, with a slightly plaintive voice; he looked as if he shared, only with more languor, Miss Ponsonby's placid and engaging enjoyment of the world; he had been in one of the hottest corners of France through the European War, and had emerged from it a bored and unambitious colonel, deaf of one ear, adorned with a Military
