have erred and strayed from Thy ways like lost sheep"—come with enhanced significance in a pastoral region.
Lakeland in the tourist season is not at its best in point of flowers. The daffodils that in Gowbarrow Park—recently acquired and opened as a national preserve—rejoiced the poet as they danced beside the dancing waves of Ullswater, fade before July, and the patches of ling and heather upon the mountain-sides lack the abundance that purples the Scottish hills, but the delicate harebell nods blithely to the wayfarer from up among the rocks, and the foxglove grows so tall, especially in the higher passes, as to overtop those massive boundaries into which the "wallers" pack away all the loose stone they can.
Birds, too, are not, in midsummer, numerous or varied. Where are Wordsworth's cuckoo and skylark and green linnet? The eagles have been dislodged from their eyries on Eagle Crag. A heavily flapping raven, a congregation of rooks, a few swallows and redbreasts, with perhaps a shy wagtail, may be the only winged wanderers you will salute in an hour's stroll, unless this, as is most likely, has brought you where
"plots of sparkling water tremble bright
With thousand thousand twinkling points of light."
There you will be all but sure to see your Atlantic friends, the seagulls, circling slowly within the mountain barriers like prisoners of the air and adding their floating shadows to the reflections in the lake below. For, as Wordsworth notes,—what did Wordsworth fail to note?—the water of these mountain meres is crystal clear and renders back with singular exactitude the "many-coloured images imprest" upon it.
But the life of the Cumbrian hills is the life of grazing flocks, of leaping waterfalls and hidden streams with their "voice of unpretending harmony,"—the life of sun and shadow. Sometimes the sky is of a faint, sweet blue with white clouds wandering in it,—the old Greek myth of Apollo's flocks in violet meadows; sometimes the keenest radiance silvers the upper crest of cumuli that copy in form the massy summits below; sometimes the mellow sunset gold is poured into the valleys as into thirsty cups; but most often curling mists wreathe the mountain-tops and move in plumed procession along their naked sides.
The scenic effects and the joy of climbing are not lost by American tourists, yet these, as a rule, come to the Lake Country in a temper quite unlike that of the English holiday seekers. We come as pilgrims to a Holy Land of Song. We depend perhaps too little upon our own immediate sense of grandeur and beauty, and look perhaps too much to Wordsworth to interpret for us "Nature's old felicities." The Lake Country that has loomed so large in poetry may even disappoint us at the outset. The memory of the Rockies, of our chain of Great Lakes, of Niagara, may disconcert our first impressions of this clump of hills with only four, Scafell Pike, Scafell, Helvellyn, and Skiddaw, exceeding three thousand feet in height; of lakes that range from Windermere, ten miles long and a mile broad, to the reedy little pond of Rydal Water, more conventionally termed "a fairy mere"; of waterfalls that are often chiefly remarkable, even Southey's Lodore, for their lack of water. Scales Tarn, of which Scott wrote,
"Never sunbeam could discern
The surface of that sable tarn,
In whose black mirror you may spy
The stars, while noontide lights the sky,"
is seventeen feet deep.
It is all in proportion, all picturesque,—almost in too regular proportion, almost too conspicuously picturesque, as if it had been expressly gotten up for the "tripper." There is nothing of primeval wildness about it. Nature is here the lion tamed, an accredited human playmate. Indeed, one almost feels that here is Nature sitting for her portrait, a self-conscious Nature holding her court of tourists and poets. Yet this is but a fleeting and a shamefaced mood. It takes intimacy to discover the fact of reticence, and those are aliens indeed who think that a single coach-drive, even the boasted "circular tour," has acquainted them with the Lake Country,—yes, though they trudge over the passes (for it is coach etiquette to put the passengers down whenever the road gets steep) Wordsworth in hand. In truth, the great amount of literary association may be to the conscientious "Laker" something of a burden. Skiddaw thrusts forth his notched contour with the insistent question: "What was it Wordsworth said about me?" Ennerdale church and the Pillar Rock tax one's memory of "The Brothers," and every stone sheep-fold calls for a recitation from "Michael." That "cradled nursling of the mountain," the river Duddon, expects one to know by heart the thirty-four sonnets recording how the pedestrian poet
"accompanied with faithful pace
Cærulean Duddon from its cloud-fed spring."
The footpath you follow, the rock you rest upon, the yew you turn to admire, Wishing-Gate and Stepping-Stones admonish you to be ready with your quotation. Even the tiny cascade of Rydal Water—so small as presumably to be put to bed at six o'clock, for it may not be visited after that hour—has been sung by the Grasmere laureate. While your care-free Englishman goes clambering over the golden-mossed rocks and far within the slippery recesses of Dungeon Ghyll, your serious American will sit him down amid the bracken and, tranquilly watched by Lingmoor from across the vale, read "The Idle Shepherd-Boys," and the exquisite description of the scene in Mrs. Humphry Ward's "Fenwick's Career." If he can recall Coleridge's lines about the "sinful sextons' ghosts," so much the better, and if he is of a "thorough" habit of mind, he will have read through Wordsworth's "Excursion" in preparation for this expedition to the Langdales and be annotating the volume on his knee.
There may be something a little naïve in this studious attitude in the presence of natural beauty, but the devotion is sincere. Many a tourist, English and American, comes to the Lake Country to render grateful homage to those starry spirits who have clustered there. Fox Howe, the home of Dr. Arnold and dear to his poet son; The Knoll, home of Harriet Martineau; and the Dove's Nest, for a little while the abode of Mrs. Hemans, are duly pointed out at Ambleside, but not all who linger in that picture-book village and climb the hill to the Church of St. Anne, standing serene with its square, grey, pigeon-peopled tower, know that Faber was a curate there in the youthful years before he "went over to Rome." He lived hard by in what is said to be the oldest house in Ambleside, once a manor-house of distinction,—that long, low stone building with small, deep-set windows and the cheery touches of colour given by the carefully tended flowers about the doors. "A good few" people thought he was not "just bright," our landlady told us, "because he would be walking with his head down, busy at his thoughts," yet Wordsworth said that Faber was the only man he knew who saw more things in Nature than he did in a country ramble. Bowness cherishes recollections of the gay, audacious doings of Professor Wilson (Christopher North), and Troutbeck plumes itself on being the birthplace of Hogarth's father. Keswick, where Shelley once made brief sojourn, holds the poet-dust of Southey and of Frederic Myers, and in Crosthwaite Vicarage may be found a living poet of the Lakes, Canon Rawnsley,—a name to conjure with throughout the district, whose best traditions he fosters and maintains.
Opposite Rydal Mount, at Nab Cottage, dwelt, for the closing years of his clouded life, the darling of the dalesfolk, "Li'le Hartley," first-born son of Coleridge,—that boy "so exquisitely wild" to whom had descended something of his father's genius crossed by the father's frailty. Hartley's demon was not the craving for opium, but for alcohol. After a sore struggle that crippled but did not destroy, he rests in Grasmere churchyard, his stone bearing the inscription, "By Thy Cross and Passion." It was from Nab Cottage that another soul of high endowment, menaced by the opium lust, De Quincey, took a bride, Margaret, a farmer's daughter, who made him the strong and patient wife his peril needed. They dwelt in Dove Cottage at Townend, Grasmere, the hallowed garden-nest where Wordsworth and his wife and his sister Dorothy—that ardent
