From Gretna Green to Land's End: A Literary Journey in England. Katharine Lee Bates

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is still "like a flash of light"—had dwelt before. Wordsworth's later homes at Allan Bank, the Grasmere Rectory, and even at Rydal Mount are less precious to memory than this, where he and Coleridge and Dorothy dreamed the great dreams of youth together. Thither came guests who held high converse over frugal fare,—among them Sir Walter Scott, Charles Lamb, "the frolic and the gentle," and that silent poet, the beloved brother John. It was a plain and thrifty life that Dove Cottage knew, with its rustic little rooms and round of household tasks, but thrift took on magic powers in the Lake Country a century ago. Amazing tales are told of the "Wonderful Walker," schoolmaster of Buttermere and curate of Seathwaite, the Pastor of the "Excursion," but his feats of economy might be challenged by the old-time curate of Patterdale, who, on an income of from sixty to ninety dollars a year, lived comfortably, educated his four children, and left them a tidy little fortune. Such queer turns of fate were his that he published his own banns and married his father.

      Most of those for whose sake the Lake Country is holy ground lived a contemplative, sequestered life akin to that of the mediæval monks, the scholars and visionaries of a fighting world; but Coniston, on the edge of Lancashire, is the shrine of a warrior saint, Ruskin, whose last earthly home, Brantwood, looks out over Coniston Water, and whose grave in the quiet churchyard, for which Westminster Abbey was refused, is beautifully marked by a symbolically carven cross quarried from the fine greenstone of Coniston Fells. In the Ruskin Museum may be seen many heart-moving memorials of that hero life, all the way from the abstracts of sermons written out for his mother in a laborious childish hand to the purple pall, worked for him by the local Linen Industry he so eagerly founded, and embroidered with his own words: "Unto This Last."

      Not in any roll-call of the men of letters who have trodden the Cumbrian Hills should the poet Gray be forgotten. The first known tourist in the Lake Country, he was delighted with Grasmere and Keswick, but Borrowdale, plunged deep amid what the earliest guide-book, that of West in 1774, was to describe as "the most horrid romantic mountains," turned him back in terror.

      Yet Wordsworth, for all his illustrious compeers, is still the presiding genius of these opalescent hills and silver meres. It is to him, that plain-faced man who used to go "booing" his verses along these very roads, that multitudes of visitants have owed

      "Feelings and emanations—things which were

       Light to the sun and music to the wind."

      It is good for the soul to follow that sane, pure life from its "fair seedtime" on the garden terrace at Cockermouth, where the murmuring Derwent gave

      "Amid the fretful dwellings of mankind,

       A foretaste, a dim earnest, of the calm

       That Nature breathes among the hills and groves,"

      through the boyhood at Hawkshead—that all-angled little huddle of houses near Esthwaite Water—a boyhood whose inner growth is so marvellously portrayed in "The Prelude," on through the long and fruitful manhood of a poet vowed,

      "Days of sweet leisure, taxed with patient thought

       Abstruse, nor wanting punctual service high,

       Matins and vespers of harmonious verse,"

      to the churchyard beside the Rotha, where Wordsworth and his kin of flesh and spirit keep their "incommunicable sleep."

      "Blessing be with them, and eternal praise!"

       Table of Contents

      Where is the stranger? Rushes, ladies, rushes, Rushes as green as summer for this stranger.

      Fletcher's "Valentinian."

       Table of Contents

      We heard about it first in Ambleside. We were in lodgings half-way up the hill that leads to the serene, forsaken Church of St. Anne. It was there that Faber, fresh from Oxford, had been curate, silently thinking the thoughts that were to send him into the Roman communion, and his young ghost, with the bowed head and the troubled eyes, was one of the friends we had made in the few rainy days of our sojourn. Another was Jock, a magnificent old collie, who accepted homage as his royal due, and would press his great head against the knee of the alien with confident expectation of a caress, lifting in recognition a long, comprehending look of amber eyes. Another friend—though our relations were sometimes strained—was Toby, a piebald pony of piquant disposition. He allowed us to sit in his pony-cart at picturesque spots and read the Lake Poets to him, and to tug him up the hills by his bridle, which he had expert ways of rubbing off, to the joy of passing coach-loads, when our attention was diverted to the landscape. Another was our kindly landlady. She came in with hot tea that Saturday afternoon to cheer up the adventurous member of the party, who had just returned half drowned from a long drive on coachtop for the sake of scenery absolutely blotted out by the downpour. There the "trippers" had sat for hours, huddled under trickling umbrellas, while the conscientious coachman put them off every now and then to clamber down wet banks and gaze at waterfalls, or halted for the due five minutes at a point where nothing was perceptible but the grey slant of the rain to assure them—and the spattered red guidebook confirmed his statement—that this was "the finest view in Westmoreland." So when our landlady began to tell us of the ancient ceremony which the village was to observe that afternoon, the bedrenched one, hugging the bright dot of a fire, grimly implied that the customs and traditions of this sieve-skied island—in five weeks we had had only two rainless days—were nothing to her; but the tea, that moral beverage which enables the English to bear with their climate, wrought its usual reformation.

      At half-past five we were standing under our overworked umbrellas on a muddy street corner, waiting for the procession to come by. And presently it came, looking very much as if it had been through a pond to gather the rushes. In front went a brass band, splashing along the puddles to merry music, and then a long train of draggled children, with a few young men and maidens to help on the toddlers, two or three of whom had to be taken up and carried, flowers and all. But soberly and sturdily, in the main, that line of three hundred bonny bairns trotted along through the heavy clay, under the soft rain—little lads in rubber coats and gaiters, some holding their tall bunches of rushes, or elaborate floral designs, upright before them like bayonets, some shouldering them like guns; tired little lassies clasping their "bearings" in their arms like dolls, or dragging them along like kittens. All down the line the small coats and cloaks were not only damp, but greened and mossed and petal-strewn from the resting and rubbing of one another's burdens. These were of divers sorts. Most effective were the slender bundles of rushes,—long, straight rushes gathered that morning from the meres by men who went out in boats for the purpose. These rush-fagots towered up from a distance like green candles, making the line resemble a procession of Catholic fairies. The village, however, took chief pride in the moss-covered standards of various device entwined with rushes and flowers. There were harps of reeds and waterlilies, crosses of ferns and harebells, shepherds' crooks wound with heather, sceptres, shields, anchors, crowns, swords, stars, triangles, hearts, with all manner of nosegays and garlands. Ling and bracken from the hillsides, marigolds from the marsh, spikes of oat and spears of wheat from the harvest-fields, and countless bright-hued blossoms from meadow and dooryard and garden were woven together, with no little taste and skill, in a pretty diversity of patterns.

      The bells rang out blithe welcome as the procession neared the steepled Church of St. Mary, where a committee of ladies and gentlemen received the offerings and disposed

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