go on such a road.
Dark vignettes of wood went by to right and left. Fields away, sentinel hills rose and fell like waves. A wide-armed scarecrow fluttering in the wind, its tall decayed hat awry, stood near at hand in one place. And from near it a flock of crows rose and winged direct toward a distant wood lightly penciled against a foreground of snow.
In the front seat sat Sparser, guiding the car beside Laura Sipe with the air of one to whom such a magnificent car was a commonplace thing. He was really more interested in Hortense, yet felt it incumbent on him, for the time being, anyhow, to show some attention to Laura Sipe. And not to be outdone in gallantry by the others, he now put one arm about Laura Sipe while he guided the car with the other, a feat which troubled Clyde, who was still dubious about the wisdom of taking the car at all. They might all be wrecked by such fast driving. Hortense was only interested by the fact that Sparser had obviously manifested his interest in her; that he had to pay some attention to Laura Sipe whether he wanted to or not. And when she saw him pull her to him and asked her grandly if she had done much automobiling about Kansas City, she merely smiled to herself.
But Ratterer, noting the move, nudged Lucille Nickolas, and she in turn nudged Higby, in order to attract his attention to the affectional development ahead.
“Getting comfortable up front there, Willard?” called Ratterer, genially, in order to make friends with him.
“I’ll say I am,” replied Sparser, gayly and without turning. “How about you, girlie?”
“Oh, I’m all right,” Laura Sipe replied.
But Clyde was thinking that of all the girls present none was really so pretty as Hortense—not nearly. She had come garbed in a red and black dress with a very dark red poke bonnet to match. And on her left cheek, just below her small rouged mouth, she had pasted a minute square of black court plaster in imitation of some picture beauty she had seen. In fact, before the outing began, she had been determined to outshine all the others present, and distinctly she was now feeling that she was succeeding. And Clyde, for himself, was agreeing with her.
“You’re the cutest thing here,” whispered Clyde, hugging her fondly.
“Gee, but you can pour on the molasses, kid, when you want to,” she called out loud, and the others laughed. And Clyde flushed slightly.
Beyond Minaville about six miles the car came to a bend in a hollow where there was a country store and here Hegglund, Higby and Ratterer got out to fetch candy, cigarettes and ice cream cones and ginger ale. And after that came Liberty, and then several miles this side of Excelsior Springs, they sighted the Wigwam which was nothing more than an old two-story farmhouse snuggled against a rise of ground behind it. There was, however, adjoining it on one side a newer and larger one-story addition consisting of the dining-room, the dance floor, and concealed by a partition at one end, a bar. An open fire flickered cheerfully here in a large fireplace. Down in a hollow across the road might be seen the Benton River or creek, now frozen solid.
“There’s your river,” called Higby cheerfully as he helped Tina Kogel out of the car, for he was already very much warmed by several drinks he had taken en route. They all paused for a moment to admire the stream, winding away among the trees. “I wanted dis bunch to bring dere skates and go down dere,” sighed Hegglund, “but dey wouldn’t. Well, dat’s all right.”
By then Lucille Nickolas, seeing a flicker of flame reflected in one of the small windows of the inn, called, “Oh, see, they gotta fire.”
The car was parked, and they all trooped into the inn, and at once Higby briskly went over and started the large, noisy, clattery, tinny Nickelodeon with a nickel. And to rival him, and for a prank, Hegglund ran to the Victrola which stood in one corner and put on a record of “The Grizzly Bear,” which he found lying there.
At the first sounds of this strain, which they all knew, Tina Kogel called: “Oh, let’s all dance to that, will you? Can’t you stop that other old thing?” she added.
“Sure, after it runs down,” explained Ratterer, laughingly. “The only way to stop that thing is not to feed it any nickels.”
But now a waiter coming in, Higby began to inquire what everybody wanted. And in the meantime, to show off her charms, Hortense had taken the center of the floor and was attempting to imitate a grizzly bear walking on its hind legs, which she could do amusingly enough—quite gracefully. And Sparser, seeing her alone in the center of the floor was anxious to interest her now, followed her and tried to imitate her motions from behind. Finding him clever at it, and anxious to dance, she finally abandoned the imitation and giving him her arms went one-stepping about the room most vividly. At once, Clyde, who was by no means as good a dancer, became jealous—painfully so. In his eagerness for her, it seemed unfair to him that he should be deserted by her so early—at the very beginning of things. But she, becoming interested in Sparser, who seemed more worldly-wise, paid no attention at all to Clyde for the time being, but went dancing with her new conquest, his rhythmic skill seeming charmingly to match her own. And then, not to be out of it, the others at once chose partners, Hegglund dancing with Maida, Ratterer with Lucille and Higby with Tina Kogel. This left Laura Sipe for Clyde, who did not like her very much. She was not as perfect as she might be—a plump, pudgy-faced girl with inadequate sensual blue eyes—and Clyde, lacking any exceptional skill, they danced nothing but the conventional one-step while the others were dipping and lurching and spinning.
In a kind of sick fury, Clyde noticed that Sparser, who was still with Hortense, was by now holding her close and looking straight into her eyes. And she was permitting him. It gave him a feeling of lead at the pit of his stomach. Was it possible she was beginning to like this young upstart who had this car? And she had promised to like him for the present. It brought to him a sense of her fickleness—the probability of her real indifference to him. He wanted to do something—stop dancing and get her away from Sparser, but there was no use until this particular record ran out.
And then, just at the end of this, the waiter returned with a tray and put down cocktails, ginger ale and sandwiches upon three small tables which had been joined together. All but Sparser and Hortense quit and came toward it—a fact which Clyde was quick to note. She was a heartless flirt! She really did not care for him after all. And after making him think that she did, so recently—and getting him to help her with that coat. She could go to the devil now. He would show her. And he waiting for her! Wasn’t that the limit? Yet, finally seeing that the others were gathering about the tables, which had been placed near the fire, Hortense and Sparser ceased dancing and approached. Clyde was white and glum. He stood to one side, seemingly indifferent. And Laura Sipe, who had already noted his rage and understood the reason now moved away from him to join Tina Kogel, to whom she explained why he was so angry.
And then noting his glumness, Hortense came over, executing a phase of the “Grizzly” as she did so.
“Gee, wasn’t that swell?” she began. “Gee, how I do love to dance to music like that!”
“Sure, it’s swell for you,” returned Clyde, burning with envy and disappointment.
“Why, what’s the trouble?” she asked, in a low and almost injured tone, pretending not to guess, yet knowing quite well why he was angry. “You don’t mean to say that you’re mad because I danced with him first, do you? Oh, how silly! Why didn’t you come over then and dance with me? I couldn’t refuse to dance with him when he was right there, could I?”
“Oh, no, of course, you couldn’t,” replied Clyde sarcastically, and in a low, tense tone, for he, no more than Hortense, wanted the others to hear. “But you didn’t have to fall all over him and dream in his eyes, either, did you?” He
