The Glass Constellation. Arthur Sze

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The Glass Constellation - Arthur Sze

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      Olive Night

      The Jemez

      Indians mention the Los Ojos bar.

      I think of the Swiss

      Army practicing maneuvers in the Alps.

      The world is a hit-and-run, an armed robbery, and a fight.

      I think of the evening star.

      And ripen, as an olive ripens, in a cool

      summer night.

      *

      The Cloud Chamber

      A neighbor

      rejects chemotherapy and the hospital;

      and, instead, writes

      a farewell letter to all her friends

      before she dies.

      I look at a wasp nest;

      and, in the maze of hexagons,

      find a few

      white eggs, translucent, revealing formed wasps,

      but wasps never to be born.

      A pi-meson in a cloud chamber

      exists for a thousandth of a second,

      but the circular track

      it leaves on a film

      is immortal.

      Empty Words

      He describes eagle feathers with his hands.

      He signs the rustle of pine needles on a mountain

      path in sunlight, the taste of green water,

      herding sheep in a canyon, the bones of a horse bleached

      in sunlight, purple thistles growing in red dirt,

      locoweed in bloom.

      My mind is like a tumbleweed rolling

      in the wind, smashing against the windshields of cars,

      but rolling, rolling until nothing is left.

      I sit in the sunlight, eyes closed:

      empty mind, empty hands. I am a

      great horned owl hunting in a night with no moon.

      And this Indian, deaf-mute, is like a Serbian

      in a twenty-four-hour truck stop,

      is a yellow sandhill crane lost in Albuquerque.

      I see the red blooms of a nasturtium battered

      in a hailstorm. I see the bleached white bones of a horse

      at the bottom of a canyon. And I see his hands,

      empty hands, and words, empty words.

      Tsankawi

      The men hiked on a loop trail

      past the humpbacked flute player and

      a creation spiral petroglyph,

      then up a ladder to the top of the mesa

      and met the women there.

      A flock of wild geese wheeled

      in shifting formation over the mesa,

      then flew south climbing higher and higher

      and disappearing in clear sunlight.

      The ceremony was simple: a blessing

      of rings by “water which knows no

      boundaries,” and then a sprinkling of baskets

      with blue cornmeal.

      I write of this a week later

      and think of Marie, who, at San Ildefonso,

      opened the door to her house to us.

      And we were deeply moved.

      I hear these lines from the wedding:

      “In our country, wind blows, willows live,

      you live, I live, we live.”

      Antares

      You point to

      Antares.

      The wind rustles the cottonwood leaves.

      And the intermittent

      rain sounds like a fifty-

      string zither. A red lotus blossoms

      in the air. And, touching you,

      I am like light from

      Antares. It has taken me light-

      years to arrive.

      The Owl

      The path was purple in the dusk.

      I saw an owl, perched,

      on a branch.

      And when the owl stirred, a fine dust

      fell from its wings. I was

      silent then. And felt

      the owl quaver. And at dawn, waking,

      the path was green in the

      May light.

      The Cornucopia

      Grapes

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