The Glass Constellation. Arthur Sze

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The Glass Constellation - Arthur Sze

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find your grandfather working in the dark,

      putting in a post to protect peaches,

      watering tomatoes, corn, beans—making them grow

      out of sand, barren sand.

      Written the Day I Was to Begin a Residency at the Penitentiary of New Mexico

      Inmates put an acetylene torch to another inmate’s face,

      seared out his eyes.

      Others were tortured, lacerated with barbed wire,

      knifed, clobbered with lead pipes.

      I remember going to the state pen to see a performance of Beckett.

      I see two inmates play Hamm and Clov.

      Clov lifts weights all day,

      his biceps are huge.

      And Hamm, in a wheelchair with a bloody handkerchief,

      dark purple shades,

      is wheeled around and around

      in a circle in the gym:

      as guards watch, talk on walkie-talkies, slam doors,

      as a television crew tapes segments.

      I do not know whether these two inmates died or lived.

      But they are now the parts they played:

      locked in a scenario of bondage and desperate need,

      needing each other to define themselves.

      I tell myself to be open to all experience,

      to take what is ugly and find something nourishing in it:

      as penicillin may be found in green moldy bread,

      or as, in the morning, a child of the earth

      floating in a porcelain jar full of rainwater

      is something astonishing.

      But after the SWAT team has moved in and taken over

      the flotsam and jetsam of a prison,

      and the inmates are lined up and handcuffed to a chain-link fence,

      I figure their chances, without people caring,

      are “an ice cube’s chance in hell.”

      Gold Leaf

      Is the sun a miner, a thief, a gambler,

      an assassin? We think the world

      is a gold leaf spinning down in silence

      to clear water? The deer watch us in the blue leaves.

      The sun shines in the June river. We flit

      from joy to grief to joy as a passing

      shadow passes? And we who think the sun a miner,

      a thief, a gambler, an assassin,

      find the world in a gold leaf spinning down

      in silence to clear water.

      *

      Dazzled

      Reality

      is like a contemporary string

      quartet:

      the first violinist puts on a crow’s head.

      And the cellist

      soliloquizes on a white lotus

      in the rain.

      The violist discusses

      love, rage, and terror.

      And the second violinist reports on the latest coup

      in Afghanistan.

      A gazelle leaps

      in October light.

      I am dazzled.

      Magnetized

      Jimson weed

      has nothing to do

      with the blueprint of a house,

      or a white macaw.

      But an iron bar,

      magnetized, has a north and south

      pole that attract.

      Demagnetized, it has nothing

      at either end.

      The mind magnetizes

      everything it touches.

      A knife in a dog

      has nothing to do

      with the carburetor of an engine:

      to all appearances,

      to all appearances.

      Knife at the Jugular

      Sentenced to two consecutive

      life terms, Robert Francis may be

      paroled in twenty years. He may

      walk out of jail at forty,

      a free man. But the world travels

      at the speed of light.

      He will be a miner staggering

      out of a collapsed mine. People

      will have assumed he died

      years ago. And, at forty,

      the world will feel like jamais

      vu.

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