The Glass Constellation. Arthur Sze

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The Glass Constellation - Arthur Sze

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mint,

      kern mallow,

      Schaus swallowtail,

      pygmy madtom,

      relict trillium,

      tan riffleshell,

      humpback chub,

      large-flowered skullcap,

      black lace cactus,

      tidewater goby,

      slender-horned spineflower,

      sentry milk-vetch,

      tulotoma snail,

      rice rat,

      blowout penstemon,

      rough pigtoe,

      marsh sandwort,

      snakeroot,

      scrub plum,

      bluemask darter,

      crested honeycreeper,

      rough-leaved loosestrife.

      4

      In the mind, an emotion dissolves into a hue;

      there’s the violet haze when a teen drinks

      a pint of paint thinner, the incarnadined

      when, by accident, you draw a piece of

      Xerox paper across your palm and slit

      open your skin, the yellow when you hear

      they have dug up a four-thousand-year-old

      corpse in the Taklamakan Desert,

      the scarlet when you struggle to decipher

      a series of glyphs which appear to

      represent sunlight dropping to earth

      at equinoctial noon, there’s the azure

      when the acupuncturist son of a rabbi

      extols the virtues of lentils, the brown

      when you hear a man iced in the Alps

      for four thousand years carried dried

      polypores on a string, the green when

      ravens cry from the tops of swaying spruces.

      5

      The first leaves on an apricot, a new moon,

      a woman in a wheelchair smoking in a patio,

      a CAT scan of a brain: these are the beginnings

      of strings. The pattern of black and white

      stones never repeats. Each loss is particular:

      a gold ginkgo leaf lying on the sidewalk,

      the room where a girl sobs. A man returns

      to China, invites an old friend to dinner,

      and later hears his friend felt he missed

      the moment he was asked a favor and was

      humiliated; he tells others never to see

      this person from America, “He’s cunning, ruthless.”

      The struggle to sense a nuance of emotion

      resembles a chrysalis hanging from a twig.

      The upstairs bedroom filling with the aroma

      of lilies becomes a breathing diamond.

      Can a chrysalis pump milkweed toxins into wings?

      In the mind, what never repeats? Or repeats endlessly?

      6

      Dropping circles of gold paper,

      before he dies,

      onto Piazza San Marco;

      pulling a U-turn

      and throwing the finger;

      a giant puffball

      filling the car

      with the smell of almonds;

      a daykeeper pronounces the day,

      “Net”;

      slits a wrist,

      writes the characters revolt

      in blood on a white T-shirt;

      a dead bumblebee

      in the greenhouse;

      the flaring tail of a comet,

      desiccated vineyard,

      tsunami;

      a ten-dimensional

      form of go;

      slicing abalone on the counter—

      sea urchins

      piled in a Styrofoam box;

      honeydew seeds

      germinating in darkness.

      7

      A hummingbird alights on a lilac branch

      and stills the mind. A million monarchs

      may die in a frost? I follow the wave

      of blooming in the yard: from iris to

      wild rose to dianthus to poppy to lobelia

      to hollyhock. You may find a wave in

      a black-headed grosbeak singing from a cottonwood

      or in listening to a cricket at dusk.

      I inhale the smell of your

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