Homes and Haunts of the Most Eminent British Poets. William Howitt

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because he must live; but he soon showed that every moment not required for teaching his private pupils was ardently and unceasingly devoted to teaching the nation and the world. His pen was worth a thousand swords; his thoughts flew about and slew faster than bullets or cannon-balls; his word became the word of exhortation and command to his country. In his hand lay victory, not for the day and the time only, but for all time. Shame to the old bigoted lexicographer! must every true son of his country and lover of truth exclaim, when he reads what Milton wrote and what he did. To say nothing of his Tractate of Education, and a number of other works; to say nothing of his Paradise Lost, and all his other noble poems; all breathing the most lofty and godlike sentiments—those sentiments which create souls of fire, of strength and truth, in every age as it arises; what are his Areopagitica? his Tenure of Kings and Magistrates? his Eiconoclastes? his Defensio Populi? his Defensio Secunda? his Treatise on the Means of Removing Hirelings out of the Church? his Civil Power in Ecclesiastical Cases? his State Letters, written at the command of Cromwell and the Parliament? Are these nothing? If ever there was a magnificent monument of human genius, of intellectual power, and glorious patriotism, built up by one man, it exists in these immortal works. Vapored away his patriotism in a private boarding-school! There was no private boarding-school which could long hold such vaporing as this; it was of a kind that did, or it needs must, come forth to the face of the government, the country, and mankind. The poor schoolmaster, who on the plains of Italy heard the cry of his country for help, flew to her rescue as confidently as if he had been a prince, with fleets and armies at his command. In a poor hired dwelling he prepared his missiles and warlike machines. Men like Johnson, in the bigotry of despotism, might despise him and them; for they were but a few quires of paper and a gray goose-quill; but he soon shot that quill higher against the towers of royalty, deeper into the ranks of the oppressors, than ever the bullets of Cromwell and Fairfax could pierce. His papers flew abroad, the unfurled banners of liberty, before which kings trembled, and the stoutest myrmidons dropped their arms. The poor schoolmaster became speedily the oracle of the government. His Tenure of Kings and Magistrates vindicated in unanswerable eloquence the right of nations to call their monarchs to account for their offenses against the laws. His Defense of the People from the accursed charges of the hireling Salmasius flew through Europe, and struck kings and servile senates dumb. By the side of Cromwell the visage of the blind but divine old man was seen, with awe and wonder; the learned and the wise from distant realms came to gaze upon the unequaled twain; and when the inspired secretary exclaimed,

      "Avenge, O Lord, thy slaughtered saints, whose bones

       Lie scatter'd on the Alpine mountains cold,"

      the guilty persecutors shrunk aghast, for they knew that where the voice of Milton could reach, the arm of Cromwell could reach too. Who shall say how much of the renown of England at that day sprung from the pen and soul of John Milton! how much he inspired of that which Cromwell did! and how much of the grand march of political and social renovation, which is now going on throughout the world, originated in the vaporings of the poor schoolmaster! Before his fame how pales that of him who has dared thus to revile him! What are all the works of Johnson—and we are inclined to give them their fullest due—when compared with those of Milton, and their consequences? Before him

      "Whose soul was like a star, and dwelt apart,"

      it became the man who so worthily chastised the meanness of a Chesterfield, to have bowed with humility and reverential love. As it is, we turn with disgust from this humiliating spectacle, of Johnson, the reviler of the noble dead, to Johnson, the friend of Goldsmith, the vindicator of Savage, and the sympathizer with the poor and suffering.

      Of all the various residences of Milton in London, as I have remarked, scarcely one has escaped the ravages of the fire, and the progress of improvement and population. The habit which he had of selecting houses standing in gardens, on account of their quietness, has more than any thing else tended to sweep them away. These places, as population increased, were naturally crowded, and the detached houses pulled down to make way for regular streets. His first lodging was in St. Bride's Church-yard, Fleet-street, on his return from Italy. Here he began educating his two nephews, John and Edward Phillips. Of this lodging nothing now remains. The house, as I learn from an old and most respectable inhabitant of St. Bride's parish, who lives in the church-yard, and very near the spot, was on the left hand, as you proceed toward Fleet-street through the avenue. It was a very small tenement, very old, and was burned down on the 24th of November, 1824, at which time it was occupied by a hair-dresser. It was—a proof of its age—without party walls, and much decayed. The back part of the Punch-office now occupies its site.

      These lodgings were too small, and he took a garden-house in Aldersgate-street, situated at the end of an entry, that he might avoid the noise and disturbance of the street. To his nephews he here added a few more pupils, the sons of his most intimate friends. This house was large and commodious, affording room for his library and furniture. Here he commenced his career of pure authorship, all he did having public reform and improvement for its object. Here he wrote, as a fitting commencement, a treatise Of Reformation, to assist the Puritans against the bishops, as he deemed the Puritans deficient in learning for the defense of the great principles they were contending for. That Milton would turn out a stern reformer of church matters, might be clearly seen from a passage in his Lycidas, written before he was twenty-nine years old. In this he is said even to anticipate the execution of Laud. The passage is curious:

      "How well could I have spared for thee, young swain.

       Enow of such as for their bellies' sake

       Creep, and intrude, and climb into the fold?

       Of other care they little reckoning make

       Than how to scramble at the shearers' feast,

       And shove away the worthy bidden guest;

       Blind mouths! that scarce themselves know how to hold

       A sheep-hook, or have learn'd aught else the least

       That to the faithful herdman's art belongs!

       What recks it them? What need they? They are sped;

       And when they list, their lean and flashy songs

       Grate on their scrannel pipes of wretched straw;

       The hungry sheep look up and are not fed,

       But swoln with wind, and the rank mist they draw,

       Rot inwardly, and foul contagion spread:

       Besides what the grim wolf with privy paw

       Dayly devours apace, and nothing said;

       But that two-handed engine at the door

       Stands ready to smite once, and smites no more."

      Here he next wrote his treatise, Of Practical Episcopacy, in defense of the Smectymneans, against Archbishop Usher; then, Reasons of Church Government, urged against Prelacy. In this work he revealed to his readers his plans for a great poem—the Paradise Lost; which only was deferred till the advocacy which the times demanded of him should be completed. Here he finished the controversy, by his Apology for Smectymnus, in 1642; and in 1643 married Mary Powell, and saw her desert him at the instigation of her time-serving family. This led to his writings of Divorce. These were followed by a Treatise of Education; and, finally, by his famous Areopagitica—altogether an extraordinary mass of labor to proceed from the private abode of a poor vaporing schoolmaster!

      It was in this house, on the approach of the troops of Prince Rupert to the capital in 1642, soon after the battle of Edge Hill, that Milton placed in imagination, if not in actual ink, his proudly deprecatory sonnet:

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