nothing striking about it. No doubt, when it opened into St. James's Park, it was pleasant; now it fronts into York-street, which runs in a direct line from the west end of Westminster Abbey. It is number 19, and is occupied by a cutler. The back, its former front, is closed in by a wall, leaving but a very narrow court; but above this wall, as already said, looks into the pleasant garden of the late venerable philosopher.
But the time of the Restoration was approaching, and Milton began to retrace his steps toward the city, by much the same regular stages as he had left it. After secreting himself in Bartholomew-close till the storm had blown over, and his pardon was signed, he once more took a house in Holborn, near Red Lion Fields; and thence removed to Jewin-street, near Aldersgate. All these places have been rebuilt, and no house of Milton is now to be found in these thickly-populated parts. People have often wondered why Milton always showed such a preference for the city. There are many reasons. In the first place, he was born and brought up till his seventeenth year in it; the associations of youth form strong attractions. In the second, as Dr. Johnson considerately tells us, Aldersgate-street and the like were not then so much out of the world as now. Besides this, after the Restoration, it would be far more agreeable to Milton to be at some distance from the West End, where cavaliers and courtiers were now flaunting with newly-revived insolence; and nothing but taunts, insults, and the hearing of strange and most odious doings, could have awaited him. Here Milton married his third and last wife, Elizabeth Minshull, of a good family in Cheshire, with whom he seems to have lived in great affection; so much so, that he wished to leave her all that was left him of his property.
From Jewin-street he made his last remove, as to his London residences, into Artillery Walk, Bunhill Fields. Bunhill Fields were probably, in those days, open, and airy, and quiet; at present, with the exception of the Artillery Ground itself, and the thickly-populated burial-ground which contains the bones of Bunyan and De Foe, the whole of that neighborhood is covered with a dense mass of modern houses. Artillery Walk, Bunhill Fields, is no longer to be found. The nearest approach that you get, even to the name, is Artillery Place, Bunhill Row, which is merely a row of new houses adjoining the Artillery Ground, and a new church, which has been erected in that busy, ordinary, and dingy street, still called Bunhill Row. Besides an Art of Logic, his Treatise on True Religion, Heresie, Schism, Toleration, and what best means may be used against the growth of Popery; his Familiar Letters in Latin; and a translation of a Latin Declaration of the Poles in favor of John III., their heroic sovereign—the last two published in the last year of his life; his residence in Bunhill Fields was made remarkable by the publication of Paradise Lost, Paradise Regained, and Samson Agonistes. He left, moreover, in manuscript, a Brief History of Muscovy, and of other less known Countries lying Eastward of Russia as far as Cathay, which was published in 1682, and his System of Theology, which was long supposed to have perished, but has been recovered and published of late years, much to the scandal of the orthodox.
Thus to the last did this wonderful man live and labor. Never did any man less "vapor away his patriotism." There is something singularly interesting and impressive in our idea of him, as he calmly passed his latter days in his quiet habitation in Bunhill Fields. He had outlived the great battle of king and people, in which extraordinary men and as extraordinary events had arisen, and shaken the whole civilized world. Charles I., Laud, and Strafford had fallen in their blood; the monarchy and the Church had fallen. Pym, Hampden, Marvel, Vane, and the dictator Cromwell, had not only pulled down the greatest throne in Europe, but had made all others seem to reel by the terrific precedent. All these stern agents, with the generals Ireton, Harrison, Lambert, Fleetwood, and their compeers, who had risen from the people to fight for the people, were gone, like the actors in an awful tragedy who had played their rôle; some had perished in their blood, others had been torn from their graves; the monarchy and the Church, the peerage and all the old practices and maxims, were again in the ascendant, and had taken bloody vengeance; yet this one man, he who had incited and applauded, who had defended and made glorious, through his eloquence and his learning, the whole Republican cause, was left untouched. As if some especial guardianship of Providence had shielded him, or as if the very foes who pulled the dreaded Cromwell from his grave, feared the imprecations of posterity, and shrunk from the touch of that sacred head—there sat the sublime old man at his door, feeling with grateful enjoyment the genial sunshine fall on him. There he sat, erect, serene, calm, and trusting to God the Father of mankind. He had lived even to fulfill that long-deferred task of poetic glory; the vision of Paradise Lost passed before him, and had been sung forth in the most majestic strains that had ever made classical the English tongue. His trust in Providence had been justified; he had served his country, and had yet not missed his immortality. The great and the wise came from every quarter to converse with him; and the wonderful passages through which he and his nation had lived, were food for the musings of the longest day or the most solitary moments.
Many have thought that those melancholy lines in Samson Agonistes, commencing
"O loss of sight! of thee I most complain,"
were his own wretched cogitations. But Milton, unlike Samson, had no weak seductions from the path of his great duty to reproach himself with; and far likelier were it that the whole apostrophe to light, spoken in his own character in the opening of the third book of Paradise Lost, was the more usual expression of his feelings:
"Thee I revisit safe,
And feel thy sov'ran, vital lamp; but thou
Revisit'st not these eyes, that roll in vain
To find thy piercing ray, and find no dawn;
So thick a drop serene hath quenched their orbs,
Or dim suffusion veil'd. Yet, not the more
Cease I to wander where the Muses haunt
Clear spring, or shady grove, or sunny hill,
Smit with the love of sacred song; but chief
Thee, Sion, and the flowery brooks beneath,
That wash thy hallowed feet, and warbling flow,
Nightly I visit: nor sometimes forget
Those other two equaled with me in fate,
So were I equaled with them in renown,
Blind Thamyris and blind Mæonides,
And Tiresias and Phineus, prophets old:
Then feed on thoughts, that voluntary move
Harmonious numbers; as the wakeful bird
Sings darkling, and, in shadiest covert hid,
Tunes her nocturnal note."
Such is the view that Richardson has given us of him in his declining days: "An ancient clergyman, of Dorsetshire, Dr. Wright, found John Milton in a small chamber hung with rusty green, sitting in an elbow-chair, and dressed neatly in black; pale, but not cadaverous; his hands and fingers gouty, and with chalk stones. He used, also, to sit in a gray, coarse cloth coat, at the door of his house in Bunhill Fields, in warm, sunny weather, to enjoy the fresh air; and so, as well as in his room, received the visits of people of distinguished parts as well as quality."
Much pains have been taken to represent Milton as morose and exacting in domestic life; and as proof of it has been adduced, the leaving of him by his first wife, and the statement that he made his daughters read to him in Latin and Greek, though he would not allow them to learn a syllable of those languages. If these things were true, I should be the last man to defend them, or to endeavor to gloss them over; but they are at least very doubtful. We must remember that these were the charges of his enemies, and they were many and bitter, and by no means truthful. The causes for his wife's desertion
