not to accept; and thus, so similar often are the effects of virtue and of vice, the exemplary MacGrawler conspired with the unprincipled Long Ned and the heartless Henry Finish in producing that unenviable state of vacuity which now saddened over the pockets of Paul.
As our hero was slowly walking towards the sage's abode, depending on his gratitude and friendship for a temporary shelter, one of those lightning flashes of thought which often illumine the profoundest abyss of affliction darted across his mind. Recalling the image of the critic, he remembered that he had seen that ornament of “The Asinaeum” receive sundry sums for his critical lucubrations.
“Why,” said Paul, seizing on that fact, and stopping short in the street—“why should I not turn critic myself?”
The only person to whom one ever puts a question with a tolerable certainty of receiving a satisfactory answer is one's self. The moment Paul started this luminous suggestion, it appeared to him that he had discovered the mines of Potosi. Burning with impatience to discuss with the great MacGrawler the feasibility of his project, he quickened his pace almost into a run, and in a very few minutes, having only overthrown one chimney-sweeper and two apple-women by the way, he arrived at the sage's door.
CHAPTER V.
Ye realms yet unrevealed to human sight,
Ye canes athwart the hapless hands that write,
Ye critic chiefs,-permit me to relate
The mystic wonders of your silent state!
VIRGIL, AEneid, book vi.
Fortune had smiled upon Mr. MacGrawler since he first undertook the tuition of Mrs. Lobkins's protege. He now inhabited a second-floor, and defied the sheriff and his evil spirits. It was at the dusk of evening that Paul found him at home and alone.
Before the mighty man stood a pot of London porter; a candle, with an unregarded wick, shed its solitary light upon his labours; and an infant cat played sportively at his learned feet, beguiling the weary moments with the remnants of the spiral cap wherewith, instead of laurel, the critic had hitherto nightly adorned his brows.
So soon as MacGrawler, piercing through the gloomy mist which hung about the chamber, perceived the person of the intruder, a frown settled upon his brow.
“Have I not told you, youngster,” he growled, “never to enter a gentleman's room without knocking? I tell you, sir, that manners are no less essential to human happiness than virtue; wherefore, never disturb a gentleman in his avocations, and sit yourself down without molesting the cat!”
Paul, who knew that his respected tutor disliked any one to trace the source of the wonderful spirit which he infused into his critical compositions, affected not to perceive the pewter Hippocrene, and with many apologies for his want of preparatory politeness, seated himself as directed. It was then that the following edifying conversation ensued.
“The ancients,” quoth Paul, “were very great men, Mr. MacGrawler.”
“They were so, sir,” returned the critic; “we make it a rule in our profession to assert that fact.”
“But, sir,” said Paul, “they were wrong now and then.”
“Never, Ignoramus; never!”
“They praised poverty, Mr. MacGrawler!” said Paul, with a sigh.
“Hem!” quoth the critic, a little staggered; but presently recovering his characteristic, acumen, he observed, “It is true, Paul; but that was the poverty of other people.”
There was a slight pause. “Criticism,” renewed Paul, “must be a most difficult art.”
“A-hem! And what art is there, sir, that is not difficult—at least, to become master of?”
“True,” sighed Paul; “or else—”
“Or else what, boy?” repeated Mr. MacGrawler, seeing that Paul hesitated, either from fear of his superior knowledge, as the critic's vanity suggested, or from (what was equally likely) want of a word to express his meaning.
“Why, I was thinking, sir,” said Paul, with that desperate courage which gives a distinct and loud intonation to the voice of all who set, or think they set, their fate upon a cast—“I was thinking that I should like to become a critic myself!”
“W-h-e-w!” whistled MacGrawler, elevating his eyebrows; “w-h-e-w! great ends have come of less beginnings!”
Encouraging as this assertion was, coming as it did from the lips of so great a man and so great a critic, at the very moment too when nothing short of an anathema against arrogance and presumption was expected to issue from those portals of wisdom, yet such is the fallacy of all human hopes, that Paul's of a surety would have been a little less elated, had he, at the same time his ears drank in the balm of these gracious words, been able to have dived into the source whence they emanated.
“Know thyself!” was a precept the sage MacGrawler had endeavoured to obey; consequently the result of his obedience was that even by himself he was better known than trusted. Whatever he might appear to others, he had in reality no vain faith in the infallibility of his own talents and resources; as well might a butcher deem himself a perfect anatomist from the frequent amputation of legs of mutton, as the critic of “The Asinaeum” have laid “the flattering unction to his soul” that he was really skilled in the art of criticism, or even acquainted with one of its commonest rules, because he could with all speed cut up and disjoint any work, from the smallest to the greatest, from the most superficial to the most superior; and thus it was that he never had the want of candour to deceive himself as to his own talents. Paul's wish therefore was no sooner expressed than a vague but golden scheme of future profit illumined the brain of MacGrawler—in a word, he resolved that Paul should henceforward share the labour of his critiques; and that he, MacGrawler, should receive the whole profits in return for the honour thereby conferred on his coadjutor.
Looking therefore at our hero with a benignant air, Mr. MacGrawler thus continued:—
“Yes, I repeat—great ends have come from less beginnings! Rome was not built in a day; and I, Paul, I myself was not always the editor of 'The Asinaeum.' You say wisely, criticism is a great science, a very great science; and it maybe divided into three branches—namely, 'to tickle, to slash, and to plaster.' In each of these three I believe without vanity I am a profound adept! I will initiate you into all. Your labours shall begin this very evening. I have three works on my table; they must be despatched by tomorrow night. I will take the most arduous; I abandon to you the others. The three consist of a Romance, an Epic in twelve books, and an Inquiry into the Human Mind, in three volumes. I, Paul, will tickle the Romance; you this very evening shall plaster the Epic, and slash the Inquiry!”
“Heavens, Mr. MacGrawler!” cried Paul, in consternation, “what do you mean? I should never be able to read an epic in twelve books, and I should fall asleep in the first page of the Inquiry. No, no, leave me the Romance, and take the other two under your own protection!”
Although great genius is always benevolent, Mr. MacGrawler could not restrain a smile of ineffable contempt at the simplicity of his pupil.
“Know,
